Romper Stomper arrives on DVD TODAY!
A QUARTER of a century ago, a film about skinhead racists running amok in Australia exploded around the world in an orgy of violence, shocking audiences with its realistic take on neo-Nazi culture and making a star of its young lead, Russell Crowe. Now, with nationalism and racism on the rise around the globe, Romper Stomper is set to return for its sequel, this time as a powerful and daring TV series, with a distinctly modern take.
Generating both critical acclaim and controversy across the globe, Romper Stomper arrives as a compelling six-part series. Following its run on BBC Three, it makes its DVD bow on 18 June 2018 courtesy of Acorn Media International.
Original writer and director Geoffrey Wright has created a new world in and around Melbourne, one inhabited by right-wing extremists, anti-fascist revolutionaries radicals and a group of Muslims caught between them. He has also revived some of the characters from the 1992 feature, played by original cast Dan Wyllie (Love My Way), John Brumpton (The Loved Ones) and Jacqueline McKenzie (The Water Diviner). They are joined by Lachy Hulme (Beaconsfield), Sophie Lowe (The Slap), David Wenham (Top of the Lake), Nicole Chamoun (Last Dance), and rising star Toby Wallace (Boys In The Trees).
Told from multiple points of view, Romper Stomper follows Patriot Blue, a new generation of white supremacists. Into their midst comes Kane, a smart, young 22-year-old with a secret past and a plan to secure his place in the group. His street smarts and winning way with words soon see him rising to the top as his band of hardcore right-wing extremists come into contact with both anti-fascist hardliners and a trio of conflicted Muslims. And as their rivalry intensifies, a wider political thriller emerges…
Series Creator, Geoffrey Wright chatted to Entertainment Views about the television series.
Thanks for talking to Entertainment Views, Geoffrey. When you first wrote Romper Stomper (the movie) where had your inspiration originated from?
I grew up near a suburb called Pascoe Vale. It was here that a skinhead Nazi crim called Dane Sweetman murdered a man on Hitler’s birthday. It was a shock but then I noticed other skinheads with their swastikas, racist tattoos, and steel capped boots, on the local trains. I realised you didn’t have to go far to find them. Something had to be said about them so I began interviewing and recording kids who had been part of that scene but who were (more or less) out of it. I couldn’t interview anyone still operating in it because they wouldn’t talk. From those interviews I assembled the script for the movie, compounding many events into a compressed time span.
Why do you feel now is the right time to revisit it?
With the rise of the Alt Right in the USA, the election of Trump, and the coming of Brexit, it felt like the far right was less shy about making its presence felt. The far right was selling itself as a viable political force, not a fringe dwelling oddity. It seemed like the moment had come when someone like Hando in the old film would look around and think ‘Mmm, this is more than interesting’.
What can the audience expect from the TV series and how will it compare to the film?
The audience can expect a new generation of extremists trying to ‘top’ or live up to the expectations of the old. They can also expect new players like ‘Antifasc’, our take on ‘Antifa’, who are the far left opponents of the Nazis and at least as physical and combative as them. There’s also some exploration of identity, whether it’s inherited or open to choice.
What are the challenges of bringing this to the small screen?
The challenges are working with sometimes very large numbers of people in very short shooting schedules, not that the film had a long shoot, either.
What do you feel the strengths of the piece are?
I think it tackles difficult material in a medium too given to political correctness. From a technical angle, it’s a well designed show that tends to avoid predictable execution in terms of camera and sound. I think it makes the most of today’s bigger screens and better sound systems. That doesn’t happen enough in TV.
Do you feel that writing and directing have an easy symmetry?
Do you mean writing and directing the same work? They can have a very clean and satisfying symmetry but directing off someone else’s writing is good too. On the series I wrote two episodes but only directed one of those I wrote. The other episode I directed was written by someone else and that can be liberating because you have (literally) fewer preconceptions. However, I do get anxious watching others direct something that I wrote.
What advice of you got for budding writers and directors?
Try and capture some kind of truth about human beings, be memorable in the process. If your work isn’t memorable it’s not worth doing.
Finally, why should we all tune in to the series?
Too much of the western world is worried about causing offence, you won’t get that fear in this show. Besides, we have some great young actors, Toby Wallace, Lily Sullivan, Markella Kavanagh, and Sophie Lowe; and some great established stars in Jacqueline McKenzie, Lachy Hulme and David Wenham.
Huge thanks to Geoffrey for his time and insightful answers – make sure you all look out for Romper Stomper which was released on DVD today.