Olivier Awards 2019

Theatre has been my passion since I can remember and although in the past couple of years I’ve not been blogging as actively about my best loved genre of entertainment, it’s never left my radar.

Last night’s Olivier Awards reignited the theatrical spark for me and there are shows I will make it my mission to see – especially given the superb performances of excerpts from many of the nominated productions. From the magnificent Disney’s The Lion King to the stonking new musical Come From Away to Six – a pop concert style musical like no other I’ve seen before – the West End is packed with shows to suit every taste. The Tina Turner musical also looks incredible and if you heard Adrienne Warren who plays the real life legend, I’m sure you can’t fail to agree that she does Ms Turner proud and then some! Rosalie Craig made me feel alive with her rendition of Being Alive from Company and a finale featuring such wonderment as the stunning cast of Olivier winner Sir Matthew Bourne’s Swan Lake was a dream come true. Jason Manford was a superb host, witty and offering up relevant comedy, I found the comment about the over-charging in theatre bars particularly poignantly funny. He showed off his musical theatre side with the fantastic Janie Dee and Ruthie Henshall in tow, which was an unexpected treat indeed.

What of the award winners in the hotly contested categories? Although I’ve yet to see the show as I don’t frequent London as often as I would like, I’m delighted for Company, Jonathan Bailey and Patti Lupone – worthy winners in the Best Actor in a Supporting Role in a Musical category, Best Actress in a Supporting Role in a Musical category and Best Musical Revival. Judging by the immense performance given by the cast of Come From Away, their Best New Musical win (amongst other awards) was well deserved, the production stars one of my favourite performers, Jenna Boyd, it’s got to be worth a watch just to see her! Catherine Zuber should also be congratulated, her costume design for The King And I is a triumph and she should rightly be celebrated. Shout out to my favourite Donna and the Dynamos, Sara Poyzer, Kate Graham and Ricky Butt who presented that particular award in their Mamma Mia! costumes. Porgy and Bess was also on my radar and a winner from the Best Opera nominations which I had high hopes for. I must also add my congratulations to the terrific super-talent Monica Dolan for her win for Best Actress in a Supporting Role award for All About Eve. I haven’t seen the play yet but Monica Dolan is a chameleon on an actress and wows me in all she does.

Here’s the full list of winners….

BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL

Jonathan Bailey for Company at Gielgud Theatre

BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL

Patti LuPone for Company at Gielgud Theatre

OUTSTANDING ACHIEVEMENT IN MUSIC

Come From Away – Book, Music and Lyrics: David Hein and Irene Sankoff; Music Supervisor, Arrangements: Ian Eisendrath; Orchestrations: August Eriksmoen; Musical Director/UK Music Supervisor: Alan Berry; and the band of Come From Away at Phoenix Theatre

BEST NEW DANCE PRODUCTION

Blkdog by Botis Seva at Sadler’s Wells

OUTSTANDING ACHIEVEMENT IN DANCE

Akram Khan for his performance in Xenos at Sadler’s Wells

BEST ENTERTAINMENT AND FAMILY

A Monster Calls at The Old Vic

BEST THEATRE CHOREOGRAPHER

Kelly Devine for Come From Away at Phoenix Theatre

MAGIC RADIO BEST MUSICAL REVIVAL

Company at Gielgud Theatre

BEST ACTOR IN A MUSICAL

Kobna Holdbrook-Smith for Tina – The Tina Turner Musical at Aldwych Theatre

BEST ACTRESS IN A MUSICAL

Sharon D. Clarke for Caroline, Or Change at Playhouse Theatre

CUNARD BEST REVIVAL

Summer And Smoke at Almeida Theatre and Duke of York’s Theatre

BEST NEW COMEDY

Home, I’m Darling at National Theatre – Dorfman and Duke of York’s Theatre

OUTSTANDING ACHIEVEMENT IN AFFILIATE THEATRE

Flesh And Bone at Soho Theatre

WHITE LIGHT AWARD FOR BEST LIGHTING DESIGN

Jon Clark for The Inheritance at Young Vic and Noël Coward Theatre

ROYAL ALBERT HALL AWARD FOR BEST SOUND DESIGN

Gareth Owen for Come From Away at Phoenix Theatre

BEST COSTUME DESIGN

Catherine Zuber for The King And I at The London Palladium

BLUE-I THEATRE TECHNOLOGY AWARD FOR BEST SET DESIGN

Bunny Christie for Company at Gielgud Theatre

BEST ACTOR IN A SUPPORTING ROLE

Chris Walley for The Lieutenant Of Inishmore at Noël Coward Theatre

BEST ACTRESS IN A SUPPORTING ROLE

Monica Dolan for All About Eve at Noël Coward Theatre

BEST NEW OPERA PRODUCTION

Katya Kabanova at Royal Opera House

OUTSTANDING ACHIEVEMENT IN OPERA

The ensemble of Porgy And Bess at London Coliseum

BEST ACTOR

Kyle Soller for The Inheritance at Young Vic and Noël Coward Theatre

BEST ACTRESS

Patsy Ferran for Summer And Smoke at Almeida Theatre and Duke of York’s Theatre

SIR PETER HALL AWARD FOR BEST DIRECTOR

Stephen Daldry for The Inheritance at Young Vic and Noël Coward Theatre

AMERICAN AIRLINES BEST NEW PLAY

The Inheritance at Young Vic and Noël Coward Theatre

MASTERCARD BEST NEW MUSICAL

Come From Away at Phoenix Theatre

SOCIETY OF LONDON THEATRE SPECIAL AWARD

Sir Matthew Bourne

You can book tickets for the West End Theatre shows here: Break A Leg Ticket Shop

Photo Credit for Come From Away – Matthew Murphy

Other Photo Credits: YouTube

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The Wonderful World of Disney On Ice – Resorts World Arena, Birmingham

As a family we are self-confessed Disney-holics – we’ve been fortunate enough to attend a number of Disney On Ice productions as well as having travelled to Disneyland Paris for holidays on a few occasions. The Disney magic never waivers for us and this particular incarnation of the spectacular ice show featuring our favourite Mouse was exceptional – maybe my favourite to date.

All of my best loved Disney films were included as we were taken on a journey of mystery and wonder to seek out hidden treasures with Mickey Mouse, Minnie Mouse, Donald Duck and Goofy. Who better to go on an adventure with? The added treat is that every character who appears through the majestic red curtains are on ice skates and performing the most stunning moves and tricks across the pure white glittery surface.

The quality of the costumes for this first class display is quite indescribable – the attention to detail for each character brings them to life, it’s glorious viewing for young audience members and the big kids also get just as much entertainment and delight from the show. With popular hits (from the various movies we were treated to) accompanying the splendour and a packed arena singing along, it couldn’t have been a more joyful experience and what a wonderful window into Walt Disney’s imagination.

The films were recreated on ice through beautiful and precise choreography and spellbinding movement as well as nail-biting headbangers and other amazing spins, turns and jumps. We saw The Lion King, Snow White and the Seven Dwarfs, Aladdin (one of my personal favourites, look out for the elephant!), Tangled, Toy Story, Frozen and if you could have seen the Disney Princes and Princesses all in one glorious scene – if you’re a Disney fan you couldn’t fail to be moved and over-awed. There was a lovely surprise in the form of excerpts from the Finding Dory movie too which was transfixing in the extreme.

You’re never too old for Disney and definitely never too old for Disney On Ice, book your tickets now and enjoy a magical experience you’ll never forget:www.disneyonice.com

The Lady Vanishes ~ Malvern Theatres

Star Rating: *****

Take a classic thriller written by Sidney Gilliat and Frank Launder, the film version having been directed by Alfred Hitchcock, add a stellar cast and one of the most atmospheric sets I’ve seen in a long time – what do you get? A flawless production of The Lady Vanishes.

Although I was already familiar with the title of the production, initially I was unfamiliar with the story. Therefore watching the action and mystery unfold with no prior knowledge was a real treat. The scene and tone at the railway station were immediately set and there was an overriding feel of authority and fear as Hitler’s Germany reigned supreme. The characters are introduced gradually and they all have a tale to tell, while a few characters remain vague which helps to build the tension and suspense throughout. What’s evident from the outset is that clues are everywhere and dovetail perfectly when the conclusion is reached.

The story is paced to perfection by the strong ensemble, Juliet Mills shone as Miss Froy – the lady who seemingly vanishes aboard a train to England, Lorna Fitzgerald has the opportunity to demonstrate that she is capable of extraordinary stage craft – I had known her as Abi Branning in Eastenders. As Iris, the young woman who is hell bent on discovering what has happened to Miss Froy, she couldn’t have characterised better. The chemistry and sublime partnership Fitzgerald has with Matt Barber as the unintentionally comedic Max. Barber is another familiar face from the television, having starred as the husband of Lily James’ character, Lady Rose, in Downton Abbey. While Barber remains a firm favourite of mine from the series, for as a screen actor I felt he was a joy to watch – on stage he excels further and every nuance of his performance was measured and deliberate – he certainly has hidden depths. Maxwell Caulfield possessed an eerily unpleasant quality in the somewhat pivotal role of Dr Hartz, it was really easy to dislike him and suspect him. Robert Duncan and Ben Nealon often stole the show as cricketing enthusiasts and businessmen, Charters and Caldicott. Duncan’s comic timing had me laughing out loud on more than one occasion. Philip Lowrie played the fairly benign Eric, apparently trying to run off with Margaret (Elizabeth Payne) yet making a dog’s dinner of their scandalous liaison. Lowrie and Payne made a watchable and believable couple – Lowrie’s years of experience on stage and screen are obvious and I was fascinated with Payne’s stage presence and superb diction.

Antony Lampard’s adaptation lends itself to the stage, brilliantly and Roy Marsden’s direction is on point as always, he’s one of my favourite directors. You’ll be sure to become an armchair sleuth as the story unfolds, chaos ensues and inevitable tragedy occurs too.

The Lady Vanishes stays at Malvern Theatres until Saturday 23rd March, book now: https://www.malvern-theatres.co.uk/whats-on/the-lady-vanishes/

Lego Movie 2: The Second Part ~ Malvern Cinemas

Everything is awesome…. correction, everything WAS awesome, but there’s a sickly sweet and rather girlie influx of blocks who want to take over the world, specifically Bricksburg. Or do they? It’s time for the Lego Movie 2 folks!

Emmet is back, dreaming of owning his dream house and living there with Lucy aka Wildstyle and seemingly untroubled by the latest turn of events which is triggered by Finn’s younger sister, Bianca taking some of his Lego into the basement to play with. What transpires is Emmet and Lucy’s world colliding with a glittery universe they’re fearful of – with General Sweet Mayhem arriving to escort them to see Queen Watevra Wa’Nabi of the Systar System. The Queen wants to marry their leader, although they’re not sure who that is. Of course, Batman is on hand to offer himself as the leader and he’s having his usual ‘feud’ with Superman, a glittery Superman!

With Lucy ‘kidnapped’ by General Sweet Mayhem along with their other friends, Emmet turns his dream house into a spaceship to rescue them and is thrilled to meet Rex Dangervest who arrives to help him. As Lucy continues to resist the brainwashing she perceives to be occurring around her and wonders if she’ll ever see Emmet again – the race is on for Batman to marry Queen Watevra Wa’Nabi before Armomageddon.

There’s some top tunes, superb graphics and an extremely witty script packed full of sarcastic asides which might go over the young viewers’ heads but certainly weren’t missed by the adults in the cinema! The sequel is certainly as good a watch as the first and has something to offer all ages.

In summary… Everything IS Awesome! Go see Lego Movie 2!!

If you want to visit Malvern Cinemas, check out their listings here: www.malvern-theatres.co.uk/

The Searchers Farewell Tour

Their sound is one that I’ve grown up hearing my parents play on their old turntable and one of my all-time favourite songs is ‘Don’t Throw Your love Away’, it’s in my top ten of all time best loved singles and would easily make it to my dessert island discs list! They may be a band who were formed in the late 50’s (20 something years before I was born!) but when I listen to their back catalogue of classic hits, I know I was born in the wrong era.

The Searchers topped the bill at the Sixties Gold Show which was one of the highlights of my reviewing calendar last year and it was there that they announced their intention to retire. I cried and it has taken me time to come to terms with the fact that they mean it! However, they’re going out with the biggest bang with almost all their tour venues sold out and limited seats remaining where tickets are still available.

Last night, at the Stafford Gatehouse Theatre, they played a 2 hour concert to a full house packed to the rafters with fans and it was glorious. The best atmosphere imaginable and I’m still buzzing now (and wishing I could beg a ticket to another gig before they wave goodbye on 31st March).

The Searchers have transcended decades and I’m not ready for them to retire yet!

The four-piece, is compiled of bass player Frank Allen who joined the band in 1964, Scott Ottoway who started drumming for them back in 2010, the extraordinary lead vocalist and guitarist Spencer James who has been with the band for over 33 years and the legendary John McNally who is the remaining founder member. I’m transfixed by the talent of all four of the boys, they’re exceptional musicians, however John McNally can’t help my draw my attention, especially when he plays the twelve string guitar. His witty retorts and banter with Frank Allen make for an entertaining evening too, in addition to their brilliant trademark sound and sing-a-long opportunities!

From popular hits such as ‘Walk In The Room’, ‘Sugar and Spice’, ‘Needles and Pins’ and ‘Don’t Throw Your Love Away’ to a couple of Buddy Holly tracks and a fantastic version of ‘Running Scared’, originally by the late great Roy Orbison – a concert from The Searchers is a real treat. I’m not ready for them to retire, I respect the fact that they feel it’s time, but that didn’t stop my bottom lip from wobbling once the final medley had been played.

There’ll never be another band like them, they’ve transcending decades and generations and will be missed by their peers and fans alike, I’m sure. If you can grab a ticket to see their final shows, you’ll not regret it, I promise. www.the-searchers.co.uk/dates

Spencer James from the band will be touring with a solo gig so make sure you buy your tickets for that, all the dates and venues are here: spencerjames.biz/spencer-james-solo-shows

Bobbi Brown Red Carpet Make-Over

It’s no secret that I attended the National Television Awards at The O2, London last month. Two of my buddies and team-mates joined me for the experience and we had a fantastic girls day and night out. As luck would have it, Bobbi Brown UK had re-launched a studio in the Oxford Street John Lewis store merely months before we planned to celebrate awards season.

Thanks to their wonderful PR, the three of us were treated to a red carpet make-over so that we were awards ready and the hassle of applying our own make-up was one thing ticked off our list for the evening ahead.

We were greeted by Molly, Aaminah and Kyah who immediately made us feel at ease (none of us are regulars when it comes to putting ourselves in the hands of make-up artists!) and we were quickly seated in front of the mirrors ready to put out trust and faith in these wonderfully creative professionals.

Molly immediately started to work with the colours of my dress for the evening which I was conveniently wearing for the session. You’ll see my before and after photos below, the first being of my completely make-up free face and the second being the after result.

My skin treatment and makeup from the Bobbi Brown UK range included:

Skincare – Cleanser/Toner – Extra Treatment Lotion, Treatment – Extra Repair Serum, Eye Cream – Extra Repair Eye, Face Cream – Extra Repair Moisture Cream

Skin Foundation Stick Shade – Porcelain

Corrector Formula – Creamy, Shade – Extra Light Bisque, Concealer Formula – IEC, Shade – Porcelain

Foundation Formula – Extra tinted balm, Shade – Alabaster tint, Correct & Perfect – Skin Stick – O

Powder Formula – Nude Finish, Shade – Porcelain

Bronzer – Stonestreet, Blush – Pink Brightening Brick, Highlight – Pink Glow

Lip Colour – Rose Petal Nourishing, Lip Pencil – Pink Mauve

Brows Formula – Brow Shaper, Shade – Brunette

Long Wear Eye Base – Light, All Over Shadow – Cream (Night Drama)

Lower Lid Shadow – Torched (Night Drama) Sunflare Luxe, Crease Shadow – Heat Ray Luxe

Eye Liner Formula – Black Ink/Charcol, Shade – Ogel/Eyeshadow

Mascara – Smokey Eye

Hayley Makepeace – Before Photo

My long-time very close friend, Hayley Makepeace experienced the Party Ready treatment from Kyah – you can see her make up free photo above and below is her finished look…

The result! Make-Over completed and Party ready!

Hayley’s look was achieved with the following Bobbi Brown UK products:

Skincare – Soothing cleansing oil, Treatment lotion, Hydrating eye cream, Vit enriched face base, Extra illuminating balm – bare glow

Instant Full Cover concealer, Shade – beige

Skin foundation, Shade – beige

Nude Finish illuminating Powder, Shade – Nude

Bronzer – Medium, Blush – Tawny, Highlight – Afternoon Glow

Lip Colour – Downton Plum Luxe, Lip Pencil – Pink Mauve

Brows Formula – Perfectly Defined LW Pencil, Shade – Mahogany

Eyes – Golden Bronze Shadow Stick, Crease Shadow – Taupe

Eyeliner Gel – Sepia Ink, Shade – Black Ink

Smokey Eye Mascara

Allspice Sparkle Shadow

Clear Brow Shaper

Jen Franklin – without make-up!

Jen Franklin is a close friend I met on social media a few years ago and we share many common interests. Jen was treated to a Soft Glam make-over. Check out her before photo above and the finished picture below!

The result! Jen’s Soft Glam Look…

Jen’s Bobbi Brown UK Make-Over was achieved by Aaminah with the following products:

Skincare – Hydrating tonic, Hydrating Eye Cream, Hydrating Gel Cream

Skin Foundation Stick – Beige #3

Corrector Formula – Creamy Corrector, Shade – Bisque, Concealer Formula – Instant Full Coverage, Shade – Beige

Foundation Formula – Skin long-wear weightless, Shade – Beige #3, Correct & Perfect – Skin Weightless Powder Beige #3

Powder – Nude Finish Illuminating Powder, Shade – Nude

Bronzer – Natural, Blush – Tawny Brightening Brick, Highlight – Pink Glow

Neutral Rose Luxe Lip Colour, Lip gloss – Nougat

Brows Formula – Powder, Shade – Mahogany

All Over Eye Shadow – Golden Bronze/All Spice, Lower Lid Shadow – Rich Brown

Smokey Eye Mascara

3-in-1 Hydrating Setting Spray

Here we are – ready for the National Television Awards. Thanks Bobbi Brown UK!

Crucible of the Vampire ~ Film Review

The title itself suggests that there’s a historical genre in store, however it gives little away as to the light erotic LGBT content. It’s a film packed with overt horror, underlying messages, a slightly unstable storyline perhaps yet it’s entertaining and gripping in equal measure. The characters are all purposeful and well-rounded which helps to move the action along in a dark, not entirely vampire-driven film set in Shropshire.

The backstory of the sorcerer’s dark conjuring of the female vampire shows him casting his spell on the owner of a country mansion in the year 1807. At the heart of the story is a character called Isabelle (Katie Goldfinch) – she’s investigating the truth behind the legend of the crucible and is therefore sent to the mansion by her University Professor. Isabelle is your archetypal young woman who’s blissfully unaware of the horrors awaiting her and is easily taken in. She’s a virgin, therefore she’s just the sort of meat the inhabitants of the mansion are looking for.

Karl (Larry Rew) is the owner, he’s almost a caricature of villainy. His wife, Evelyn (Babette Barat) is almost too over the top in her politeness. Their daughter, Scarlet (Florence Cady) is the most openly ‘delighted’ by the visitor. The introductions set the tone for the rest of the movie. There’s also a fairly innocuous gardener whom it’s wise not to take your eye off – played by Neil Morrissey.

Crucible of the Vampire is a hybrid of Hammer Horror and horror comedy Dark Shadows – from my perspective. There are elements that set out to scare and other scenes I can’t quite take seriously. However it’s a compelling watch with a strong cast and Director/Co-Writer Iain Ross-McNamee has certainly embodied an interesting niche.

Crucible of the Vampire is available on Dual Format (DVD & Blu-ray) from Screenbound Pictures. 

Blood Brothers ~ Malvern Theatres

Blood Brothers, the musical that has had a special place in my heart for a long time – it will always be a five star production in my eyes and has yet to deviate from that honour. Each time I see it feels like watching again for the first time as it’s easy to find something I may have missed on other occasions.

If you don’t know the story let me enlighten you… the action is set in Liverpool where class difference has never been more prominent and centres around Mrs Johnstone, her family and struggles. She was married but he scarpered as soon as the number of children she was having almost rivaled that of a football team. With twins on the way and the welfare threatening to take her kids away she reluctantly strikes up a bargain with her well to do employer, Mrs Lyons. Splitting up her twin boys, Mickey grows up with the big boisterous family and of course, Mrs Johnstone as his mother, whereas Edward is raised by Mr and Mrs Lyons, with Mr Lyons remaining in the dark about the reason why his apparently barren wife has born him a son. As the lads grow up, having met each other and become friends when they were age 7 (nearly 8) there’s a love triangle developing with a girl called Linda and the class divide is set to catalyse fatal consequences.

You’re bound to have heard a number of the timeless songs; there’s ‘Tell Me It’s Not True’, ‘My Child’, ‘Easy Terms’ and ‘Marilyn Monroe’ to name a few. Linzi Hateley plays the iconic role of Mrs Johnstone, taking over from Lyn Paul, she’s made the role her own. Mark Hutchinson plays Edward (Eddie) and his years of experience in the part are very telling, it’s almost like a second skin for him. Robbie Scotcher is a moody, shadow-dwelling narrator, the power of his vocals wows and he possesses extraordinary stage presence. Daniel Taylor will always be my Sammy, the tantrums are show-stopping and there’s always a splash of real menace which hints at what the future holds for the character. Danielle Corlass gives another flawless performance as Linda. Tim Churchill is as superb as always, excellent as Mr Lyons and hilarious as the milkman cum gynaecologist. The ensemble are also as strong as ever with Graham Martin reducing the audience to tears of laughter with his performances as the Judge and the two vastly different teachers. Amy-Jane Ollies also shines as Donna Marie and Miss Jones. Andy Owens never fails to give a wonderfully funny portrayal of the nerdy pal, Perkins.

Last night belonged, for me personally, to Sean Jones as Mickey and Sarah Jane Buckley as Mrs Lyons. That’s because it was the last time that I was to see them in the show. They’re both bound for pastures new and with Sean having 15 years under his belt it’s going to be rather strange getting used to a new Mickey. Sarah Jane joined the cast in 2016, but it’s no secret that I was already a huge fan (and still am a huge fan!) as I loved her as Kathy Barnes in Channel Four’s Hollyoaks. As Mrs Lyons she has surpassed my expectations, adding an extra something special to the ‘bridesmaid’ of the female roles. I was also lucky enough to see her play Mrs Johnstone as she has understudied the part, and her performance still resonates now. One of my favourite experiences in the theatre.

Sean Jones IS Mickey, so although I’m certain the new one will be fantastic and find his feet, I’m sure the loss of Sean from the cast will be felt keenly. Wishing both of them all the best for their future roles anyway – which I know they will both be amazing in. Look out for them, and indeed catch them in one of the venues that they will tour to with Blood Brothers before they finish. This is the first of their four remaining weeks with the tour.

All in all, Blood Brothers is one of the best nights at the theatre you could wish for, miss it at your peril! If you want to catch it at the wonderful Malvern Festival Theatre, it plays there until Saturday 2nd February: blood-brothers

Photo credits: Robert Day

National Television Awards 2019 – Musings of an attendee…

Another National Television Awards ceremony has passed and it was an interesting, slightly controversial star-studded evening.

As an entertainment blogger with big love for all things telly and a working relationship and indeed friendships with a few familiar names from the small screen, I like to attend the awards whenever possible. I was a regular attender of the National Television Awards during the good old days when the Royal Albert Hall was the venue for the event. This year saw my third visit to the show since the move to the O2 and the extortionate charge to meet the celebrities on the red carpet came into being.

I’m often asked if it’s as good to be there as it looks on the telly and whether it’s worth paying for a ticket to go etc. The honest answer is that you do get a better view on your television at home, however I also believe that everybody should experience it at least once. Had the ceremony and set up remained the same as during Sir Trevor McDonald’s tenure – then I wouldn’t have hesitated to recommend that everyone with a passion for television pays a visit and indeed for a ticket, if they can. Every trip to the O2 for me has been widely different, however what stood out this time was the number of people in the audience who were going in and out of the auditorium at regular intervals and not during commercial breaks. This was disruptive to the evening itself for us members of the public. It’s no mean feat going up and down those stairs all the time either, they must have had a great workout!

The basic charge before fees for a red carpet ticket which includes a seat at the ceremony itself is £120. Prior to the move to the O2 it was free to attend the red carpet before and after the ceremony. There was a degree of scrambling which was kept under control by stewards, however on the whole it wasn’t a bad experience and helped to build up the excitement and anticipation before we piled into the venue itself. During commercial breaks inside the Albert Hall the nominees would make their way over to have photos with us and sign autographs too. It felt like we were all in it together, actors, crew members, directors, producers and us, the viewers.

As it’s an awards ceremony voted for by the public, back in those days it truly felt like the public got something back for supporting the various television shows. If you didn’t have an opportunity to see your favourite celebrity before the show or during, there was always a good chance that you would meet them afterwards. Indeed I was able to arrange to meet friends who were nominated and we’d easily find one another amongst the throng. On all three occasions that I’ve been in the audience at the O2 it’s been impossible to meet any nominees in my social and working circle.

So why the big change? Security risks are heightened of course due to a vast number of reasons and social media and all its pitfalls have also added to the mix. There are a few ‘fans’ out there who troll celebrity social media accounts and they could be loose cannons on occasions such as these I expect. It’s such a shame though because the event which I have always loved being a part of now feels like an us and them situation – those who are on TV versus those who aren’t. Separated and kept under lock and key by more security staff than you can shake a stick at – and you’d be wise not to shake a stick or you’d find yourself back on the tube before the stars were in their seats. Which wouldn’t be difficult! At the Royal Albert Hall the nominees were always seated well in advance of the show going live. At the O2 it’s almost more entertaining to watch the celebrities being herded in, rather like cats, than it is to watch the show. As you will no doubt have spotted on your screens this year, they are seldom in their seats ahead of the show being broadcast.

Although there is a notable barrier between Joe public and the television greats, there are a handful of stars who like to boogie with the warm up man and get the crowd ready to party. This year Brendan O’Carroll and Jennifer Gibney aka Mrs Brown and Cathy Brown were having a dance and cheering with the audience before Dermot came on to do his thing. Last year we had Ruth Langsford and Alison Hammond strutting their stuff. The various television theme tunes are blasted out and we can see footage from the red carpet to spark our enthusiasm. It’s after that I feel the show becomes something of a damp squib.

The positive side of the night for me personally is that I go with friends and we have a brilliant time. This year we were treated to a ‘red carpet’ make over by Bobbi Brown UK in John Lewis and Partners, Oxford Street ahead of the show and spent our time enjoying a good catch up. It is what you make it, and if you want to spend the big bucks to meet the stars on the red carpet, the opportunity is there. It’s not what we’re keen to do but it would certainly be an experience not to be forgotten I’m sure. You can book tickets for next year so if you feel it’s time to see what all the fuss is about and see the inside of the awards for yourself, book now: www.nationaltvawards.com/

Photo Credits: National Television Awards/ITV

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