In my humble opinion this is one of the best Toy Story movies in the franchise – and I love the first three so I’m sticking my neck out here! There are so many new characters that entertained me combined with the originals and of course a number of them who joined the cast in the third film. My little boy loves Forky, and his antics are the making of this story.
We catch up with the gang when Bonnie is getting ready to go to kindergarten and Woody is no longer in favour, he’s been relegated to the closet. However, regardless of Bonnie’s disinterest, he’s hell-bent on making her kindergarten orientation day go without a hitch. It’s here we meet Forky – he thinks he’s trash and Woody is making it his mission to keep Forky out of the bin and in Bonnie’s clutches as her toy.
The other main storyline follows a previously unknown backstory which clears up the mysterious disappearance of Bo Peep from the third film. When Woody happens upon the antiques store which has been her home, there’s danger, adventure, chaos and a lot of laughs along the way. We meet Bunny and Ducky, carnival game prizes waiting for a kid to take them home, Gabby Gabby – a rather tapped doll who’s really just trying to find a kid to form a bond with and Duke Caboom, he was rejected by a kid and now he’s stuck in the antiques store, posing!
It’s a race against time for Woody, Buzz, Bo Peep and co. to rescue Forky from the clutches of Gabby Gabby and her creepy ventriloquist dummy accomplices. Considering it’s an animation I find myself getting emotionally invested in the characters and the story, I definitely shed a tear or two along the way.
Tom Hanks is back as Woody with Tim Allen as Buzz Lightyear, Joan Cusack as Jessie and Annie Potts as Bo Peep. Tony Hale plays Forky, he gets funnier as the movie progresses, Keegan-Michael Key and Jordan Peele are a hilarious double act as Ducky and Bunny, while Keanu Reeves is superb as Duke Caboom. Buttercup the Unicorn (Jeff Garlin) deserves a mention too for constantly suggesting that they try and get Bonnie’s dad arrested.
I want a fifth film please – I haven’t finished with the toys yet!
The Lion King has long been one of my best loved Disney movie. It’s jam packed with action, tragedy, comedy and with an overriding theme of love conquering all. The beauty of the animated version never fails to amaze me. However, the live action incarnation wowed and impressed me beyond measure. It follows the same storyline and the same well-loved Disney songs are peppered throughout which it was difficult not to sing along to but they’re sung by what looks like real animals!
The attention to detail is remarkable and the setting for the movie is absolutely breath-taking. Disney are renowned for perfection and this is not exception.
If you’re unfamiliar with the story, we follow the adventures Simba, a lion cub who’s next in line to the throne and the apple of his mum and dad’s eye. His Uncle Scar, who’s not a lion in favour with the pride lurks in the shadows and has been pushed further down the line of ascension courtesy of Simba’s birth. Feeling wronged, Scar is on a mission to dispose of Mufasa, his brother and his young nephew to leave the path clear for him to seize the crown. He’s relying on the help of hungry hyenas to assist with his plan. Meanwhile Simba is oblivious to his relative’s devious plot and comes a cropper at his paws a couple of times, until a stampede created by the devilish hyenas is the catalyst for Mufasa’s devastating downfall. Simba is not only bereft but also carrying the guilt that he caused his father’s death as Mufasa was trying to save him from the stampede which Scar had all but pushed his nephew into. As Simba grows in exile – he has the company of a meerkat called Timon and his bestie Pumbaa, a warthog. Scar has his ill-gotten place on the throne as King, and his hyena sidekicks are feasting like royalty beside him. Will Simba return to save the day? Nala, the lioness who was a childhood friend and his betrothed according to law, is certainly not going to sit back and let chaos reign supreme.
The unmistakable velvet voice of James Earl Jones features as Mufasa, who else could have brought such wisdom, knowledge and authority to the King of the Jungle? He is joined by the talents of Chitiwetel Ejiofor as Scar, he was just as demonic as Jeremy Irons was in the role. There’s also Beyonce Knowles-Carter as Nala, JD McCrary as young Simba, Donald Glover as the adult Simba, Billy Eichner as Timon alongside the fantastic Seth Rogen as Pumbaa. Florence Kasumba as Shenzi the Hyena was a menacing presence for sure. John Oliver gave a memorable performance as Zazu.
My highlights of the film revolved around the numerous moments of laugh out loud comedy – from Timon and Pumbaa’s interactions and the addition of other animals in their fabulous rendition of ‘The Lion Sleeps Tonight’! The hyenas also provided much entertainment as they bantered between themselves. Zazu was also as comedic as in the original animation, John Oliver has put his own stamp on it.
The sound department have done a superb job and the entire creative team should be proud of a wonderful achievement, as a live action movie so far it’s my favourite.
Malvern Cinemas is an amazing setting to watch a movie in – why not check out their listings and book to see a film there: Malvern Cinemas
An eye-opening, epic new feature documentary Sharkwater Extinction from Rob Stewart, the award-winning director of Sharkwater and Revolution takes us on one man’s mission: to protect sharks from extinction and save the oceans before it’s too late.
More than 150 million sharks are being killed every year. The oceans are in danger. Sharks play a hugely important role to the environment. Who is the real enemy: shark or human?
We join the courageous filmmaker and renowned activist on a hugely inspirational, thrilling but hazardous journey, as he dives deep into oceans and travels across four continents to investigate the eye-watering scale of corruption, destruction and danger that the multi-billion-dollar pirate fishing industry and vast illegal shark fin trade bring.
Sharkwater Extinction stands as Rob Stewart’s legacy as he was tragically killed in a diving accident, in the final stages of shooting the film in January 2017. His parents Brian and Sandy Stewart have dedicated themselves to completing the film.
This thought-provoking, stunningly filmed documentary captured my interest from the get-go. My fascination in conservation and admiration for activists such as Rob has heightened in recent years. The damage we’re doing to our planet and the oceans have been highlighted and continue to be brought to our attention. Rob’s film digs deeper and plunges us into an underwater world where extinction is so horrifically imminent. As a film-maker he shows empathy, determination and overwhelming enthusiasm. I feel like I have watched everything first hand through Rob’s eyes as the perspective combined with his energy enhance the viewing experience. This film will shock you with seemingly endless revelations and heart-breaking truths. If you’re like me, it will also spark an admiration for a creature whom I usually associate with the signature tune from the Jaws movies. A fitting tribute to Rob Stewart, thanks to his parents, whom I have an interview with which they kindly gave their time to me, for:
What was it that prompted Rob’s interest in conservation? Was it a passion of his from a young age?
Rob always loved the outdoors and exploring. He was captivated by the underwater world from a very young age – and a self proclaimed “fish nerd”…! We were so fortunate to have traveled a lot as a family and every new location offered new wildlife to explore.
He was always first into the water! And was always trying to catch everything he saw….we once had to pull him out of a beautiful fountain with koi fish that he jumped into trying to catch them.
He saw his first shark at age 9 and instantly fell in love with these majestic creatures that seemed, to him, like the last of the dinosaurs.
Not surprisingly he studied biology in university, started his photography career there and went on to become an underwater photographer.
On an assignment to the Galapagos, he discovered illegal longlining, indiscriminately killing sharks with the marine reserved and became determined to bring awareness to the issue….when traditional media didn’t work, he decided to make a movie believing that if people knew what was happening it would bring about change. Sharkwater was the result – and from there Rob became a filmmaker, activist and deeply committed crusader for protection of sharks and the planet.
You’ve released the film in his memory, was this an easy decision and how did you decide when the right time would be?
Rob had shot over 400 hours of footage and left very detailed notes on his vision and plan for the film. Wanting to complete the project was never a question but we had to make sure we had enough footage with Rob and could find the right editor to pull it together.
Once we went through all the footage and saw what we had – we knew it was possible – and from that point, Editor Nick Hector began work assembling the film.
How has the film been received? Are you pleased with the response?
We’ve had an amazing response to the film – it celebrated its world premiere at TIFF to an audience of 1800 people and a 10 minute standing ovation. From there – it has gone on to premiere at over 30 international film festivals garnering numerous awards and rave reviews. It still maintains a 100% rating on Rotten Tomatoes!
It opened in theatres across North America and has just started its theatrical release in the UK. It will release on ITunes and platforms and on Amazon Prime Video in July.
What is most rewarding is that people leave the film excited, wanting to know how they can help…how they can continue Rob’s mission.
What do you think of the work that your son has done and the progress he has made in raising awareness?
We are, of course, so proud of Rob and all he has accomplished. He changed the world. He brought the issue of shark finning to the world stage and taught people that sharks were important – not menacing dangerous predators. The film changed public policy and launched numerous non-profit organizations. He continues to inspire a new generation of conservations, filmmakers and biologists.
REVOLUTION was the first film to talk about Ocean Acidification and the risk to coral reefs and the oceans.
Rob also had the most infectious, inclusive approach to his work – he believed that conservation should be fun – that fighting for what you believed in was something cool – and that eveyone was capable of making a difference.
Is there a personal highlight for you in the film?
The fact that we were able to get the film completed and get Rob’s message out is really the highlight. Even people that didn’t know his work loved the film and even shark people learned something they didn’t know before. It’s an important film that Rob wanted everyone to see.
Also – people don’t know the many ways they are unknowingly consuming shark – through mislabeled fish products, pet food, cosmetics, fertilizers, and livestock feed. It was important to Rob to get that out – to encourage people to ask questions and to insist on more full disclosure and accuracy in labeling. At every Q&A we do – people ask how they can check their products and what they can do to ensure they are only using those that are shark free….
What had he planned to do following the release of the film? Are you continuing with the work in his memory?
Rob always had several projects going in various stages of development. We plan to get them completed.
We have established the Rob Stewart Sharkwater Foundation which will ensure Rob’s mission continues – in addition to projects Rob had started, the foundation will support and encourage other filmmakers doing work inspired by Rob, continue to advocate for the protection of sharks and the oceans and launch a “Shark Free” campaign to ensure that consumer products do not contain shark.
Huge thanks to Rob’s parents for this wonderful and insightful interview. The movie is available to download digitally today and all the info you need can be found here: Sharkwater Extinction
Dumbo is a classic Disney movie and as a self-confessed Disney-a-holic I’d put the original animated version somewhere in my top ten films of all time. A live action incarnation with a Tim Burton spin sounded appealing and alarming all at once, however it was a joy from beginning to end. Probably not entirely suited to our five year old as he found some of the darker edged scenes to be somewhat disconcerting, however this did not spoil his overall enjoyment and when Dumbo flew, our boy was beside himself.
Dumbo himself and indeed all of the animals were fascinating to watch, such attention to detail added to the exceptional realism and Dumbo’s mother in particular was quite something to behold.
The story stays fairly faithful to the original, there isn’t much of a place for Timothy Mouse in this version although he’s definitely featured, just not as Dumbo’s friend. His friends come in the form of the Farrier family, bereaved following the death of their mother and newly reunited with their father, Holt (Colin Farrell) who has returned from war with an arm missing – Milly (Nico Parker) and Joe (Finley Hobbins) are the pals the young elephant with over-sized ears comes to rely upon. The poor young chap has gone from being a laughing stock when he was new born to the sad departure of his mother following her rampage to protect her son. Max Medici (Danny DeVito), owner of the Circus Dumbo belongs to is capitalising on the discovery that Dumbo’s ears can be used as wings. However, with the fame of his top billing act comes a villain set to take the act for himself under false pretences. Enter V. A. Vandevere (Michael Keaton) with his arm-candy, trapeze star Colette Marchant (Eva Green).
With the Farrier children intent upon using money earned from Dumbo’s act in the Coney Island circus to buy back his mother, the truth about Candevere’s intentions catalyses a chain of events which may or may not lead to a happy ending for the much loved elephant and his keepers.
The story from the animation has been expanded upon and has a sinister air on occasion, however that is to be expected with a Tim Burton production – it’s not going to be happy ever after without a number of twists, turns and evil plots along the way. DeVito, Keaton, Farrell and Green shine in the lead roles and the children are superb.
Go and see the elephant fly for yourselves, it’s a heart-warming tale of love, ultimately and I bet you’ll not be able to help yourselves falling in love with delightful little Dumbo! Book your tickets to see the film at Malvern Cinemas, here: www.malvern-theatres.co.uk
Everything is awesome…. correction, everything WAS awesome, but there’s a sickly sweet and rather girlie influx of blocks who want to take over the world, specifically Bricksburg. Or do they? It’s time for the Lego Movie 2 folks!
Emmet is back, dreaming of owning his dream house and living there with Lucy aka Wildstyle and seemingly untroubled by the latest turn of events which is triggered by Finn’s younger sister, Bianca taking some of his Lego into the basement to play with. What transpires is Emmet and Lucy’s world colliding with a glittery universe they’re fearful of – with General Sweet Mayhem arriving to escort them to see Queen Watevra Wa’Nabi of the Systar System. The Queen wants to marry their leader, although they’re not sure who that is. Of course, Batman is on hand to offer himself as the leader and he’s having his usual ‘feud’ with Superman, a glittery Superman!
With Lucy ‘kidnapped’ by General Sweet Mayhem along with their other friends, Emmet turns his dream house into a spaceship to rescue them and is thrilled to meet Rex Dangervest who arrives to help him. As Lucy continues to resist the brainwashing she perceives to be occurring around her and wonders if she’ll ever see Emmet again – the race is on for Batman to marry Queen Watevra Wa’Nabi before Armomageddon.
There’s some top tunes, superb graphics and an extremely witty script packed full of sarcastic asides which might go over the young viewers’ heads but certainly weren’t missed by the adults in the cinema! The sequel is certainly as good a watch as the first and has something to offer all ages.
In summary… Everything IS Awesome! Go see Lego Movie 2!!
The title itself suggests that there’s a historical genre in store, however it gives little away as to the light erotic LGBT content. It’s a film packed with overt horror, underlying messages, a slightly unstable storyline perhaps yet it’s entertaining and gripping in equal measure. The characters are all purposeful and well-rounded which helps to move the action along in a dark, not entirely vampire-driven film set in Shropshire.
The backstory of the sorcerer’s dark conjuring of the female vampire shows him casting his spell on the owner of a country mansion in the year 1807. At the heart of the story is a character called Isabelle (Katie Goldfinch) – she’s investigating the truth behind the legend of the crucible and is therefore sent to the mansion by her University Professor. Isabelle is your archetypal young woman who’s blissfully unaware of the horrors awaiting her and is easily taken in. She’s a virgin, therefore she’s just the sort of meat the inhabitants of the mansion are looking for.
Karl (Larry Rew) is the owner, he’s almost a caricature of villainy. His wife, Evelyn (Babette Barat) is almost too over the top in her politeness. Their daughter, Scarlet (Florence Cady) is the most openly ‘delighted’ by the visitor. The introductions set the tone for the rest of the movie. There’s also a fairly innocuous gardener whom it’s wise not to take your eye off – played by Neil Morrissey.
Crucible of the Vampire is a hybrid of Hammer Horror and horror comedy Dark Shadows – from my perspective. There are elements that set out to scare and other scenes I can’t quite take seriously. However it’s a compelling watch with a strong cast and Director/Co-Writer Iain Ross-McNamee has certainly embodied an interesting niche.
Crucible of the Vampire is available on Dual Format (DVD & Blu-ray) from Screenbound Pictures.
Crucible of the Vampire was released in cinemas yesterday and it looks set to be a thrilling piece of cinematography. Actress Florence Cady plays the role of Scarlet in the film and I caught up with her to find out all about the character she plays and why she thinks that vampire movies have stood the test of time.
Thanks for chatting to Enertainment Views, Scarlet. Tell me about Crucible of the Vampire and what attracted you to be part of it?
Crucible Of The Vampire is a Gothic Vampire Thriller set in present day Shropshire in a large country house. Stylistically, it draws from classic British horror of the 1950s and 1960s, along with modern Korean and Japanese psychological horror. I was attracted to the idea of playing a strong, multi-faceted female character. It was a great opportunity to get my teeth into (excuse the pun) a complex, dynamic and varied role. I was also drawn to the idea of doing my own action scenes, including: horse-riding, fight scenes and a dance sequence. It is not often that you get the chance to play a lead role and also do your own physical work.
What are the strengths and quirks of your character?
Scarlet is a strong character both physically and mentally. She is extremely powerful and incredibly manipulative, but this is born out of her inner anxiety and feeling of isolation and entrapment. Scarlet initially appears to be a petulant child, and then she develops into a dangerous seductress and manipulative psychopath. She has a strong character arc and a deep secret. She is very volatile and becomes intensely angry at the flick of a switch, which can be quite sinister. But, she is also very playful and girlish at times. She is a dreamer, driven by her fantasy of escape. Our director, Iain Ross-McNamee was brilliant at allowing us the space for our characters to develop whilst also having a clear vision of what he wanted Scarlet and Isabelle’s relationship to be like.
What’s your favourite scene from the film?
I think my favourite scenes to film were the action sequences choreographed by stunt co-ordinator, Justin Pearson. Katie and I worked with Justin to learn the fight scenes, almost like a dance sequence. It was quite exhilarating to chase each other down the corridors at night, whilst trying to get the moves in the right order, which became second nature after a short rehearsal period. I also enjoyed learning the dance sequence set in the ballroom, which was choreographed by Vikki Burns. The room had such beautiful natural light and it was a great space to work in. In preparation for the role, I went back to barre classes to refresh my ballet, and I stretched daily to ensure I was prepared for the short rehearsal period on set with Vikki.
Any particular memories from making the film?
I have lots of fond memories from making the film. It was a fantastic opportunity so early on in my career, and also a chance to escape London and live in the beautiful Shropshire countryside. One particular memory I have is of shooting the dream sequence on a gorgeous white stallion. I remember at one point the horse-handler saying to me ‘there are 18 acres of land here, and he hasn’t had a gallop in a while, so don’t get too confident!’ Luckily the horse was very well-behaved, and I manged to stay upright. It was a challenge to try and remain calm, get the horse to do as it was told, whilst looking elegant and serene.
What’s your best loved genre of film?
I’m a big fan of Film Noir. I wrote my dissertation on Women in Film Noir, looking at the on-going fascination of the femme fatale from the classic noir of the 1940’s onwards, to neo-noir from the 1970’s to present day. I’m fascinated by the elusive archetype of the femme fatale and the distinct visual style of the ‘genre’. Our film shares one of its key themes: the blurred lines between fantasy and reality, which we used to explore the dreamlike quality of certain parts of the film.
Why do you think that Vampires hold such fascination for film fans?
I think Vampires hold such a fascination for films fans because they are an archetype that instantly conjures up a strong image of a dark, brooding, charming and sexually provocative character. They also represent the disparity of how a person can appear to be one thing, but are completely the opposite. As with Scarlet in the film, at the beginning we wanted to make it feel like she was just a troubled, tormented soul driven by her desire to escape her life confined to her parent’s house. Vampires are often lonely, isolated characters and I think all humans can I identify with that feeling at some point in their life. They are also fascinating because they are superhuman, extremely powerful and can live for hundreds of years. They transcend the ordinary.
Why should we all watch Crucible of the Vampire?
You should all watch Crucible of the Vampire because it has garnered rave reviews at major festivals, including Starburst International Film Festival which called it “an engaging story that is both broodingly ethereal, visually eloquent and thoroughly enjoyable.” It is an intense, provocative and disturbing horror that will make you uncomfortable at times and challenge your perceptions, harking back to the classic British horror of a by-gone era.
Thanks to Florence for an insightful interview.
Crucible of the Vampire is in cinemas 1st Feb and on Dual Format (DVD & Blu-ray) on 4 Feb 2019 from Screenbound Pictures
I’m late with last year’s highlights but suffice to say that 2018 was a fantastic year for shows of all genres. A great mix was on offer for Entertainment Views to attend and there have been so many wonderful memories made along the way. Here are just a few of the stand-out opportunities I had…
Gilbert & Sullivan’s operettas have been on my radar for years and I’ve watched many of them, however I had never seen Iolanthe nor the wonderful ENO performing one of their famous operettas. So – the chance to see Iolanthe performed by the ENO at London’s Coliseum was too good a chance to miss. With Yvonne Howard giving an outstanding performance as the Fairy Queen and a cast de force, all I can say is bring on its return! Iolanthe Review
Hotel Transylvania 3
What a movie! My movie of the year for sure! If you’ve never seen the other movies in the franchise it doesn’t matter, you can dive into this one and soon get the gist of the hilarious plot and get to know the madcap characters. A great film for grown ups as well as kids.
Falstaff (Garsington Opera)
Opera is one of my new loves and Falstaff was one of my first experiences of a non-operetta style. It starred Yvonne Howard who (as you already know) is one of my all-time favourite performers and Henry Waddington was exceptional in the lead title role. Garsington offers beautiful surroundings and a unique setting – I hope to return this summer. Falstaff Review
Coventry Comic Con
One of my favourite Comic Cons returned for its second year and it was a glorious set-up as expected. Plenty of stalls, activities and cosplayers as well as a great spacious layout. Our who family love this one and can’t wait to go again this year. Coventry Comic Con Review
I adore Blood Brothers, it’s one of my all-time favourite musicals and for the past couple of years one of the best actresses (in my humble opinion) has been playing Mrs Lyons and understudying the role of Mrs Johnstone – the brilliant Sarah-Jane Buckley. I was lucky enough to see the show a few times in 2018 and look forward to seeing it again this year, although a few cast changes are afoot… Here’s one of my latest reviews: Blood Brothers Review
This Morning Live!
I am a huge fan of This Morning and for those who know me well, you’ll be aware that I am also a massive fan of Ruth Langsford and Eamonn Holmes. In Birmingham we’re really lucky to have the This Morning Live! show at the NEC and it was a superb experience. From shopping to cooking masterclasses to meeting the presenters themselves (I only managed to meet Alison Hammond this time around but she is amazing and so lovely) – I couldn’t recommend the show more. This Morning Live! Review
Sixties Gold Show
I’ve long been a fan of The Searchers and I’ve supported them on solo tours on many an occasion – however this was the first Sixties Gold tour I’d been to. It was one of the biggest highlights of my reviewing year and I’m really looking forward to the next one. It was such an amazing night, buzzing! Sixties Gold Tour Review
BBC Good Food Show
I’ve been interested in going to the BBC Good Food Show for years, I finally grabbed the opportunity to attend their winter show and it was everything I hoped it would be! I’m looking forward to attending the summer show this year. BBC Good Food Show
Claire Richards solo gig
I adore Steps, I have so many favourites from among their epic back-catalogue, however I am also loving Claire Richards as a solo artist. She’s got such a powerful voice and her versatility knows no bounds. A superb gig at Birmingham Town Hall showcased her talent, the album is out very soon and my review of her gig is here: Claire Richards Review
Snow White and the Seven Dwarfs (Malvern Theatres)
Malvern Theatres has long been top of my list of midlands-based theatres and their production of Snow White and the Seven Dwarfs was a brilliant cornucopia of mad-cap stereotypical panto antics. Su Pollard was a revelation and stole the show. A well deserved five stars! Snow White and the Seven Dwarfs Review
The Future of Entertainment Views
On a final note, I wanted to update all of my valued readers and subscribers on the direction that 2019 will most likely see my small corner of the internet, taking. You can find a bit about this particular rambling on my https://entertainmentviews.co.uk/about/ but I wanted to use this post to chat a bit more about blogging and me. As an established blogger juggling a young family as well as having a bash at hanging on to a day job too, I’m often asked all of the questions I’m about to answer…
In 2013 I branched out as an independent theatre blogger, reviewing shows at the local theatres I’d built up a relationship with on behalf of an established review site which sadly no longer exists. Break A Leg Review was born at around the same time as I discovered I was pregnant so my progress was slow to begin with, although I kept up with it as much as possible. I worked full time in a day job with the NHS and my morning sickness was as backwards as I can be, in that it appeared in the evenings!
I was reviewing in and around the West Midlands as that’s where I’m based and I had managed to secure a place on press lists at most of the theatres that I frequent. In 2015 I was lucky enough to connect with London theatres and due to suggestions from the various people I was interviewing, meeting and liaising with – I added movie and television reviews to the mix as well as music too. My blog took off in ways I could never have imagined during that year.
I made the decision to reach out to London theatres (and many other venues around the UK) as well as add other types of review to my blog because I had become a mum in 2014. That’s the quick answer. Becoming a mum changed my life in thousands of ways. To begin with, I was so consumed by the tiny little boy in my life that I considered giving up my blog. However, having returned to my day job on a part time basis while I searched for a different career that would suit motherhood and the juggling, I was considering blogging and therefore working from home, as a viable option. I ended up in another NHS job working unsociable hours instead, however so draining on my mental health was this new job, that it became even more of a goal to be able to work from home.
I took yet another NHS job to keep the bank account happy and which made my mental health happier (for a limited period of time!) and worked hard throughout 2016 to try my hand at other things such as social media management and website creations. I might have been working part time in the NHS but with my other work (blog included) mounting up – it felt like the right time to take the plunge and work solely from home. Timing was good as 2017 was my little boy’s last full year at nursery before he started school in 2018.
Truthfully, it worked for a while and was even enjoyable at times. I branched out into entertainment PR and dabbled in many areas. However, what I learned was that working from home and making a career out of blogging is not my thing. I still love to blog of course, but I don’t want my blog to be the be all and end all. The family dynamics change once your little one goes to school too. I found I couldn’t just pop off to London and I didn’t want to. I lose 6 hours a days for 5 days a week of my lad’s company during term time and I love being able to drop him off at school and pick him up. The smile on his face when I’m waiting at his classroom door is more moving than any theatrical performance I’ve reviewed.
2018 saw me start another job with the NHS (it’s what I know!) and that works at the moment. I like leaving the house to go to work and although it’s been a slightly awkward transition for my boy as he got used to me being at home, we’re all getting on with it.
2019 sees me being less of a critic and more of a cheerleader as I share all my positive experiences with you. I also have a few new ventures on the horizon which will hopefully help my much-desired career changes to take shape – but at the heart of everything are my boys – my husband and my son.
Have you tried to combine blogging with parenthood and career juggling? I’d love to hear about your experiences too!
The rivalry between tennis greats Björn Borg and John McEnroe was one for the ages and it was no doubt made for theatre. Here were two of the sport’s finest — both immensely talented and massively driven by the pursuit of greatness. But one, McEnroe, was fierce and volcanic; the other, Borg, was suave yet stoic. They were fire and ice, perfect dance partners for the sport of tennis.
That rivalry is the one Borg vs. McEnroe revisits over three decades later. Directed by Danish filmmaker Janus Metz Pedersen, Borg vs. McEnroe is a biographical sports drama that chronicles what is arguably one of the sporting world’s fiercest — and most evenly matched — rivalries. The biopic revisits a compelling clash of titans, and it does so with aplomb (though it is not without its flaws).
Borg vs. McEnroe illuminates the essence of Borg (played by Sverrir Gudnason), whose ice-like demeanour concealed an inner cauldron fuelled by a burning desire to win and a manic obsession for detail. The Guardian notes that Gudnason is remarkable in this biopic, and that is a accurate observation. The Swedish actor recreates in compelling detail everything that made his compatriot a tennis legend, and in doing so nearly steals all the thunder from Shia LaBeouf, his equally talented co-star.
LaBeouf doesn’t disappoint either as McEnroe. The biopic redefines McEnroe’s character, making a case that the American’s gifts were also his curse. McEnroe has been widely reviled for his hot-headed, tantrum-throwing ways, but Borg vs. McEnroe contextualises this volcanic temper. It wasn’t so much that McEnroe was forever full of vitriol; rather, his outbursts were manifestations of his own burning desire to win and his own manic obsession for detail. To this end, Pederson juxtaposes the two icons in a different light far apart from the fire vs. ice comparisons. The film’s message, it seems, is this: Despite their outward differences both players have a lot more in common than meets the eye. Those commonalities, in turn, are what made this Borg vs. McEnroe the rivalry that it was.
If anything, though, LaBeouf, despite his riveting performance, is left underused, and not by his own doing. The Independent’s review of the biopic rues this very same aspect, noting how Ronnie Sandahl’s screenplay hands the lion’s share of screen time to Gudnason. It is not a bad call per se, especially given Gudnason’s own spotlight-stealing greatness; but LaBeouf himself boasts acting pedigree, and he sure could have used more screen time.
Now, for the match point: Borg vs. McEnroe is an ace of a film, with a climax that artfully recreates the epic 1980 Wimbledon finals between the two icons. This biopic is an enthralling look-back at a tête-à-tête that remains the standard bearer for a sport that has had plenty of rivalries. The most recent of these rivalries, in the estimation of tennis great Pete Sampras, is the one between Roger Federer and Rafael Nadal, whom Sampras says “carried the torch for a couple of years” — in much the same fashion that Borg and McEnroe did from 1978 to 1981. Ranked 1 and 3 in Coral’s list of highest earning tennis players, Federer and Nadal have faced off 38 times (16 times more than Borg-McEnroe), with 24 of those showdowns for a championship.