Blood Brothers, the musical that has had a special place in my heart for a long time – it will always be a five star production in my eyes and has yet to deviate from that honour. Each time I see it feels like watching again for the first time as it’s easy to find something I may have missed on other occasions.
If you don’t know the story let me enlighten you… the action is set in Liverpool where class difference has never been more prominent and centres around Mrs Johnstone, her family and struggles. She was married but he scarpered as soon as the number of children she was having almost rivaled that of a football team. With twins on the way and the welfare threatening to take her kids away she reluctantly strikes up a bargain with her well to do employer, Mrs Lyons. Splitting up her twin boys, Mickey grows up with the big boisterous family and of course, Mrs Johnstone as his mother, whereas Edward is raised by Mr and Mrs Lyons, with Mr Lyons remaining in the dark about the reason why his apparently barren wife has born him a son. As the lads grow up, having met each other and become friends when they were age 7 (nearly 8) there’s a love triangle developing with a girl called Linda and the class divide is set to catalyse fatal consequences.
You’re bound to have heard a number of the timeless songs; there’s ‘Tell Me It’s Not True’, ‘My Child’, ‘Easy Terms’ and ‘Marilyn Monroe’ to name a few. Linzi Hateley plays the iconic role of Mrs Johnstone, taking over from Lyn Paul, she’s made the role her own. Mark Hutchinson plays Edward (Eddie) and his years of experience in the part are very telling, it’s almost like a second skin for him. Robbie Scotcher is a moody, shadow-dwelling narrator, the power of his vocals wows and he possesses extraordinary stage presence. Daniel Taylor will always be my Sammy, the tantrums are show-stopping and there’s always a splash of real menace which hints at what the future holds for the character. Danielle Corlass gives another flawless performance as Linda. Tim Churchill is as superb as always, excellent as Mr Lyons and hilarious as the milkman cum gynaecologist. The ensemble are also as strong as ever with Graham Martin reducing the audience to tears of laughter with his performances as the Judge and the two vastly different teachers. Amy-Jane Ollies also shines as Donna Marie and Miss Jones. Andy Owens never fails to give a wonderfully funny portrayal of the nerdy pal, Perkins.
Last night belonged, for me personally, to Sean Jones as Mickey and Sarah Jane Buckley as Mrs Lyons. That’s because it was the last time that I was to see them in the show. They’re both bound for pastures new and with Sean having 15 years under his belt it’s going to be rather strange getting used to a new Mickey. Sarah Jane joined the cast in 2016, but it’s no secret that I was already a huge fan (and still am a huge fan!) as I loved her as Kathy Barnes in Channel Four’s Hollyoaks. As Mrs Lyons she has surpassed my expectations, adding an extra something special to the ‘bridesmaid’ of the female roles. I was also lucky enough to see her play Mrs Johnstone as she has understudied the part, and her performance still resonates now. One of my favourite experiences in the theatre.
Sean Jones IS Mickey, so although I’m certain the new one will be fantastic and find his feet, I’m sure the loss of Sean from the cast will be felt keenly. Wishing both of them all the best for their future roles anyway – which I know they will both be amazing in. Look out for them, and indeed catch them in one of the venues that they will tour to with Blood Brothers before they finish. This is the first of their four remaining weeks with the tour.
All in all, Blood Brothers is one of the best nights at the theatre you could wish for, miss it at your peril! If you want to catch it at the wonderful Malvern Festival Theatre, it plays there until Saturday 2nd February: blood-brothers
Another National Television Awards ceremony has passed and it was an interesting, slightly controversial star-studded evening.
As an entertainment blogger with big love for all things telly and a working relationship and indeed friendships with a few familiar names from the small screen, I like to attend the awards whenever possible. I was a regular attender of the National Television Awards during the good old days when the Royal Albert Hall was the venue for the event. This year saw my third visit to the show since the move to the O2 and the extortionate charge to meet the celebrities on the red carpet came into being.
I’m often asked if it’s as good to be there as it looks on the telly and whether it’s worth paying for a ticket to go etc. The honest answer is that you do get a better view on your television at home, however I also believe that everybody should experience it at least once. Had the ceremony and set up remained the same as during Sir Trevor McDonald’s tenure – then I wouldn’t have hesitated to recommend that everyone with a passion for television pays a visit and indeed for a ticket, if they can. Every trip to the O2 for me has been widely different, however what stood out this time was the number of people in the audience who were going in and out of the auditorium at regular intervals and not during commercial breaks. This was disruptive to the evening itself for us members of the public. It’s no mean feat going up and down those stairs all the time either, they must have had a great workout!
The basic charge before fees for a red carpet ticket which includes a seat at the ceremony itself is £120. Prior to the move to the O2 it was free to attend the red carpet before and after the ceremony. There was a degree of scrambling which was kept under control by stewards, however on the whole it wasn’t a bad experience and helped to build up the excitement and anticipation before we piled into the venue itself. During commercial breaks inside the Albert Hall the nominees would make their way over to have photos with us and sign autographs too. It felt like we were all in it together, actors, crew members, directors, producers and us, the viewers.
As it’s an awards ceremony voted for by the public, back in those days it truly felt like the public got something back for supporting the various television shows. If you didn’t have an opportunity to see your favourite celebrity before the show or during, there was always a good chance that you would meet them afterwards. Indeed I was able to arrange to meet friends who were nominated and we’d easily find one another amongst the throng. On all three occasions that I’ve been in the audience at the O2 it’s been impossible to meet any nominees in my social and working circle.
So why the big change? Security risks are heightened of course due to a vast number of reasons and social media and all its pitfalls have also added to the mix. There are a few ‘fans’ out there who troll celebrity social media accounts and they could be loose cannons on occasions such as these I expect. It’s such a shame though because the event which I have always loved being a part of now feels like an us and them situation – those who are on TV versus those who aren’t. Separated and kept under lock and key by more security staff than you can shake a stick at – and you’d be wise not to shake a stick or you’d find yourself back on the tube before the stars were in their seats. Which wouldn’t be difficult! At the Royal Albert Hall the nominees were always seated well in advance of the show going live. At the O2 it’s almost more entertaining to watch the celebrities being herded in, rather like cats, than it is to watch the show. As you will no doubt have spotted on your screens this year, they are seldom in their seats ahead of the show being broadcast.
Although there is a notable barrier between Joe public and the television greats, there are a handful of stars who like to boogie with the warm up man and get the crowd ready to party. This year Brendan O’Carroll and Jennifer Gibney aka Mrs Brown and Cathy Brown were having a dance and cheering with the audience before Dermot came on to do his thing. Last year we had Ruth Langsford and Alison Hammond strutting their stuff. The various television theme tunes are blasted out and we can see footage from the red carpet to spark our enthusiasm. It’s after that I feel the show becomes something of a damp squib.
The positive side of the night for me personally is that I go with friends and we have a brilliant time. This year we were treated to a ‘red carpet’ make over by Bobbi Brown UK in John Lewis and Partners, Oxford Street ahead of the show and spent our time enjoying a good catch up. It is what you make it, and if you want to spend the big bucks to meet the stars on the red carpet, the opportunity is there. It’s not what we’re keen to do but it would certainly be an experience not to be forgotten I’m sure. You can book tickets for next year so if you feel it’s time to see what all the fuss is about and see the inside of the awards for yourself, book now: www.nationaltvawards.com/
The dust has settled on another National Television Awards – the free bar for the nominees and their plus ones has been pounded, the ticket holding members of the public have finally felt able to put their shoes back on (I saw many a fellow attendee with sore feet, clutching their inappropriate choices of footwear in their hands!) and the winners are all admiring their spectacular trophies I expect. Did you vote in this year’s National Television Awards and did your favourites win?
Here’s what I thought of the various outcomes and I’ll let you in on who I had my money on in each category too… (when I say money, I do mean Monopoly cash – just so you know and so my husband doesn’t fly into a blind panic if he reads this!)…
Factual Entertainment: Paul O’Grady: For The Love of Dogs
I voted for this show, I think its stood the test of time and like many members of the British public, I love animals and want to see them living their best life. Paul is an inspirational guy and as a presenter with such as passion for dogs, the combination couldn’t be better. A much deserved win!
Quiz Show: The Chase
Another show I voted for, I love Bradley Walsh as a presenter, I think the banter between the various chasers and the contestants is good entertainment value and I think the format is very watchable. It has long been my favourite quiz show. Happy viewer and voter!
New Drama : Bodyguard
Of course it was, and of course I voted for this. BBC One has needed a gripping drama of this quality to up its game with so many channel choices out there. Richard Madden was a top choice to take the title role and I will never forget the first episode, edge of my seat and almost on the floor! An unsurprising winner.
Drama Performance: Richard Madden
Did I vote for him? Why yes you nosy devils, I did indeed! He’s not been on my radar before Bodyguard but he’s on it now and will remain so for a long time to come. A humble winner who couldn’t have been better cast in such a prolific role, long may Madden reign!
Talent Show: Strictly Come Dancing
Yes I voted for Strictly! It’s one of my all time favourite shows and I thought last year’s was one of the bet years they’ve had so far. They seem to be able to do no wrong as they also won last year. I’m just gutted that none of the judges made it to the shortlist this year.
Comedy: Peter Kay’s Car Share
If I had been putting money on National Television Awards winners I’d have been steaming ahead by now as this was another of my choices. Peter Kay developed a comedy in Car Share that we’ve not seen anywhere else and it never failed to tickle me. The episode featuring the monkey will be a memory I’ll always laugh out loud at. It was the last time that the show would be eligible as it has come to a close now, so it’s lovely that they won and great for Peter Kay too as he’s been off the scene.
Newcomer: James Moore
I don’t think I’ve ever felt so elated when a winner has been announced at this show. James Moore has been such a terrific addition to the Emmerdale cast and I wouldn’t have voted for anyone else. He made a fantastic entrance to claim his trophy and he’s raising the profile of actors with a disability. I hope he stays in the soap long enough to be in the running for a best actor award in future years.
Daytime: This Morning
I think I’d be hard pushed to think of a better winner, This Morning trumps all the other nominees every time and was naturally on my radar to vote for with Eamonn Holmes and Ruth Langsford being two of my all time best loved presenters. I do wonder if the public vote for it just so they can watch a hungover Phillip Schofield and Holly Willoughby the next morning though…
TV Judge: David Walliams
I have to admit that I failed to vote in this category when the shortlist was announced as I wanted Shirley Ballas from Strictly Come Dancing to be in the running. David Walliams is extremely entertaining but his choices of act on Britain’s Got Talent to go through are usually slightly off the wall and not necessarily the same choices I’d make. So although he was probably one of the best shortlisted nominees in that category, I was a bit disappointed. Sorry! It also broke my winning streak, but then I was never in the running for this one with my beloved Ms Ballas out of the picture!
Drama : Peaky Blinders
I didn’t vote for the show, I’ve never watched it, however I can see why it won as I know the following are strong and committed. I had a dilemma as to who I voted for as I support Casualty and the cast, but I adore Call The Midwife, so I was torn. I went with the latter but all my work colleagues went with the former!
TV Presenter: Ant & Dec
I voted for Bradley Walsh, let’s get that out there straight away before I dissect this controversial little nugget. Had Dec been available to vote for by himself in this category, I might have considered voting for him. Ant very graciously and rightly announced that the award belonged to Dec so no hard feelings as far as I’m concerned. The public awarded it to them and assuming the vote counting was correct, that’s the end of it. I’m pleased for Dec.
The Bruce Forsyth Entertainment Award: I’m A Celebrity… Get Me Out Of Here!
Yes, a worthy winner and the one I voted for. I’m back in the game! However, I have to admit it would not have been my choice in previous years. This year the king of jam roly poly, Harry Redknapp made it unmissable for me and I really enjoyed the combination of Dec and Holly Willoughby, which I wasn’t sure would be the best before the show started. Worthy winner!
Serial Drama Performance: Danny Dyer
My vote went to Emmerdale’s Emma Atkins however it was a tough decision and I had considered putting my vote Mr Dyer’s way. He livens up Eastenders that’s for sure and the recent storyline he’s been at the centre of has had me glued. So although Emmerdale’s Charity Dingle pipped it for me personally when it came to voting – Mr Dyer was never far from the radar either.
Serial Drama: Emmerdale
They’re on a winning streak as they won last year too. Coronation Street received my vote this year however Emmerdale were always a close second. All the soaps have upped their game at some point over the last twelve months and should all be congratulated for hard work, excellent episodes and continually entertaining us. Well done Emmerdale, with all the episodes you lot churn out you deserve the recognition. For a full list of winners and more highlights check out the official website for National Television Awards and you can also book tickets for next year’s show: www.nationaltvawards.com/
Photo credits: BBC and National Television Awards Official Website
It’s the stage spectacular that’s certain to make you feel like you’re walking in the air with its feel-good yet beautifully moving story, choreography and music. In its 25th anniversary year, the live version of the stage show based on the Raymond Briggs classic is heart-warming and brings tears to the eyes in equal measure!
The atmosphere of the piece is created from a combination of stunning ballet, beautiful, believable characterisation and the strength of the story alone which is told so brilliantly by the utterly incredible cast. The stage version dovetails with the film in that we follow the friendship between an over-excited boy waiting for Christmas and even more enthralled to see its snowing. His glorious snowman comes to life in wondrous fashion as the pair embark upon a marvellous adventure. Together they make a formidable team as they combat a cat attack, encounter dancing fruit from the fridge who limbo dance and even brave a trip to mum and dad’s bedroom to dress up the frozen wonder. However it’s when the pair take flight into the night sky that the piece reaches its crescendo. The party that ensues with a selection of other snowman, animals and Father Christmas himself can’t fail to put a smile on your face. Punctuated by the sensational music and lyrics from Howard Blake.
Martin Fenton astounds in the title role, he plays the Snowman as if he were wearing a second skin and every move is measured, precise and engaging. Lewis Chan gave a superb performance as the boy, the chemistry with Fenton was stunningly palpable. Ruben De Monte was extraordinarily impressive as Jack Frost, commanding the stage and leaving us under no misapprehension as to who the baddie of the piece was. The penguins were my favourites though, comical, exact movement and a real double act – kudos to Ami Tollin and Kimberly Lawrie.
A family evening out at the theatre doesn’t come in any better packaging than this – it’s the perfect post-Christmas treat. Book your tickets to see The Snowman now: www.birmingham-rep.co.uk/
I’m late with last year’s highlights but suffice to say that 2018 was a fantastic year for shows of all genres. A great mix was on offer for Entertainment Views to attend and there have been so many wonderful memories made along the way. Here are just a few of the stand-out opportunities I had…
Gilbert & Sullivan’s operettas have been on my radar for years and I’ve watched many of them, however I had never seen Iolanthe nor the wonderful ENO performing one of their famous operettas. So – the chance to see Iolanthe performed by the ENO at London’s Coliseum was too good a chance to miss. With Yvonne Howard giving an outstanding performance as the Fairy Queen and a cast de force, all I can say is bring on its return! Iolanthe Review
Hotel Transylvania 3
What a movie! My movie of the year for sure! If you’ve never seen the other movies in the franchise it doesn’t matter, you can dive into this one and soon get the gist of the hilarious plot and get to know the madcap characters. A great film for grown ups as well as kids.
Falstaff (Garsington Opera)
Opera is one of my new loves and Falstaff was one of my first experiences of a non-operetta style. It starred Yvonne Howard who (as you already know) is one of my all-time favourite performers and Henry Waddington was exceptional in the lead title role. Garsington offers beautiful surroundings and a unique setting – I hope to return this summer. Falstaff Review
Coventry Comic Con
One of my favourite Comic Cons returned for its second year and it was a glorious set-up as expected. Plenty of stalls, activities and cosplayers as well as a great spacious layout. Our who family love this one and can’t wait to go again this year. Coventry Comic Con Review
I adore Blood Brothers, it’s one of my all-time favourite musicals and for the past couple of years one of the best actresses (in my humble opinion) has been playing Mrs Lyons and understudying the role of Mrs Johnstone – the brilliant Sarah-Jane Buckley. I was lucky enough to see the show a few times in 2018 and look forward to seeing it again this year, although a few cast changes are afoot… Here’s one of my latest reviews: Blood Brothers Review
This Morning Live!
I am a huge fan of This Morning and for those who know me well, you’ll be aware that I am also a massive fan of Ruth Langsford and Eamonn Holmes. In Birmingham we’re really lucky to have the This Morning Live! show at the NEC and it was a superb experience. From shopping to cooking masterclasses to meeting the presenters themselves (I only managed to meet Alison Hammond this time around but she is amazing and so lovely) – I couldn’t recommend the show more. This Morning Live! Review
Sixties Gold Show
I’ve long been a fan of The Searchers and I’ve supported them on solo tours on many an occasion – however this was the first Sixties Gold tour I’d been to. It was one of the biggest highlights of my reviewing year and I’m really looking forward to the next one. It was such an amazing night, buzzing! Sixties Gold Tour Review
BBC Good Food Show
I’ve been interested in going to the BBC Good Food Show for years, I finally grabbed the opportunity to attend their winter show and it was everything I hoped it would be! I’m looking forward to attending the summer show this year. BBC Good Food Show
Claire Richards solo gig
I adore Steps, I have so many favourites from among their epic back-catalogue, however I am also loving Claire Richards as a solo artist. She’s got such a powerful voice and her versatility knows no bounds. A superb gig at Birmingham Town Hall showcased her talent, the album is out very soon and my review of her gig is here: Claire Richards Review
Snow White and the Seven Dwarfs (Malvern Theatres)
Malvern Theatres has long been top of my list of midlands-based theatres and their production of Snow White and the Seven Dwarfs was a brilliant cornucopia of mad-cap stereotypical panto antics. Su Pollard was a revelation and stole the show. A well deserved five stars! Snow White and the Seven Dwarfs Review
The Future of Entertainment Views
On a final note, I wanted to update all of my valued readers and subscribers on the direction that 2019 will most likely see my small corner of the internet, taking. You can find a bit about this particular rambling on my https://entertainmentviews.co.uk/about/ but I wanted to use this post to chat a bit more about blogging and me. As an established blogger juggling a young family as well as having a bash at hanging on to a day job too, I’m often asked all of the questions I’m about to answer…
In 2013 I branched out as an independent theatre blogger, reviewing shows at the local theatres I’d built up a relationship with on behalf of an established review site which sadly no longer exists. Break A Leg Review was born at around the same time as I discovered I was pregnant so my progress was slow to begin with, although I kept up with it as much as possible. I worked full time in a day job with the NHS and my morning sickness was as backwards as I can be, in that it appeared in the evenings!
I was reviewing in and around the West Midlands as that’s where I’m based and I had managed to secure a place on press lists at most of the theatres that I frequent. In 2015 I was lucky enough to connect with London theatres and due to suggestions from the various people I was interviewing, meeting and liaising with – I added movie and television reviews to the mix as well as music too. My blog took off in ways I could never have imagined during that year.
I made the decision to reach out to London theatres (and many other venues around the UK) as well as add other types of review to my blog because I had become a mum in 2014. That’s the quick answer. Becoming a mum changed my life in thousands of ways. To begin with, I was so consumed by the tiny little boy in my life that I considered giving up my blog. However, having returned to my day job on a part time basis while I searched for a different career that would suit motherhood and the juggling, I was considering blogging and therefore working from home, as a viable option. I ended up in another NHS job working unsociable hours instead, however so draining on my mental health was this new job, that it became even more of a goal to be able to work from home.
I took yet another NHS job to keep the bank account happy and which made my mental health happier (for a limited period of time!) and worked hard throughout 2016 to try my hand at other things such as social media management and website creations. I might have been working part time in the NHS but with my other work (blog included) mounting up – it felt like the right time to take the plunge and work solely from home. Timing was good as 2017 was my little boy’s last full year at nursery before he started school in 2018.
Truthfully, it worked for a while and was even enjoyable at times. I branched out into entertainment PR and dabbled in many areas. However, what I learned was that working from home and making a career out of blogging is not my thing. I still love to blog of course, but I don’t want my blog to be the be all and end all. The family dynamics change once your little one goes to school too. I found I couldn’t just pop off to London and I didn’t want to. I lose 6 hours a days for 5 days a week of my lad’s company during term time and I love being able to drop him off at school and pick him up. The smile on his face when I’m waiting at his classroom door is more moving than any theatrical performance I’ve reviewed.
2018 saw me start another job with the NHS (it’s what I know!) and that works at the moment. I like leaving the house to go to work and although it’s been a slightly awkward transition for my boy as he got used to me being at home, we’re all getting on with it.
2019 sees me being less of a critic and more of a cheerleader as I share all my positive experiences with you. I also have a few new ventures on the horizon which will hopefully help my much-desired career changes to take shape – but at the heart of everything are my boys – my husband and my son.
Have you tried to combine blogging with parenthood and career juggling? I’d love to hear about your experiences too!
The rivalry between tennis greats Björn Borg and John McEnroe was one for the ages and it was no doubt made for theatre. Here were two of the sport’s finest — both immensely talented and massively driven by the pursuit of greatness. But one, McEnroe, was fierce and volcanic; the other, Borg, was suave yet stoic. They were fire and ice, perfect dance partners for the sport of tennis.
That rivalry is the one Borg vs. McEnroe revisits over three decades later. Directed by Danish filmmaker Janus Metz Pedersen, Borg vs. McEnroe is a biographical sports drama that chronicles what is arguably one of the sporting world’s fiercest — and most evenly matched — rivalries. The biopic revisits a compelling clash of titans, and it does so with aplomb (though it is not without its flaws).
Borg vs. McEnroe illuminates the essence of Borg (played by Sverrir Gudnason), whose ice-like demeanour concealed an inner cauldron fuelled by a burning desire to win and a manic obsession for detail. The Guardian notes that Gudnason is remarkable in this biopic, and that is a accurate observation. The Swedish actor recreates in compelling detail everything that made his compatriot a tennis legend, and in doing so nearly steals all the thunder from Shia LaBeouf, his equally talented co-star.
LaBeouf doesn’t disappoint either as McEnroe. The biopic redefines McEnroe’s character, making a case that the American’s gifts were also his curse. McEnroe has been widely reviled for his hot-headed, tantrum-throwing ways, but Borg vs. McEnroe contextualises this volcanic temper. It wasn’t so much that McEnroe was forever full of vitriol; rather, his outbursts were manifestations of his own burning desire to win and his own manic obsession for detail. To this end, Pederson juxtaposes the two icons in a different light far apart from the fire vs. ice comparisons. The film’s message, it seems, is this: Despite their outward differences both players have a lot more in common than meets the eye. Those commonalities, in turn, are what made this Borg vs. McEnroe the rivalry that it was.
If anything, though, LaBeouf, despite his riveting performance, is left underused, and not by his own doing. The Independent’s review of the biopic rues this very same aspect, noting how Ronnie Sandahl’s screenplay hands the lion’s share of screen time to Gudnason. It is not a bad call per se, especially given Gudnason’s own spotlight-stealing greatness; but LaBeouf himself boasts acting pedigree, and he sure could have used more screen time.
Now, for the match point: Borg vs. McEnroe is an ace of a film, with a climax that artfully recreates the epic 1980 Wimbledon finals between the two icons. This biopic is an enthralling look-back at a tête-à-tête that remains the standard bearer for a sport that has had plenty of rivalries. The most recent of these rivalries, in the estimation of tennis great Pete Sampras, is the one between Roger Federer and Rafael Nadal, whom Sampras says “carried the torch for a couple of years” — in much the same fashion that Borg and McEnroe did from 1978 to 1981. Ranked 1 and 3 in Coral’s list of highest earning tennis players, Federer and Nadal have faced off 38 times (16 times more than Borg-McEnroe), with 24 of those showdowns for a championship.
One of the best television comedy series is BACK, which means that BBC Two is the place to be at 10pm on a Monday night! Two Doors Down is unmissable comedy and a fabulous way to kick-start January.
The series kicked off in hilarious style with Beth (Arabella Weir) and Eric (Alex Norton) supposedly off out for a romantic meal to celebrate their 30th wedding anniversary – however unbeknownst to them their son Ian (Jamie Quinn) has arranged a surprise party in their home. Co-hosted and catered by Ian’s over-eager partner Gordon (Kieran Hodgson), all the gang are there to celebrate the occasion. The gang being neighbours; sloshed Cathy (Doon Mackichan) who’s taking every opportunity to steal kisses from an unwitting Gordon, Cathy’s husband Colin (Jonathan Watson) is on hand with his usual selective blindness to his wife’s shenanigans, newer neighbours Alan (Graeme Stavely aka Grado) and Michelle (Joy McAvoy) are also present – the former in his own bubble of inappropriateness while the latter is both bewildered and ever-more assertive. Christine’s also there of course, plus her trifle which is her idea of a suitable anniversary gift as she had the tins of fruit cocktail doing nothing!
There’s a brilliant game of Mr and Mrs – cue the theme tune – which has been created by Gordon and is ever so slightly sabotaged by Beth’s unwillingness to answer all of the questions he has prepared as well as Michelle’s interruption with her own question. With the wedding theme at the heart of the topic, Cathy is pushing everybody’s buttons in her usual way, sniping at Michelle unnecessarily and causing awkwardness between Ian and Gordon when she asks Gordon if he would say yes to a proposal of marriage from Ian. Awkwardness aside, it was a pleasure to see the lovely, easy chemistry between Beth and Eric, perhaps demonstrating why they’ve been married for thirty years.
The episode is peppered with dirty dancing from Cathy and Colin, frequent demands from Christine for the trifle to be eaten and uneasiness from Michelle while Alan has no fear of making his opinion known, happy to declare that isn’t interested in Beth and Eric’s wedding album.
Two Doors Down so far seems to be living up to its reputation for brilliant observational comedy, cringe-worthy moments and fantastic characterisation. Long may it reign!
One of the best pantomimes I’ve had the pleasure of seeing this season – Maid Marian and the Merry Men at Worcester Swan Theatre. Last year’s version of ‘Sleeping Beauty’ which saw my little boy and I visit the theatre for the first time, was a real revelation so I was looking forward to this season’s effort and it absolutely did not disappoint.
Chris Jaeger, who is Chief Executive and Artistic Director at the theatre, has written the script and it’s a traditional one through and through yet cleverly doubles as a modern day take on the art of pantomime. With Maid Marian at the helm instead of Robin Hood, the show has moved with the times whilst keeping the usual quick-fire gags, opportunities to boo the baddie aka boo til you’re blue and audience participation encouraged at all times.
The story is not dissimilar to the well-known tale of Robin Hood and he does feature in the show, however incarnation is based around a feisty, independent Marian. She’s under the protection of the evil Sheriff of Nottingham who’s squeezing taxes out of the local residents and desperate to marry off Marian to Guy of Gisborne so that Marian’s money will stay in the Sheriff’s family. Cunning eh? Meanwhile there’s a half-soaked Friar Tuck eager to re-join Robin Hood’s band of merry men, Dame Ginny is on hand for madcap antics together with Willy the Wally and there’s Robin himself of course, he’s a bit of a dim-wit and head over heels in love with the leading lady. No I don’t mean Dame Ginny, she’s on the search for a husband from amongst unwitting male members of the audience. Watch out! The merry men are a bit on the young side, so they’re helped (or hindered) by the other characters as they endeavour to bring about the downfall of the Sheriff of Nottingham and help Marian to shake off Guy of Gisborne too.
Genevieve Lowe is extraordinary as Maid Marian, she’s a performer de force and her vocal ability is stunning. Tom Riddell gives a humour-filled performance as Robin, he had the audience on side from the outset. Heidi Gowthorne was a fabulously sparkly Fairy, quirky and gentile in equal measure. John-Robert Patridge shone as Dame Ginny, ably filling the shoes of Ben Humphrey who directed this season’s extravaganza but was notably absent from the pinny. Patridge was hilarious in the role, Humphrey was missed but his personal stamp on the overall show was evident. Jamie Kwasnik made the role of Friar Tuck his own and his comic timing was superb. Wilf Williams managed to make Guy of Gisborne a dashing yet clumsy oaf who was completely under the spell of the Sheriff. Charlie Ryan was quite the clown as Willy the Wally and his facial expressions alone were comedic. Liz Grand commanded the stage as the Sheriff of Nottingham, fierce, no-nonsense and extremely happy to receive as many boos and jeers as possible, she is a one of the jewels in Worcester Rep’s crown.
All in all, it’s a fast-paced, humour-packed affair with exceptional scenery, excellent choreography and a lot of fun for all the family. The musical numbers all fit in brilliantly with the plot and there’s a fantastic disco medley to put you in that party mood.
If you want to try and get your hands on a ticket before Maid Marian and the Merry Men closes, you can do so here: Worcester_Live