Everything is awesome…. correction, everything WAS awesome, but there’s a sickly sweet and rather girlie influx of blocks who want to take over the world, specifically Bricksburg. Or do they? It’s time for the Lego Movie 2 folks!
Emmet is back, dreaming of owning his dream house and living there with Lucy aka Wildstyle and seemingly untroubled by the latest turn of events which is triggered by Finn’s younger sister, Bianca taking some of his Lego into the basement to play with. What transpires is Emmet and Lucy’s world colliding with a glittery universe they’re fearful of – with General Sweet Mayhem arriving to escort them to see Queen Watevra Wa’Nabi of the Systar System. The Queen wants to marry their leader, although they’re not sure who that is. Of course, Batman is on hand to offer himself as the leader and he’s having his usual ‘feud’ with Superman, a glittery Superman!
With Lucy ‘kidnapped’ by General Sweet Mayhem along with their other friends, Emmet turns his dream house into a spaceship to rescue them and is thrilled to meet Rex Dangervest who arrives to help him. As Lucy continues to resist the brainwashing she perceives to be occurring around her and wonders if she’ll ever see Emmet again – the race is on for Batman to marry Queen Watevra Wa’Nabi before Armomageddon.
There’s some top tunes, superb graphics and an extremely witty script packed full of sarcastic asides which might go over the young viewers’ heads but certainly weren’t missed by the adults in the cinema! The sequel is certainly as good a watch as the first and has something to offer all ages.
In summary… Everything IS Awesome! Go see Lego Movie 2!!
The title itself suggests that there’s a historical genre in store, however it gives little away as to the light erotic LGBT content. It’s a film packed with overt horror, underlying messages, a slightly unstable storyline perhaps yet it’s entertaining and gripping in equal measure. The characters are all purposeful and well-rounded which helps to move the action along in a dark, not entirely vampire-driven film set in Shropshire.
The backstory of the sorcerer’s dark conjuring of the female vampire shows him casting his spell on the owner of a country mansion in the year 1807. At the heart of the story is a character called Isabelle (Katie Goldfinch) – she’s investigating the truth behind the legend of the crucible and is therefore sent to the mansion by her University Professor. Isabelle is your archetypal young woman who’s blissfully unaware of the horrors awaiting her and is easily taken in. She’s a virgin, therefore she’s just the sort of meat the inhabitants of the mansion are looking for.
Karl (Larry Rew) is the owner, he’s almost a caricature of villainy. His wife, Evelyn (Babette Barat) is almost too over the top in her politeness. Their daughter, Scarlet (Florence Cady) is the most openly ‘delighted’ by the visitor. The introductions set the tone for the rest of the movie. There’s also a fairly innocuous gardener whom it’s wise not to take your eye off – played by Neil Morrissey.
Crucible of the Vampire is a hybrid of Hammer Horror and horror comedy Dark Shadows – from my perspective. There are elements that set out to scare and other scenes I can’t quite take seriously. However it’s a compelling watch with a strong cast and Director/Co-Writer Iain Ross-McNamee has certainly embodied an interesting niche.
Crucible of the Vampire is available on Dual Format (DVD & Blu-ray) from Screenbound Pictures.
Crucible of the Vampire was released in cinemas yesterday and it looks set to be a thrilling piece of cinematography. Actress Florence Cady plays the role of Scarlet in the film and I caught up with her to find out all about the character she plays and why she thinks that vampire movies have stood the test of time.
Thanks for chatting to Enertainment Views, Scarlet. Tell me about Crucible of the Vampire and what attracted you to be part of it?
Crucible Of The Vampire is a Gothic Vampire Thriller set in present day Shropshire in a large country house. Stylistically, it draws from classic British horror of the 1950s and 1960s, along with modern Korean and Japanese psychological horror. I was attracted to the idea of playing a strong, multi-faceted female character. It was a great opportunity to get my teeth into (excuse the pun) a complex, dynamic and varied role. I was also drawn to the idea of doing my own action scenes, including: horse-riding, fight scenes and a dance sequence. It is not often that you get the chance to play a lead role and also do your own physical work.
What are the strengths and quirks of your character?
Scarlet is a strong character both physically and mentally. She is extremely powerful and incredibly manipulative, but this is born out of her inner anxiety and feeling of isolation and entrapment. Scarlet initially appears to be a petulant child, and then she develops into a dangerous seductress and manipulative psychopath. She has a strong character arc and a deep secret. She is very volatile and becomes intensely angry at the flick of a switch, which can be quite sinister. But, she is also very playful and girlish at times. She is a dreamer, driven by her fantasy of escape. Our director, Iain Ross-McNamee was brilliant at allowing us the space for our characters to develop whilst also having a clear vision of what he wanted Scarlet and Isabelle’s relationship to be like.
What’s your favourite scene from the film?
I think my favourite scenes to film were the action sequences choreographed by stunt co-ordinator, Justin Pearson. Katie and I worked with Justin to learn the fight scenes, almost like a dance sequence. It was quite exhilarating to chase each other down the corridors at night, whilst trying to get the moves in the right order, which became second nature after a short rehearsal period. I also enjoyed learning the dance sequence set in the ballroom, which was choreographed by Vikki Burns. The room had such beautiful natural light and it was a great space to work in. In preparation for the role, I went back to barre classes to refresh my ballet, and I stretched daily to ensure I was prepared for the short rehearsal period on set with Vikki.
Any particular memories from making the film?
I have lots of fond memories from making the film. It was a fantastic opportunity so early on in my career, and also a chance to escape London and live in the beautiful Shropshire countryside. One particular memory I have is of shooting the dream sequence on a gorgeous white stallion. I remember at one point the horse-handler saying to me ‘there are 18 acres of land here, and he hasn’t had a gallop in a while, so don’t get too confident!’ Luckily the horse was very well-behaved, and I manged to stay upright. It was a challenge to try and remain calm, get the horse to do as it was told, whilst looking elegant and serene.
What’s your best loved genre of film?
I’m a big fan of Film Noir. I wrote my dissertation on Women in Film Noir, looking at the on-going fascination of the femme fatale from the classic noir of the 1940’s onwards, to neo-noir from the 1970’s to present day. I’m fascinated by the elusive archetype of the femme fatale and the distinct visual style of the ‘genre’. Our film shares one of its key themes: the blurred lines between fantasy and reality, which we used to explore the dreamlike quality of certain parts of the film.
Why do you think that Vampires hold such fascination for film fans?
I think Vampires hold such a fascination for films fans because they are an archetype that instantly conjures up a strong image of a dark, brooding, charming and sexually provocative character. They also represent the disparity of how a person can appear to be one thing, but are completely the opposite. As with Scarlet in the film, at the beginning we wanted to make it feel like she was just a troubled, tormented soul driven by her desire to escape her life confined to her parent’s house. Vampires are often lonely, isolated characters and I think all humans can I identify with that feeling at some point in their life. They are also fascinating because they are superhuman, extremely powerful and can live for hundreds of years. They transcend the ordinary.
Why should we all watch Crucible of the Vampire?
You should all watch Crucible of the Vampire because it has garnered rave reviews at major festivals, including Starburst International Film Festival which called it “an engaging story that is both broodingly ethereal, visually eloquent and thoroughly enjoyable.” It is an intense, provocative and disturbing horror that will make you uncomfortable at times and challenge your perceptions, harking back to the classic British horror of a by-gone era.
Thanks to Florence for an insightful interview.
Crucible of the Vampire is in cinemas 1st Feb and on Dual Format (DVD & Blu-ray) on 4 Feb 2019 from Screenbound Pictures
I’m late with last year’s highlights but suffice to say that 2018 was a fantastic year for shows of all genres. A great mix was on offer for Entertainment Views to attend and there have been so many wonderful memories made along the way. Here are just a few of the stand-out opportunities I had…
Gilbert & Sullivan’s operettas have been on my radar for years and I’ve watched many of them, however I had never seen Iolanthe nor the wonderful ENO performing one of their famous operettas. So – the chance to see Iolanthe performed by the ENO at London’s Coliseum was too good a chance to miss. With Yvonne Howard giving an outstanding performance as the Fairy Queen and a cast de force, all I can say is bring on its return! Iolanthe Review
Hotel Transylvania 3
What a movie! My movie of the year for sure! If you’ve never seen the other movies in the franchise it doesn’t matter, you can dive into this one and soon get the gist of the hilarious plot and get to know the madcap characters. A great film for grown ups as well as kids.
Falstaff (Garsington Opera)
Opera is one of my new loves and Falstaff was one of my first experiences of a non-operetta style. It starred Yvonne Howard who (as you already know) is one of my all-time favourite performers and Henry Waddington was exceptional in the lead title role. Garsington offers beautiful surroundings and a unique setting – I hope to return this summer. Falstaff Review
Coventry Comic Con
One of my favourite Comic Cons returned for its second year and it was a glorious set-up as expected. Plenty of stalls, activities and cosplayers as well as a great spacious layout. Our who family love this one and can’t wait to go again this year. Coventry Comic Con Review
I adore Blood Brothers, it’s one of my all-time favourite musicals and for the past couple of years one of the best actresses (in my humble opinion) has been playing Mrs Lyons and understudying the role of Mrs Johnstone – the brilliant Sarah-Jane Buckley. I was lucky enough to see the show a few times in 2018 and look forward to seeing it again this year, although a few cast changes are afoot… Here’s one of my latest reviews: Blood Brothers Review
This Morning Live!
I am a huge fan of This Morning and for those who know me well, you’ll be aware that I am also a massive fan of Ruth Langsford and Eamonn Holmes. In Birmingham we’re really lucky to have the This Morning Live! show at the NEC and it was a superb experience. From shopping to cooking masterclasses to meeting the presenters themselves (I only managed to meet Alison Hammond this time around but she is amazing and so lovely) – I couldn’t recommend the show more. This Morning Live! Review
Sixties Gold Show
I’ve long been a fan of The Searchers and I’ve supported them on solo tours on many an occasion – however this was the first Sixties Gold tour I’d been to. It was one of the biggest highlights of my reviewing year and I’m really looking forward to the next one. It was such an amazing night, buzzing! Sixties Gold Tour Review
BBC Good Food Show
I’ve been interested in going to the BBC Good Food Show for years, I finally grabbed the opportunity to attend their winter show and it was everything I hoped it would be! I’m looking forward to attending the summer show this year. BBC Good Food Show
Claire Richards solo gig
I adore Steps, I have so many favourites from among their epic back-catalogue, however I am also loving Claire Richards as a solo artist. She’s got such a powerful voice and her versatility knows no bounds. A superb gig at Birmingham Town Hall showcased her talent, the album is out very soon and my review of her gig is here: Claire Richards Review
Snow White and the Seven Dwarfs (Malvern Theatres)
Malvern Theatres has long been top of my list of midlands-based theatres and their production of Snow White and the Seven Dwarfs was a brilliant cornucopia of mad-cap stereotypical panto antics. Su Pollard was a revelation and stole the show. A well deserved five stars! Snow White and the Seven Dwarfs Review
The Future of Entertainment Views
On a final note, I wanted to update all of my valued readers and subscribers on the direction that 2019 will most likely see my small corner of the internet, taking. You can find a bit about this particular rambling on my https://entertainmentviews.co.uk/about/ but I wanted to use this post to chat a bit more about blogging and me. As an established blogger juggling a young family as well as having a bash at hanging on to a day job too, I’m often asked all of the questions I’m about to answer…
In 2013 I branched out as an independent theatre blogger, reviewing shows at the local theatres I’d built up a relationship with on behalf of an established review site which sadly no longer exists. Break A Leg Review was born at around the same time as I discovered I was pregnant so my progress was slow to begin with, although I kept up with it as much as possible. I worked full time in a day job with the NHS and my morning sickness was as backwards as I can be, in that it appeared in the evenings!
I was reviewing in and around the West Midlands as that’s where I’m based and I had managed to secure a place on press lists at most of the theatres that I frequent. In 2015 I was lucky enough to connect with London theatres and due to suggestions from the various people I was interviewing, meeting and liaising with – I added movie and television reviews to the mix as well as music too. My blog took off in ways I could never have imagined during that year.
I made the decision to reach out to London theatres (and many other venues around the UK) as well as add other types of review to my blog because I had become a mum in 2014. That’s the quick answer. Becoming a mum changed my life in thousands of ways. To begin with, I was so consumed by the tiny little boy in my life that I considered giving up my blog. However, having returned to my day job on a part time basis while I searched for a different career that would suit motherhood and the juggling, I was considering blogging and therefore working from home, as a viable option. I ended up in another NHS job working unsociable hours instead, however so draining on my mental health was this new job, that it became even more of a goal to be able to work from home.
I took yet another NHS job to keep the bank account happy and which made my mental health happier (for a limited period of time!) and worked hard throughout 2016 to try my hand at other things such as social media management and website creations. I might have been working part time in the NHS but with my other work (blog included) mounting up – it felt like the right time to take the plunge and work solely from home. Timing was good as 2017 was my little boy’s last full year at nursery before he started school in 2018.
Truthfully, it worked for a while and was even enjoyable at times. I branched out into entertainment PR and dabbled in many areas. However, what I learned was that working from home and making a career out of blogging is not my thing. I still love to blog of course, but I don’t want my blog to be the be all and end all. The family dynamics change once your little one goes to school too. I found I could’t just pop off to London and I didn’t want to. I lose 6 hours a days for 5 days a week of my lad’s company during term time and I love being able to drop him off at school and pick him up. The smile on his face when I’m waiting at hos classroom door is more moving than any theatrical performance I’ve reviewed.
2018 saw me start another job with the NHS (it’s what I know!) and that works at the moment. I like leaving the house to go to work and although it’s been a slightly awkward transition for my boy as he got used to me being at home, we’re all getting on with it.
2019 sees me being less of a critic an more of a cheerleader as I share all my positive experiences with you. I also have a few new ventures on the horizon which will hopefully help my much-desired career changes to take shape – but at the heart of everything are my boys – my husband and my son.
Have you tried to combine blogging with parenthood and career juggling? I’d love to hear about your experiences too!
The rivalry between tennis greats Björn Borg and John McEnroe was one for the ages and it was no doubt made for theatre. Here were two of the sport’s finest — both immensely talented and massively driven by the pursuit of greatness. But one, McEnroe, was fierce and volcanic; the other, Borg, was suave yet stoic. They were fire and ice, perfect dance partners for the sport of tennis.
That rivalry is the one Borg vs. McEnroe revisits over three decades later. Directed by Danish filmmaker Janus Metz Pedersen, Borg vs. McEnroe is a biographical sports drama that chronicles what is arguably one of the sporting world’s fiercest — and most evenly matched — rivalries. The biopic revisits a compelling clash of titans, and it does so with aplomb (though it is not without its flaws).
Borg vs. McEnroe illuminates the essence of Borg (played by Sverrir Gudnason), whose ice-like demeanour concealed an inner cauldron fuelled by a burning desire to win and a manic obsession for detail. The Guardian notes that Gudnason is remarkable in this biopic, and that is a accurate observation. The Swedish actor recreates in compelling detail everything that made his compatriot a tennis legend, and in doing so nearly steals all the thunder from Shia LaBeouf, his equally talented co-star.
LaBeouf doesn’t disappoint either as McEnroe. The biopic redefines McEnroe’s character, making a case that the American’s gifts were also his curse. McEnroe has been widely reviled for his hot-headed, tantrum-throwing ways, but Borg vs. McEnroe contextualises this volcanic temper. It wasn’t so much that McEnroe was forever full of vitriol; rather, his outbursts were manifestations of his own burning desire to win and his own manic obsession for detail. To this end, Pederson juxtaposes the two icons in a different light far apart from the fire vs. ice comparisons. The film’s message, it seems, is this: Despite their outward differences both players have a lot more in common than meets the eye. Those commonalities, in turn, are what made this Borg vs. McEnroe the rivalry that it was.
If anything, though, LaBeouf, despite his riveting performance, is left underused, and not by his own doing. The Independent’s review of the biopic rues this very same aspect, noting how Ronnie Sandahl’s screenplay hands the lion’s share of screen time to Gudnason. It is not a bad call per se, especially given Gudnason’s own spotlight-stealing greatness; but LaBeouf himself boasts acting pedigree, and he sure could have used more screen time.
Now, for the match point: Borg vs. McEnroe is an ace of a film, with a climax that artfully recreates the epic 1980 Wimbledon finals between the two icons. This biopic is an enthralling look-back at a tête-à-tête that remains the standard bearer for a sport that has had plenty of rivalries. The most recent of these rivalries, in the estimation of tennis great Pete Sampras, is the one between Roger Federer and Rafael Nadal, whom Sampras says “carried the torch for a couple of years” — in much the same fashion that Borg and McEnroe did from 1978 to 1981. Ranked 1 and 3 in Coral’s list of highest earning tennis players, Federer and Nadal have faced off 38 times (16 times more than Borg-McEnroe), with 24 of those showdowns for a championship.
Christmas is nearly here! 5 sleeps away to be exact, and everyone in Britain is saying ‘how is it Christmas next week?’. If you’re anything like me, you wonder where all the time you had to organise yourself has disappeared to. This coming from a part time day-job worker who has been buying her son’s Christmas presents gradually since the summer… What I was unprepared for, was the introduction of all the extra festive chaos presented when your child becomes a school-goer. Just you wait, if you’ve not experienced that joy yet!
My Christmas gift guide this year is all about movies, television boxsets and the gift of theatre. I’ve picked out a variety of genres to suit as many tastes as possible and focused on buying for adults – who are often the more difficult to buy for after all!
Complete series 1-3 – not only ideal for fans of the series but also if you’re aware of the show and haven’t been able to catch it (which is why i would be the perfect gift for me!). You can’t beat a binge-watch and with it’s its historical background, stellar cast and stunning locations, it promises to engage even the most skeptical viewer. King Louis XIV is at the heart of the story as his supporters turn to traitors and the court of Versailles is under threat.
Buy your copy on DVD here:
In my humble opinion this is one of the best comedies on television at the moment! The casting alone is so extraordinarily spot on, you can’t fail to be entertained by Harry Enfield’s hilarious Prince Charles impersonation and the recent introduction of Meghan was the cherry on top of the wedding cake. The DVD offers series 1-2 as well as Christmas and wedding specials. It’s a brilliant ‘send-up’ of the royal family and wouldn’t go amiss in my Christmas stocking this year!
Buy your here:
I was introduced to Plebs fairly late into the second series and I am a self-confessed pleb-aholic now! The DVD boxset offers series 1-4 so it’s a must for fans of the series or as a way of introducing a Plebs ‘virgin’ to the show. The premise revolves around three men who want to get laid, hold down a job and climb the social ladder in ancient Rome. It’s a laugh-a-minute comedy and the cast, which changes sightly as each series progresses – is essentially a mash-up of all your noughties sit-com favourites.
Grab a copy for your stocking:
Hotel Transylvania 3
My movie of the year! It might be pitched as an animated film for kids but there’s more than enough comedy content in there for big kids too. Of the three movies in the franchise so far, this is by far my favourite and it’s a non-stop cornucopia of spooky holiday fun. Watch it, odds on you’ll be dancing in your seat by the end.
Buy a copy here:
The Greatest Showman
This is the greatest show, by all accounts! Certainly one of the hits of the year and huge credit must go to the extraordinary talents of Hugh Jackman, a better leading man you could not wish for. The songs are all hits in their own right now and it’s surely one of the most watchable movies we’ve been treated to in a long time. Get your hands on a piece of the action and watch it over and over by getting your hands on a copy here:
Santa Claus The Movie
I had to include a Christmas movie in my Christmas gift guide and they don’t come any more festive or classic than the epic Santa Claus The Movie. It’s still a magical film to watch all these years on and has stood the test of time. The only difference is it’s rare to see someone drinking full fat coca cola in this day and age! The movie is available on blu-ray and it would be a welcome sight underneath our tree this year. I’d also quite like one of those elf carvings courtesy of Patch (Dudley Moore), but I’m not going to push it!
Purchase your copy here:
The Phantom of the Opera
The gift of theatre is always a good alternative idea if you’re in doubt and although the cost of tickets has hiked of late – there are plenty of offers to be had, especially at this festive season. The Phantom of the Opera has been resident Her Majestys Theatre in the heart of London’s West End after more than 12000 performances to date. The good news is that you can be in the audience for one of the many future performances and there are special offers available via our ticket shop! The Phantom of the Opera
The back-story of the Wicked Witch of the West has been so popular in the West End that over 9 million people have watched it in the capital city. The Apollo Victoria Theatre is a beautiful venue and you can be one of those million theatre-goers flocking to see the award-winning show, check out the available tickets here: Wicked
Not only would Company tickets be a brilliant Christmas gift idea, it’s our show of the month!
A sublime cocktail of an entertainment you’d be mad to miss’ – Daily Telegraph
With an exceptional list of musical numbers performed by an incredible cast, you really would be mad to miss it. Save up to 60% on tickets too! Company
The 1980 incarnation of the spectacular chiller thriller The Changeling was released on Blu-ray on 20 August this year and it’s lost none of it’s appealing jump-a-minute drama – in fact it’s even more horror-tastic than I remember.
It’s a movie that has been described by King of horror, Stephen King as a film that has scared him personally “A child’s ball bouncing down a flight of stairs was enough to scare the daylights out of me” quotes King, and I have to agree with him. The subtlety of suggestion is one of the film’s many strengths.
The story follows central character, John Russell (George C. Scott) as he starts a new life in the wake of the tragic death of his wife and daughter in a car crash.
To choose the top five scariest moments to get into the Halloween ‘spirit’ is easy! There are five stand out scenes that have me racing for the back of the sofa, so without further ado:
The apparition of a boy in the bath tub – I find it horrific on every level. From the way the scene is shot to the implications, it sets the tone.
The voice of the spirit (Joseph Carmichael) heard over audio during a séance is psychologically disturbing. It’s quite clear and that makes it all the more effective!
When Claire Norman from the historical society is chased down the stairs by a wheelchair, the horror ups its game again, and this is towards the climax of the film too. Given the year of the movie’s production it feels all the scarier in the first incarnation too.
To end a film on the note of a lullaby from a music box, given that the storyline revolves around the murder of a six year old boy, absolutely messes with my mind! It’s actually one of the most chilling scenes of the movie as it’s not entirely overt and extremely suggestive.
For the full review of the film, check this out from my viewing this summer: The Changeling
As a newly converted Opera fan, The Music of Silence was of particular interest to me, especially as it charts the story of internationally renowned tenor, Andrea Bocelli. His spectacular vocals can be heard providing the soundtrack to this life affirming biopic which promises to leave the viewer feeling that the sky’s the limit. You don’t have to be a classical music fan to find the heart of this story to be a touching and important message.
Toby Sebastian (well known for his role in Game of Thrones) plays Andrea and he’s glorious, such perceptive casting and it’s easy to forget that he’s not personally singing. We learn that Andrea was born Amos Bardi, he was almost completely blind from birth. However, it’s while he’s away at a ‘school’ for the visually impaired that he loses his sight entirely following a tragic accident. It’s such a heart wrenching moment and yet with prior knowledge that he has carved such a fantastically successful career as a tenor, one feels quite a short-lived fear for his younger self, that’s the rub with already knowing the end I suppose. Although, as a fan of biographies, I was fascinated by the transitions and challenges he faced to live his dream of being a serious Opera singer.
It’s beautifully directed by Michael Radford and the locations used to punctuate the story are quite breath-taking and extremely atmospheric. The use of Bocelli’s voice is the icing on the cake as we learn that the journey this extraordinarily talented man has travelled has culminated in determination and a Maestro (played by Antonio Banderas) with a similar goal. What a stunning relationship that is to behold!
Give this a try because you’ll be surprisingly drawn into and engaged by the life of a living legend.
Xtro, the 1982 cult classic has been released on Blu-ray in time for Halloween and it is one of the most truly gruesome movies of its time in my opinion! Directed by Harry BromleyDavenport, it’s a gory hybrid of sci-fi and horror not for the faint hearted! It starts with an alien abduction – a father called Sam (Philip Sayer) being the target and finishes in the most twistedly disturbed and horrific way possible.
First released in the UK in December 1982 (an unlikely festive treat, it must be said!) it was met with mostly negative reviews and it’s easy to see why, however for the hardened horror fan it’s a must-watch. Finding five of the top scariest moments was no mean feat, but here they are:
The first jump-inducing moment that gave an indication of the scenes that might follow is when two short-lived characters, Ben and Jane are killed by a half-human half-alien creature. The creature itself isn’t a pretty sight but the murders are indicative of the running theme!
A Pregnant Pause
The hybrid creature impregnates a woman – that’s scary enough, however when the unlucky victim regain consciousness and the fetus grows at a ridiculously fast rate (no 9 month gestation period here!) and she gives birth to a fully grown human. He bursts through her dress and there are a number of shots that don’t shy away from how gruesome this very messed up scenario is. Of course she dies – but when Sam (who was given up for lost years ago after the mysterious light took him away) appears as the ‘new-born’ it’s clear there are more sinister turns to come.
Who wants eggs for breakfast?
Sam’s son Tony is on his radar to track down, and his wife, Rachel (she has a new fellar in tow, called Joe). Once a seemingly amnesia-riddled Sam moves in with them, he displays strange behaviour which makes for disturbing viewing – eating the eggs of his son’s pet snake and drinking his son’s blood. As I say – not for the faint hearted!
This isn’t child’s play…
A human-sized toy soldier used by Tony to kill the annoying neighbour, a bit extreme? Oh yes! However she killed his pet snake and he’s discovered he has certain powers! His use of powers resulted in something reminiscent of IT for me… shudder!
To be continued!
The scene that had me hiding behind the sofa – Sam rekindling his romance with Rachel and making love to her. It was never going to end well, and his decomposing skin was also somewhat of a turn off for his unsuspecting wife! So the cycle of half-human half-alien life continues…
Make sure you nab a copy of Xtro on Blu-ray… it’s worth it for the ‘xtra’ Xtro features!