Downton Abbey ~ Malvern Cinemas

Star rating: *****

It’s been a long time coming and I admit when Downton Abbey closed its doors on Christmas Day 2015 I was dubious about a movie. Unsure if there was any need to continue and whether the season finale had finished the story adequately. I’ve been a fan of the television show since Downton Abbey first opened its doors so I was torn between one last hoorah and leaving it on a high.

As the years have rolled by with not so much as a sniff of a film on the horizon, have I considered what the Crawley family and their downstairs employees might have been getting up to in the meantime? Absolutely! Thanks to Julian Fellowes, the exceptionally talented writer of one of the nation’s favourite dramas, anyone who may have found themselves wondering about the much-loved characters need wonder no more!

The opening titles gave me goose bumps, there’s always been an element of grandeur when Highclere Castle makes its appearance, however on the big screen, it is magnified and then some. The theme tune lends itself to a movie soundtrack too. Indeed all the promise of a fine follow up were in place from the outset and I wasn’t left disappointed.

You’d have to live in a sack not to have an idea as to the main storyline, the trailers have been teasing us for a while. The King and Queen (Simon Jones and Geraldine James) are paying a visit to Downton Abbey for one night and the excitement and trepidation is palpable! Not least from Mr Molesley (Kevin Doyle) who is champing at the bit to get back into his livery and undoubtedly make a spectacle of himself in true Molesley fashion.

It’s all hands to the pumps as Mrs Patmore (Lesley Nicol) mithers loudly over the menu, raising the hopes of Mr Bakewell (Mark Addy) from whom she buys her supplies. Mr Barrow (Robert-James Collier) appears all too lackadaisical for Lady Mary’s (Michelle Dockery) tastes, he clearly doesn’t measure up in comparison to her beloved Mr Carson (Jim Carter). Cue the reappearance of the retired butler and he couldn’t be more delighted to oblige Lady Mary’s request that he return to the helm. Life at the cottage seems to mostly revolve around trying to find things to occupy himself with while his wife, Mrs Hughes (Phyllis Logan) continues in her role of Housekeeper. Their marriage is still going strong though and indeed the pairing up continues downstairs as Daisy (Sophie McShera) is engaged to Andy (Michael Fox) ~ and there’s a couple of scenes that show Andy’s jealous streak too! Mr Molesley and Miss Baxter persist in dancing around each other, there does appear to be progress although they are moving at an even more glacial place than Carson and Hughes did.

So, with Robert (Hugh Bonneville) and Cora (Elizabeth McGovern) excited to play host to royalty, Lady Edith, now Lady Hexham (Laura Carmichael) and her husband Bertie (Harry Hadden-Paton) en route, all the action is centred around the visit and the impact it has on each individual character. Mr Branson (Allen Leach) is still very much a part of the Crawley family and proves himself to be the hero of the hour in more than one way too when the royals are ensconced at Downton.

One of the strongest storylines happens downstairs when the Downton staff are at war with the King’s staff. Carson certainly meets his match in Mr Wilson (David Haig) and it’s the battle of the chatelaine between Mrs Hughes and Mrs Webb (Richenda Carey). It all hots up when Anna (Joanne Froggatt) and Mr Bates (Brendan Coyle) lead the revolution to claim back their rightful household roles and it’s quite a cunning plan.

Highlights of the movie include a whole host of one-liners delivered expertly by Penelope Wilton, Lesley Nicol, Phyllis Logan and of course Dame Maggie Smith. Plus, Imelda Staunton plays a new character, cousin of Lady Violet (Maggie Smith), Lady Bagshaw. Staunton fits in like a dream, it feels like she was always a part of the cast. The two-hander scene she shared with Penelope Wilton as Isobel was a performance de force from both actresses, a masterclass if ever there was one.

Most of my questions left open from the 2015 season finale are answered and my curiosity satisfied. However, where has Mr Mason got to? Did Mrs Patmore frighten him off? Why did Daisy accept Andy’s marriage proposal if she wasn’t sure at first? Where is Mr Carson’s hand tremor? Maybe these unanswered wonderings are enough to warrant a sequel to the movie?

The glorious locations used, extraordinary attention to detail from the costume department and the intricate yet simple script from Fellowes combined with faultless casting makes this movie one of the biggest hits of 2019, for me. You also can’t fail to be amazed at the uncanny resemblance Geraldine James pays to Queen Mary.

Go and see it, it will make you smile, laugh out loud, reminisce and cry: Downton Abbey Movie

Playmobil: The Movie ~ Malvern Cinemas

Star rating: ****

First Lego, now Playmobil, the toy-based movies are a popular go-to for little kids and big kids alike. Playmobil rather innovatively differs from Lego in that the central characters become Playmobil figures. Plus, interestingly there’s a musical side to this movie with characters singing their way through scenes. It sounds like a bizarre combination but it works!

The story follows a bitter sweet path with the introduction of sister and brother; Marla (Anya Taylor-Joy) and Charlie (Gabriel Bateman) who love to make up stories with their Playmobil and long for adventures. News of their parents’ untimely deaths in a car accident soon puts pay to fun and games. Four years later, Marla has a job and Charlie longs for their fun-loving old days before tragedy struck. He’s planning to run away, however he’s easily tracked by his worried sister, she traces him at a Playmobil exhibition in a toy museum and it’s here that their lives are spiced up!

Marla and Charlie find themselves transported via a lighthouse in the exhibition and they become Playmobil figures. Charlie takes on the body of the Viking figure he carries around and the pair find themselves in the middle of a battle. When Charlie goes missing, Marla is on a mission to save her young brother and meets all sorts of crazy characters along the way.

I like the interaction between numerous characters of all kinds, from romans to vikings to robots as this follows the whimsical imagination and creativity of child’s play. The comedy for adults and digs at a variety of movie franchises don’t go amiss either.

Rex Dasher is easily mine and my son’s favourite character, voiced by Daniel Radcliffe he’s a suave ‘un’sophisticated James Bond figure. He thinks Marla loves him, although nobody could love him more than he loves himself. Del is also a superb character, voiced by Jim Gaffigan, he’s a food truck driving wheeler dealer and unlikely hero. Meghan Trainor voices the Fairy Godmother and adds her cool vocal ability to the mix which is a highlight for definite.

It’s a treat for kids and adults alike, I was just slightly confused by the long build up to the introduction of actual Playmobil and my son asked me if we were watching the Playmobil movie yet! I can confirm that we were and we loved it.

Visit Malvern Cinemas to see this movie and many others: Malvern Cinemas

Toy Story 4 ~ Malvern Cinemas

Star rating: *****

In my humble opinion this is one of the best Toy Story movies in the franchise – and I love the first three so I’m sticking my neck out here! There are so many new characters that entertained me combined with the originals and of course a number of them who joined the cast in the third film. My little boy loves Forky, and his antics are the making of this story.

We catch up with the gang when Bonnie is getting ready to go to kindergarten and Woody is no longer in favour, he’s been relegated to the closet. However, regardless of Bonnie’s disinterest, he’s hell-bent on making her kindergarten orientation day go without a hitch. It’s here we meet Forky – he thinks he’s trash and Woody is making it his mission to keep Forky out of the bin and in Bonnie’s clutches as her toy.

The other main storyline follows a previously unknown backstory which clears up the mysterious disappearance of Bo Peep from the third film. When Woody happens upon the antiques store which has been her home, there’s danger, adventure, chaos and a lot of laughs along the way. We meet Bunny and Ducky, carnival game prizes waiting for a kid to take them home, Gabby Gabby – a rather tapped doll who’s really just trying to find a kid to form a bond with and Duke Caboom, he was rejected by a kid and now he’s stuck in the antiques store, posing!

It’s a race against time for Woody, Buzz, Bo Peep and co. to rescue Forky from the clutches of Gabby Gabby and her creepy ventriloquist dummy accomplices. Considering it’s an animation I find myself getting emotionally invested in the characters and the story, I definitely shed a tear or two along the way.

Tom Hanks is back as Woody with Tim Allen as Buzz Lightyear, Joan Cusack as Jessie and Annie Potts as Bo Peep. Tony Hale plays Forky, he gets funnier as the movie progresses, Keegan-Michael Key and Jordan Peele are a hilarious double act as Ducky and Bunny, while Keanu Reeves is superb as Duke Caboom. Buttercup the Unicorn (Jeff Garlin) deserves a mention too for constantly suggesting that they try and get Bonnie’s dad arrested.

I want a fifth film please – I haven’t finished with the toys yet!

Malvern Cinemas is one of our favourite cinemas, if you want to experience it too: www.malvern-theatres.co.uk

The Lion King ~ Live Action Movie (Malvern Cinemas)

Star rating: *****

The Lion King has long been one of my best loved Disney movie. It’s jam packed with action, tragedy, comedy and with an overriding theme of love conquering all. The beauty of the animated version never fails to amaze me. However, the live action incarnation wowed and impressed me beyond measure. It follows the same storyline and the same well-loved Disney songs are peppered throughout which it was difficult not to sing along to but they’re sung by what looks like real animals!

The attention to detail is remarkable and the setting for the movie is absolutely breath-taking. Disney are renowned for perfection and this is not exception.

If you’re unfamiliar with the story, we follow the adventures Simba, a lion cub who’s next in line to the throne and the apple of his mum and dad’s eye. His Uncle Scar, who’s not a lion in favour with the pride lurks in the shadows and has been pushed further down the line of ascension courtesy of Simba’s birth. Feeling wronged, Scar is on a mission to dispose of Mufasa, his brother and his young nephew to leave the path clear for him to seize the crown. He’s relying on the help of hungry hyenas to assist with his plan. Meanwhile Simba is oblivious to his relative’s devious plot and comes a cropper at his paws a couple of times, until a stampede created by the devilish hyenas is the catalyst for Mufasa’s devastating downfall. Simba is not only bereft but also carrying the guilt that he caused his father’s death as Mufasa was trying to save him from the stampede which Scar had all but pushed his nephew into. As Simba grows in exile – he has the company of a meerkat called Timon and his bestie Pumbaa, a warthog. Scar has his ill-gotten place on the throne as King, and his hyena sidekicks are feasting like royalty beside him. Will Simba return to save the day? Nala, the lioness who was a childhood friend and his betrothed according to law, is certainly not going to sit back and let chaos reign supreme.

The unmistakable velvet voice of James Earl Jones features as Mufasa, who else could have brought such wisdom, knowledge and authority to the King of the Jungle? He is joined by the talents of Chitiwetel Ejiofor as Scar, he was just as demonic as Jeremy Irons was in the role. There’s also Beyonce Knowles-Carter as Nala, JD McCrary as young Simba, Donald Glover as the adult Simba, Billy Eichner as Timon alongside the fantastic Seth Rogen as Pumbaa. Florence Kasumba as Shenzi the Hyena was a menacing presence for sure. John Oliver gave a memorable performance as Zazu.

My highlights of the film revolved around the numerous moments of laugh out loud comedy – from Timon and Pumbaa’s interactions and the addition of other animals in their fabulous rendition of ‘The Lion Sleeps Tonight’! The hyenas also provided much entertainment as they bantered between themselves. Zazu was also as comedic as in the original animation, John Oliver has put his own stamp on it.

The sound department have done a superb job and the entire creative team should be proud of a wonderful achievement, as a live action movie so far it’s my favourite.

Malvern Cinemas is an amazing setting to watch a movie in – why not check out their listings and book to see a film there: Malvern Cinemas

Sharkwater Extinction From Award Winning Director & Renowned Activist & Conservationist, Rob Stewart

An eye-opening, epic new feature documentary Sharkwater Extinction from Rob Stewart, the award-winning director of Sharkwater and Revolution takes us on one man’s mission: to protect sharks from extinction and save the oceans before it’s too late.

More than 150 million sharks are being killed every year. The oceans are in danger. Sharks play a hugely important role to the environment. Who is the real enemy: shark or human?

We join the courageous filmmaker and renowned activist on a hugely inspirational, thrilling but hazardous journey, as he dives deep into oceans and travels across four continents to investigate the eye-watering scale of corruption, destruction and danger that the multi-billion-dollar pirate fishing industry and vast illegal shark fin trade bring.

Sharkwater Extinction stands as Rob Stewart’s legacy as he was tragically killed in a diving accident, in the final stages of shooting the film in January 2017. His parents Brian and Sandy Stewart have dedicated themselves to completing the film.

REVIEW

This thought-provoking, stunningly filmed documentary captured my interest from the get-go. My fascination in conservation and admiration for activists such as Rob has heightened in recent years. The damage we’re doing to our planet and the oceans have been highlighted and continue to be brought to our attention. Rob’s film digs deeper and plunges us into an underwater world where extinction is so horrifically imminent. As a film-maker he shows empathy, determination and overwhelming enthusiasm. I feel like I have watched everything first hand through Rob’s eyes as the perspective combined with his energy enhance the viewing experience. This film will shock you with seemingly endless revelations and heart-breaking truths. If you’re like me, it will also spark an admiration for a creature whom I usually associate with the signature tune from the Jaws movies. A fitting tribute to Rob Stewart, thanks to his parents, whom I have an interview with which they kindly gave their time to me, for:

What was it that prompted Rob’s interest in conservation? Was it a passion of his from a young age?

Rob always loved the outdoors and exploring. He was captivated by the underwater world from a very young age – and a self proclaimed “fish nerd”…! We were so fortunate to have traveled a lot as a family and every new location offered new wildlife to explore.

He was always first into the water! And was always trying to catch everything he saw….we once had to pull him out of a beautiful fountain with koi fish that he jumped into trying to catch them. 

He saw his first shark at age 9 and instantly fell in love with these majestic creatures that seemed, to him, like the last of the dinosaurs.

Not surprisingly he studied biology in university, started his photography career there and went on to become an underwater photographer.

On an assignment to the Galapagos, he discovered illegal longlining, indiscriminately killing sharks with the marine reserved and became determined to bring awareness to the issue….when traditional media didn’t work, he decided to make a movie believing that if people knew what was happening it would bring about change.  Sharkwater was the result – and from there Rob became a filmmaker, activist and deeply committed crusader for protection of sharks and the planet.

You’ve released the film in his memory, was this an easy decision and how did you decide when the right time would be?

Rob had shot over 400 hours of footage and left very detailed notes on his vision and plan for the film.  Wanting to complete the project was never a question but we had to make sure we had enough footage with Rob and could find the right editor to pull it together.

Once we went through all the footage and saw what we had – we knew it was possible – and from that point,  Editor Nick Hector began work assembling the film. 

How has the film been received? Are you pleased with the response?

We’ve had an amazing response to the film – it celebrated its world premiere at TIFF to an audience of 1800 people and a 10 minute standing ovation. From there – it has gone on to premiere at over 30 international film festivals garnering numerous awards and rave reviews. It still maintains a 100% rating on Rotten Tomatoes!

It opened in theatres across North America and has just started its theatrical release in the UK. It will release on ITunes and platforms and on Amazon Prime Video in July.

What is most rewarding is that people leave the film excited,  wanting to know how they can help…how they can continue Rob’s mission.

What do you think of the work that your son has done and the progress he has made in raising awareness?

We are, of course, so proud of Rob and all he has accomplished. He changed the world. He brought the issue of shark finning to the world stage and taught people that sharks were important – not menacing dangerous predators. The film changed public policy and launched numerous non-profit organizations. He continues to inspire a new generation of conservations, filmmakers and biologists.

REVOLUTION was the first film to talk about Ocean Acidification and the risk to coral reefs and the oceans.

Rob also had the most infectious, inclusive approach to his work – he believed that conservation should be fun – that fighting for what you believed in was something cool – and that eveyone was capable of  making a difference.

Is there a personal highlight for you in the film?

The fact that we were able to get the film completed and get Rob’s message out is really the highlight. Even people that didn’t know his work loved the film and even shark people learned something they didn’t know before. It’s an important film that Rob wanted everyone to see.

Also – people don’t know the many ways they are unknowingly consuming shark – through mislabeled fish products, pet food, cosmetics, fertilizers, and livestock feed. It was important to Rob to get that out – to encourage people to ask questions and to insist on more full disclosure and accuracy in labeling.
At every Q&A we do – people ask how they can check their products and what they can do to ensure they are only using those that are shark free….

What had he planned to do following the release of the film? Are you continuing with the work in his memory?

Rob always had several projects going  in various stages of development.  We plan to get them completed.

We have established the Rob Stewart Sharkwater Foundation which will ensure Rob’s mission continues – in addition to projects Rob had started, the foundation will support and encourage other filmmakers doing work inspired by Rob, continue to advocate for the protection of sharks and the oceans and launch a  “Shark Free” campaign to ensure that consumer products do not contain shark.

Huge thanks to Rob’s parents for this wonderful and insightful interview. The movie is available to download digitally today and all the info you need can be found here: Sharkwater Extinction

Dumbo ~ Malvern Cinemas

Star rating: *****

Dumbo is a classic Disney movie and as a self-confessed Disney-a-holic I’d put the original animated version somewhere in my top ten films of all time. A live action incarnation with a Tim Burton spin sounded appealing and alarming all at once, however it was a joy from beginning to end. Probably not entirely suited to our five year old as he found some of the darker edged scenes to be somewhat disconcerting, however this did not spoil his overall enjoyment and when Dumbo flew, our boy was beside himself.

Dumbo himself and indeed all of the animals were fascinating to watch, such attention to detail added to the exceptional realism and Dumbo’s mother in particular was quite something to behold.

The story stays fairly faithful to the original, there isn’t much of a place for Timothy Mouse in this version although he’s definitely featured, just not as Dumbo’s friend. His friends come in the form of the Farrier family, bereaved following the death of their mother and newly reunited with their father, Holt (Colin Farrell) who has returned from war with an arm missing – Milly (Nico Parker) and Joe (Finley Hobbins) are the pals the young elephant with over-sized ears comes to rely upon. The poor young chap has gone from being a laughing stock when he was new born to the sad departure of his mother following her rampage to protect her son. Max Medici (Danny DeVito), owner of the Circus Dumbo belongs to is capitalising on the discovery that Dumbo’s ears can be used as wings. However, with the fame of his top billing act comes a villain set to take the act for himself under false pretences. Enter V. A. Vandevere (Michael Keaton) with his arm-candy, trapeze star Colette Marchant (Eva Green).

With the Farrier children intent upon using money earned from Dumbo’s act in the Coney Island circus to buy back his mother, the truth about Candevere’s intentions catalyses a chain of events which may or may not lead to a happy ending for the much loved elephant and his keepers.

The story from the animation has been expanded upon and has a sinister air on occasion, however that is to be expected with a Tim Burton production – it’s not going to be happy ever after without a number of twists, turns and evil plots along the way. DeVito, Keaton, Farrell and Green shine in the lead roles and the children are superb.

Go and see the elephant fly for yourselves, it’s a heart-warming tale of love, ultimately and I bet you’ll not be able to help yourselves falling in love with delightful little Dumbo! Book your tickets to see the film at Malvern Cinemas, here: www.malvern-theatres.co.uk

Lego Movie 2: The Second Part ~ Malvern Cinemas

Everything is awesome…. correction, everything WAS awesome, but there’s a sickly sweet and rather girlie influx of blocks who want to take over the world, specifically Bricksburg. Or do they? It’s time for the Lego Movie 2 folks!

Emmet is back, dreaming of owning his dream house and living there with Lucy aka Wildstyle and seemingly untroubled by the latest turn of events which is triggered by Finn’s younger sister, Bianca taking some of his Lego into the basement to play with. What transpires is Emmet and Lucy’s world colliding with a glittery universe they’re fearful of – with General Sweet Mayhem arriving to escort them to see Queen Watevra Wa’Nabi of the Systar System. The Queen wants to marry their leader, although they’re not sure who that is. Of course, Batman is on hand to offer himself as the leader and he’s having his usual ‘feud’ with Superman, a glittery Superman!

With Lucy ‘kidnapped’ by General Sweet Mayhem along with their other friends, Emmet turns his dream house into a spaceship to rescue them and is thrilled to meet Rex Dangervest who arrives to help him. As Lucy continues to resist the brainwashing she perceives to be occurring around her and wonders if she’ll ever see Emmet again – the race is on for Batman to marry Queen Watevra Wa’Nabi before Armomageddon.

There’s some top tunes, superb graphics and an extremely witty script packed full of sarcastic asides which might go over the young viewers’ heads but certainly weren’t missed by the adults in the cinema! The sequel is certainly as good a watch as the first and has something to offer all ages.

In summary… Everything IS Awesome! Go see Lego Movie 2!!

If you want to visit Malvern Cinemas, check out their listings here: www.malvern-theatres.co.uk/

Crucible of the Vampire ~ Film Review

The title itself suggests that there’s a historical genre in store, however it gives little away as to the light erotic LGBT content. It’s a film packed with overt horror, underlying messages, a slightly unstable storyline perhaps yet it’s entertaining and gripping in equal measure. The characters are all purposeful and well-rounded which helps to move the action along in a dark, not entirely vampire-driven film set in Shropshire.

The backstory of the sorcerer’s dark conjuring of the female vampire shows him casting his spell on the owner of a country mansion in the year 1807. At the heart of the story is a character called Isabelle (Katie Goldfinch) – she’s investigating the truth behind the legend of the crucible and is therefore sent to the mansion by her University Professor. Isabelle is your archetypal young woman who’s blissfully unaware of the horrors awaiting her and is easily taken in. She’s a virgin, therefore she’s just the sort of meat the inhabitants of the mansion are looking for.

Karl (Larry Rew) is the owner, he’s almost a caricature of villainy. His wife, Evelyn (Babette Barat) is almost too over the top in her politeness. Their daughter, Scarlet (Florence Cady) is the most openly ‘delighted’ by the visitor. The introductions set the tone for the rest of the movie. There’s also a fairly innocuous gardener whom it’s wise not to take your eye off – played by Neil Morrissey.

Crucible of the Vampire is a hybrid of Hammer Horror and horror comedy Dark Shadows – from my perspective. There are elements that set out to scare and other scenes I can’t quite take seriously. However it’s a compelling watch with a strong cast and Director/Co-Writer Iain Ross-McNamee has certainly embodied an interesting niche.

Crucible of the Vampire is available on Dual Format (DVD & Blu-ray) from Screenbound Pictures. 

Entertainment Views Interview: Florence Cady – Star of Crucible of the Vampire

Crucible of the Vampire was released in cinemas yesterday and it looks set to be a thrilling piece of cinematography. Actress Florence Cady plays the role of Scarlet in the film and I caught up with her to find out all about the character she plays and why she thinks that vampire movies have stood the test of time.

Florence Cady as Scarlet

Thanks for chatting to Enertainment Views, Scarlet. Tell me about Crucible of the Vampire and what attracted you to be part of it?

Crucible Of The Vampire is a Gothic Vampire Thriller set in present day Shropshire in a large country house. Stylistically, it draws from classic British horror of the 1950s and 1960s, along with modern Korean and Japanese psychological horror. I was attracted to the idea of playing a strong, multi-faceted female character. It was a great opportunity to get my teeth into (excuse the pun) a complex, dynamic and varied role. I was also drawn to the idea of doing my own action scenes, including: horse-riding, fight scenes and a dance sequence. It is not often that you get the chance to play a lead role and also do your own physical work.

What are the strengths and quirks of your character?

Scarlet is a strong character both physically and mentally. She is extremely powerful and incredibly manipulative, but this is born out of her inner anxiety and feeling of isolation and entrapment. Scarlet initially appears to be a petulant child, and then she develops into a dangerous seductress and manipulative psychopath. She has a strong character arc and a deep secret. She is very volatile and becomes intensely angry at the flick of a switch, which can be quite sinister. But, she is also very playful and girlish at times. She is a dreamer, driven by her fantasy of escape. Our director, Iain Ross-McNamee was brilliant at allowing us the space for our characters to develop whilst also having a clear vision of what he wanted Scarlet and Isabelle’s relationship to be like.

Official Trailer

What’s your favourite scene from the film?

I think my favourite scenes to film were the action sequences choreographed by stunt co-ordinator, Justin Pearson. Katie and I worked with Justin to learn the fight scenes, almost like a dance sequence. It was quite exhilarating to chase each other down the corridors at night, whilst trying to get the moves in the right order, which became second nature after a short rehearsal period. I also enjoyed learning the dance sequence set in the ballroom, which was choreographed by Vikki Burns. The room had such beautiful natural light and it was a great space to work in. In preparation for the role, I went back to barre classes to refresh my ballet, and I stretched daily to ensure I was prepared for the short rehearsal period on set with Vikki.

Any particular memories from making the film?

I have lots of fond memories from making the film. It was a fantastic opportunity so early on in my career, and also a chance to escape London and live in the beautiful Shropshire countryside. One particular memory I have is of shooting the dream sequence on a gorgeous white stallion. I remember at one point the horse-handler saying to me ‘there are 18 acres of land here, and he hasn’t had a gallop in a while, so don’t get too confident!’ Luckily the horse was very well-behaved, and I manged to stay upright. It was a challenge to try and remain calm, get the horse to do as it was told, whilst looking elegant and serene.

What’s your best loved genre of film?

I’m a big fan of Film Noir. I wrote my dissertation on Women in Film Noir, looking at the on-going fascination of the femme fatale from the classic noir of the 1940’s onwards, to neo-noir from the 1970’s to present day. I’m fascinated by the elusive archetype of the femme fatale and the distinct visual style of the ‘genre’. Our film shares one of its key themes: the blurred lines between fantasy and reality, which we used to explore the dreamlike quality of certain parts of the film.

Why do you think that Vampires hold such fascination for film fans?

I think Vampires hold such a fascination for films fans because they are an archetype that instantly conjures up a strong image of a dark, brooding, charming and sexually provocative character. They also represent the disparity of how a person can appear to be one thing, but are completely the opposite. As with Scarlet in the film, at the beginning we wanted to make it feel like she was just a troubled, tormented soul driven by her desire to escape her life confined to her parent’s house. Vampires are often lonely, isolated characters and I think all humans can I identify with that feeling at some point in their life. They are also fascinating because they are superhuman, extremely powerful and can live for hundreds of years. They transcend the ordinary.

Why should we all watch Crucible of the Vampire?

You should all watch Crucible of the Vampire because it has garnered rave reviews at major festivals, including Starburst International Film Festival which called it “an engaging story that is both broodingly ethereal, visually eloquent and thoroughly enjoyable.” It is an intense, provocative and disturbing horror that will make you uncomfortable at times and challenge your perceptions, harking back to the classic British horror of a by-gone era.

Thanks to Florence for an insightful interview.

Crucible of the Vampire is in cinemas 1st Feb and on Dual Format (DVD & Blu-ray) on 4 Feb 2019 from Screenbound Pictures

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