Blood brothers runs at Coventry Belgrade Theatre until Saturday 11 March 2017 prior to the rest of the UK tour, to book tickets visit: Blood Brothers Tour
Star rating: *****
Blood Brothers is my favourite musical bar none, I have yet to find any show that has the capacity to bring me to my feet within a split second when the crowd gives the guaranteed standing ovation. This show makes me laugh, cringe, cry and after expressing my undying elation for the brilliance of the cast, I could quite happily sit back down and watch it all again. Although I realise that it would be an impossible task to ask the cast to do that! An emotionally draining piece it certainly must be and at curtain call, so many of the wonderful performers still appear to be caught up in the last few moments of the production.
The story tells the sorry tale of the Johnstone twins, Mickey and Edward who are separated at birth after their mother makes a bargain with her employer. Their lives intertwine despite their mothers’ best intentions and it makes for a hilarious, heartening and tragic story. The cast perform as a solid ensemble and each key member has the ability to make you believe that they are children who steadily grow up throughout the duration of the show. The knowledge that the saga won’t end well is something we are provided with from the first scene, yet it doesn’t prevent me from enjoying the drama as it unfolds. The scenes from Mickey and Eddie’s childhood are among my favourites, especially when they’re jumping on and off their ‘horses’.
This particular incarnation of the production stars Lyn Paul, one of the original and best Mrs Johnstones, she slips into character like its a second skin and the emotion she brings to the role is immense. Her voice carried beautifully around the packed auditorium and she’s lost none of the power that her vocal ability is renowned for. Sarah Jane Buckley matches her note for note and strength for strength as Mrs Lyons, Buckley was new to the role the last time I saw her. She was extraordinary back then but she has taken her performance to a different level, now. Pitch perfect, an actress de force and the transiton from desperate to joyous to raving mad is a measured and deliberate one. I can’t speak highly enough about her. Alison Crawford stepped into the role of Linda as understudy and she absolutely made the role her own. From portraying the character as a little girl to the troubled grown up, every nuance was there in abundance. One to watch for sure and I hope to see her play the part again.
Sean Jones is the best Mickey I have seen, he has precise comic timing to enable him to portray the young lad but he transforms completely when he’s all grown up. I haven’t seen Mark Hutchinson as Eddie before, but he played the role as a stark contrast to his brother and was a good choice as the more well to do of the pair. Jones and Hutchinson demonstrate strong vocal harmonies, especially in ‘That Guy’. Dean Chisnall is an imposing presence as the Narrator, his vocal ability never ceases to amaze me and he sings my favourite song ‘Shoes Upon The Table’ with power and venom. He slinks back into the shadows so that you almost forget he’s there. then creeps up again to remind the two mothers what they’ve done. Tim Churchill moves seamlessly between roles, playing a ramrod straight and frightfully posh Mr Lyons then transforming into Milkman, doctor and so on! He and Graham Martin are real chameleons of the piece as they take a variety of parts and give each the care and attention that they deserve. In Martin’s case, he starts off as Mr Johnstone, reappears as a kid on the street, plays two very different teachers and a well endowed and randy judge! Actors like this pair are the life-blood running through such a well-oiled machine as this popular musical.
With a set that invites you in and frames the action whilst adding to the ambience and catchy musical numbers which include ‘Easy Terms’, ‘I’m Not Saying A Word’ and ‘Tell Me It’s Not True’ – I’d say the cast and crew give quite a show just like Marilyn Monroe!