For the full list of BAFTA award winners, follow the link: BAFTA Film Awards 2018
What a night, eh? From Joanna Lumley’s take-over as presenter to the display of unity from the female guests who wore black to the criticism of Kate Middleton for failing to wear black – it was all going on at this year’s film BAFTAs.
2017 saw some films of outstanding quality, I’ve been tempted by genres I might not otherwise have engaged with too. Who took home the trophies was of real interest to me and there were some hot contenders in each category.
Fun, games, and gossip aside, it truly was a remarkable evening celebrating some of the best in the film industry and there were many deserving winners. Here are a few of my highlights:
Coco is such a ground-breaking Disney movie, it was thoroughly deserving of the award for Animated Film. I often feel that Disney thinks outside the box with its choice of film subjects and this one definitely conforms to my theory, whilst retaining that Disney magic.
Frances McDormand fascinates me, every nuance of her performance regardless of role, is measured and beautifully believable. I have yet to see Three Billboards Outside Ebbing, Missouri – it’s top of my list to catch up on though. As an actress in every level and for all of her credits, as well as this particular role – McDormand was the obvious winner.
I actually shouted out Gary Oldman as the winner and clapped like a seal when this was announced. Darkest Hour is a moving, stunningly shot film and Gary Oldman enhances it with the most uncanny performance. Oldman is a talent de force, however would he have sprung to mind as ideal casting for Churchill? No! An inspired choice, though. Bravo!
I, Tonya is on my list to see at the cinema this weekend, so I’m unable to comment on Allison Janney’s performance, completely. However, from the clips that have caught my attention, I had already got her pegged as the winner in this category. I can’t wait to see the full movie, I have a feeling I will want to give Janney a standing ovation in the auditorium. She’s a marvel!
Call Me By Your Name – how glorious is this movie? The observational sub-text and exploration of the abstract is captured in cinematography which adds a new dimension to the story. As an adaptation it’s one of the finest screenplays I’ve seen and fully deserved the win.
Films on my hit-list for 2018
- I, Tonya
- The Shape of Water
- Black Panther
- The Incredibles 2
- Jurassic World: Fallen Kingdom