Six ~ Malvern Theatres

Star rating: *****

Welcome to the show to the historemix! What an inspired musical Six is! It is easy to see why it is an award winning piece of theatre and a sell out to boot.

It reminded me of a history lesson combined with the feistiness of the characters in the West End hit ‘Our Ladies of Perpetual Succour’ mixed with the vibe of The Spice Girls. Something for everyone? Most definitely and possibly a good way to introduce younger audiences to theatre too.

There was enough sequins to make the Strictly Come Dancing costumes look plain, the backing band wouldn’t have looked out of place with Robert Palmer and the cast had all the right credentials for a successful girl band line up!

Every tune was catchy and every girl had an amazing singing voice. Lauren Drew was exceptional as Catherine of Aragon, Maddison Bulleyment shone as Anne Boleyn, bold and ballsy lass indeed! Lauren Byrne provided stark contrast as the meeker Jane Seymour, Shekinah McFarlane was fierce as Anne of Cleves. Jodie Steele’s vocals were incredible as she rocked the role of Katherine Howard and Athena Collins gave a memorable portrayal of Catherine Parr the sixth wife.

You’d have to be as mad as Henry VIII to miss this lesson in history and life! Go, watch, enjoy and watch out for ‘Don’t Lose Ur Head’ that was my favourite. Book now:

Six tickets

Reviewed by Jen Franklin

Disney on Ice ~ Arena Birmingham

Star rating *****

Disney is one of my families absolute passions, we are all nuts about Mickey and Minnie Mouse, couldn’t wait for Toy Story 4 to be released earlier this year and our home is filled to the brim with Disneyana. Disney on Ice remains one of our top highlights of the year, it’s always a must-see and this autumn’s magical spectacular at Arena Birmingham has proved to be no exception. Celebrating 100 years of magic in wondrous style.

As usual, Mickey and Minnie were at the helm, together with Goofy and Donald they led a packed and excitable arena through every glorious setting and Disney movie. There were short excerpts and longer pieces which gave a good all-round showcase of the classic and more modern day films.

Forky’s brilliant performance in the Toy Story section was our son’s favourite. If I had to choose I would pick out the beautiful dances performed by the various Princes and Princesses. My husband loved the Aladdin scene where the ever-effervescent Genie took the lead and multiplied!

All of the dancers are magnificent skaters and it can be no mean feat to skate and perform in some of those costumes. The attention to detail is always on point and the fact that these popular characters are gracing the ice for all their fans, be they kids or big kids is the most wonderful sight.

Disney on Ice is a fabulous pre-Christmas treat for all the family so get your tickets now and enjoy the magic: Disney on Ice Tickets

Calendar Girls The Musical ~ Wolverhampton Grand Theatre

Star rating: ⭐️⭐️⭐️⭐️⭐️

Sunflowers were out in full force as Calendar Girls The Musical landed at Wolverhampton Grand Theatre last night and brought the full house to tears and to their feet with Gary Barlow and Tim Firth’s stunning piece of musical theatre.

The show tells the true story of a Women’s Institute in Yorkshire who made waves with a nude calendar instead of their usual conventional offering. The idea is the brainchild of ‘Chris’ (played by Rebecca Storm) when she dares her fellow members to bare all behind a current bun to raise money for a new sofa for the relatives room at their local hospital. Chris’s Friend ‘Annie’ (Sarah Jane Buckley) loses her husband John (Phil Corbitt) to blood cancer and it’s her experience of the hard wooden chairs in the room she spends much of her time in that makes Chris so determined to be helpful. Albeit helpful in a way that shocks her fellow W.I. members and enrages the snooty Chairwoman, Mari (Judy Holt). It’s a rollercoaster journey for all the characters which ultimately sees an ordinary group of ladies face their fears and triumph. A more heartwarming and heartbreaking story you won’t find – I’ve never before experienced a musical that makes me cry so hard and laugh so uncontrollably in equal measure and in quick succession.

Rebecca Storm is a marvel in the role of Chris, the rule-breaking florist who’s trying so desperately to keep a handle on her teenage son whilst being a rock to her best friend and pushing her unconventional idea forward. Storm’s rendition of the musical number ‘Sunflower’ is show-stopping. Lisa Maxwell shines as Celia, the grounded air hostess who is struggling to fit in at her husband’s golf club. Her solo number ‘So I’ve Had A Little Work Done’ is one of the highlights of the show. Sue Devaney is perfect casting for Cora and her performance of ‘Silent Night’ is joyful, she’s such an engaging performer and a game girl too! Julia Hills is a revelation (in more ways than one!) as Ruth, she gives a very physical performance which enhances all of Ruth’s character traits. The scene in which she sings ‘My Russian Friend and I’ is both hilarious and sorrowful and her singing voice is powerful too. Pauline Daniels is playing the role of retired Headmistress, Jessie (Ruth Madoc is still out of action at the moment) and much as I am aware of Madoc’s talents, I admit I have fallen in love with Daniels’ portrayal of Jessie. She teases out every quality in the pinnacle role and her performance of ‘What Age Expects’ brought the house down. What an amazing vocalist she is.

Sarah Jane Buckley is playing the part I have no doubt she was born to play. She gives a measured, intelligent performance as Annie with a good dose of mischievous fun into the bargain and astonishing vocal ability to boot which lends itself to all of her musical numbers. ‘Scarborough’ gives the audience an insight into Annie and John’s lives and a snapshot of what life would be like without John. ‘Kilimanjaro’ raises the roof, Buckley puts all the pent up emotion into this beautifully crafted song. That moment will resonate with me for some time.

There are also superb performances from younger members of the cast, including; Isabel Caswell as Jenny, Tyler Dobbs as Tommo and Danny Howker as Danny. The entire ensemble are a strong, solid unit though and there is not one weak link nor a performer amongst them who didn’t attract my attention for all the right reasons.

From the opening scene to the magical moments when the calendar is being made – I was unwaveringly emotionally invested in the story and the people. It’s a production not to be missed!

Go and see my favourite musical for yourselves: Calendar Girls tickets

Come From Away ~ Phoenix Theatre

I’m an islander! How could I not be after such a fabulous show? Come From Away is a stunning piece of musical theatre, simply done with maximum effect and another visit is definitely in order.

The story centres around the grounded plane which landed in Canada following the 9/11 terror attacks. The very small community in Newfoundland welcomed some 7000 passengers into their lives.

The musical maps the incredible transition undertaken by every individual as lives intertwines and hope and love are the overriding themes. The musical numbers punctuating the tale are beautifully constructed with care and detail by Irene Sankoff and David Hein. ‘Welcome to the farthest place you’ll get from Disneyland’ is such a poignant and scene-setting lyric in the upbeat number ‘Welcome to the rock’.

The cast is compiled of a strong, talented ensemble of triple threat performers who each bring the various real-life characters to the fore in a caring, almost affectionate manner. It’s clear that the cast are affected by the story and keen to tell it and portray it to the best of their ability. Notable performers in an altogether flawless company include; Jenna Boyd, Helen Hobson, Robert Hands and Rachel Tucker.

It’s no wonder the show boasts four Olivier Awards, go and see it if for no other reason than it’s a wonderfully heartening experience at a time when everything else in the world feels so uncertain.

Book now: Come From Away tickets

The Son ~ Duke of York’s Theatre

An intense piece which draws you in and raises many questions. Intensified all the more by the lack of interval.

It’s the final part of a trilogy from writer; Florian Zeller, which includes The Father and The Mother. Directed by Michael Longhurst, it’s a story centring around family dysfunction and signs of an unsettling nature from the son who is suffering through his parents’ divorce.

Amanda Abbington, known for her television work, in particular ITV’s Mr Selfridge plays the role of Anne, the mother in the tale. John Light plays Pierre, the father, while Laurie Kynaston wowed as Nicolas, the son of the piece who struggles with the world he knows and takes comfort in, crashing around him as a result of his parents’ divorce.

It’s disturbing, harrowing and relentless ~ not easy viewing and exceedingly challenging. The set is functional and provides a benign backdrop for an action-packed production where the sheer drama and indeed Kynaston’s performance steal the show.

Book now: The Son tickets

On Your Feet ~ Birmingham Hippodrome

Guest Reviewer: Claire & Anthony Sidebottom

Star rating: ****

As a married couple, we arrived at the Hippodrome with one of us having loved Gloria Estefan when younger, and one who said he didn’t know her or her music, so it was going to be interesting to see how the two different ends of the spectrum felt about the new musical ‘On Your Feet’ which is the story of Gloria and Emilio Estefan’s life.

The music started straight away, and everyone’s toes started tapping! It was amazing to see that the band would be on the stage instead of in the normal orchestral pit, it highlighted from the get go that music was at the heart of their story. 

There was a good flow back and forth to give some depth to the story; however my husband felt it was disjointed in areas, with no idea they were now married, or suddenly had a 10 year old son. 

After just a couple of songs it was soon apparent that my husband knew more Gloria Estefan and the Miami Sound Machine songs than he realised, and the music taking you into the interval left you on a real high. 

During the interval it was plain that we both felt the dancing was absolute perfection. None of the dancers were even a second out. It was fast, synchronised, graceful, sexy, all at the same time, nothing else could be said but just absolute amazing dancers. You could tell the cast hadn’t just been picked as ensembles who may have danced before, this ensemble were exceptional dancers first who also happened to have great singing voices.

With the first half leaving you with Gloria at the peak of her career, the second half went on to the difficult time of a terrible coach crash that her and her family were involved in and the aftermath of such a dreadful accident. I recognised how the story reflected that the public very often see the star but don’t realise that fame is not everything, and the effects fame can have on family life. For example the strain it put on her relationship with her mother was a very sad side line.

Gloria’s Mother , Gloria Fajardo was played by Madalena Alberto and was a strong depiction of traditional approaches and how past disappointments can impact so many lives going forward. Although for some reason both of us felt that the mother’s image and attitude somehow reminded us of the Mother Gothel character fromDisney’s Rapunzel!

Of course the main outstanding performance was that of Philippa Stefani portraying the superstar Gloria herself. Her voice was absolutely perfect; you can see why Gloria Estefan herself picked Philippa to represent her in telling the world her story. Emilio Estefan, Gloria’s husband and musical soul mate through the story was played by George Ioannides and even though his acting and singing were faultless, with Emilio’s character bringing some humour to scenes with his language difficulties and a pair of very short shorts, somehow the chemistry between the Gloria and Emilio characters, somehow didn’t quite work for both my husband and I. The love story didn’t feel as sincere as I undoubtedly think it is in real life, especially as not many relationships face the test of time in the music industry! It was only at the end when the encore began that I felt a spark between the two characters. 

The strongest love that came shining through with the characters was that between Gloria and her Grandmother Consuelo played by Karen Mann. She was absolutely a stand out character and this was even more obvious when she received the loudest applause of the evening, aside from ‘Gloria‘. This could be contributed to Karen’s vast theatrical experience, because the pure love for Gloria that ran through her performance seemed effortless, and she brought such comedy timing to the show every time she stepped on the stage.

The set design seemed to change effortlessly, through large screens, changing of lights, and the sliding partitions, taking you from a bedroom to a rehearsal or stage scene. The sliding portions of window shutters really worked well to take you from different centuries, along with the costumes which were beautifully synced with the different eras portrayed throughout the show.

The final vote upon leaving the theatre was that the show is a hit and we doubt anyone could watch that show without starting to move to the beat, the rhythm really is going to get you! We were humming the songs all the way home, and I am playing the greatest hits while writing this review, which means its taking me longer than expected because I’m dancing around instead of concentrating! That naughty Dr Beat!

So as it resulted in us both enjoining the show and highly rating both the music and especially the dancing that featured, it turns out you do not need to have been an EsteFAN in the 80s and 90s to go and see the show, because the music and storyline is pure entertainment which is made even stronger by the fact it is a true story about a real superstar.

Book your tickets now: On Your Feet tickets

The Queen’s Corgi ~ Malvern Cinemas

Star rating: *****

The Queen’s Corgi has it all as far as family films go – it’s a fast-paced animation with a story my five year old could easily follow. There’s plenty of comedy for the adults plus many well-known voices playing the characters too.

The storyline revolves around Rex, he’s a Corgi puppy purchased as a gift by Prince Phillip for the Queen. Rex quickly becomes the Queen’s pride and joy, overtaking the other three Corgis in Her Majesty’s affections. Charlie, a particularly pompous Corgi at the palace spies an opportunity to take his rival’s place. He makes a grand show of being Rex’s best friend while simultaneously plotting his downfall. When Donald and Melania Trump visit the Palace with their precocious pampered pooch, Mitzi – Rex is happy to take Charlie’s suggestion of doing a runner when his disastrous ‘date’ with Mitzi ends in him biting the President. Charlie’s malicious actions leave Rex for dead, however little does Charlie know that the Queen’s top dog is alive and trying to survive in a dog pound. It’s there that he falls in love, faces a bully and makes lifelong friends.

It’s a wonderfully watchable movie with heart, humour and superb characterisation. Julie Walters is remarkable as the Queen, she sounds just like her the majority of the time and the moments where it’s obvious it’s Walters playing the role add an extra dimension to the character. Tom Courtenay is a fine choice for the Duke of Edinburgh. Jack Whitehall gives energy and verve to the role of Rex, while Sheridan Smith is instantly recognisable as Wanda – the love interest from the pound, she even has the opportunity to sing! Ray Winstone couldn’t be more perfect as Tyson the bully boy of the pound who organises fight club (that nobody talks about!). Sarah Hadland is on point as Mitzi the glamour dog who’s on the look out for a mate on the presidential visit. Matt Lucas is exceptional as Charlie, I had no idea I was him voicing the character! If you’re looking for mimics of course you come to Jon Culshaw and Debra Stephenson to play the Trumps and indeed they voice two of the dogs too.

It’s a fantastic way of getting the kids out the house and keeping the entertained at the cinema. I could watch it again and again and it certainly kept my school holidaying child happy!

To visit Malvern Cinemas click here: https://www.malvern-theatres.co.uk/venue/cinema/

In the Night Garden… Live

Star rating: *****

My five year old boy has been brought up on Cbeebies’ In the Night Garden, Igglepiggle, Upsy Daisy, Makka Pakka and the Pontipines as well as the Tombliboos and Haahoos have all be regular features in our living rom over the years. My boy is no stranger to that particular television show and also no stranger to the theatre, so although he’s on the cusp of beginning year one at primary school, this combination of an old favourite appearing on stage delighted him.

The packed house were equally delighted it seems as children of varying pre-school ages took in what might have been their first theatrical experience. What better place to start a child off with experiences of live shows than with their TV heroes.

The show could well have jumped out of the television screen and onto the stage at the Birmingham Rep, it was that well done. All the popular characters are there either as large as life or in puppet form. The little boat starts us off with Igglepiggle on board and the story we follow takes the same format as an episode takes. Igglepiggle meets Uspy Daisy, Makka Pakka is on hand to wash Igglepiggle’s face and the Pontipines and Tombliboos are going about their business as usual. All of the action is played out against a fantastically versatile set which recreates all the well-known scenery from the TV show. The puppeteers do a superb job and their engaging, smiley and expressionful faces lend themselves brilliantly to the genre of the production. They work as a tight knit team and it’s a like watching a well oiled machine in progress.

The magic of theatre is all around, never more so than when both the Ninky Nonk and Pinky Ponk make their respective appearances, the latter in a spectacular way!

Joy on the faces of young children in a theatre is one of the best things ever and if you have a youngster you’re thinking of bringing to the theatre – if they live this show already they will adore seeing it live. Book now: in-the-night-garden-live

L’arlesiana ~ Opera Holland Park

Star rating: ****

Francesco Cilea’s L’arlesiana is an Opera I wasn’t at all familiar with prior to my glorious trip to Opera Holland Park at the weekend. However, the cast de force had put it on my radar and the performances given in the intense, powerful three act Opera have cemented it as one of my favourite Operatic experiences to date.

Sung in Italian with English surtitles, it wasn’t initially easy to follow, however once the tale took off and the intricacy of the relationships between the central characters unfolded, I was hooked. The story revolves around Federico (Samuel Sakker) and indeed his mother’s world centres around him too, that’s Rosa Mamai (Yvonne Howard), she’s obsessed with her eldest son and his happiness. She has a younger Son too, L’innocente (Samantha Price) and he is dismissed as a simpleton, even though he’s usually hovering on the edge of the action – listening and learning. Baldassare (Keel Watson) is the wise friend everyone seeks out for advice, akin to Old Deuteronomy from Cats, he’s always there to help and has the respect of his friends. Federico is in love with a girl from Arles, she has bewitched him and even his Uncle Marco (James Cleverton) approves of his choice. However, all is not as it seems, it takes a visit from jealous love rival, Metifio (Simon Wilding) to bring Federico to the realisation that his love from Arles is not true to him. Meanwhile, Vivetta (Fflur Wyn), whom Federico has known for years, really is in love with him and Rosa Mamai is keen that she be the distraction her son needs in his hour of anguish.

It’s a rollercoaster, the build up and pace occasionally slow – however the good, bad and ugly elements of love are dealt with in detail. The tale cleverly lulls the watcher into a false sense of security as it appears that Federico’s head has been turned, Metifio is off the scene and Rosa Mamai believes her pride and joy is happy…

The set instantly transported me to a quaint farmyard, it was such a simple design yet provided maximum effect and fit the period superbly. The Opera Holland Park Chorus were a tight ensemble adding an extra dimension to the seven-strong cast. Samuel Sakker has an extraordinary voice, he gave a passionate, pained and well-balanced performance as the love-torn, pampered son. Samantha Price gave a beautifully engaging and nuanced performance as his young brother, I saw her play Iolanthe for English National Opera and she never fails to impress me. Keel Watson was a strong and confident presence in the role of Baldassare and James Cleverton was suave with an instantaneous air of confidence as Marco. Fflur Wyn wowed as Vivetta – such powerfully stunning vocals and the acting ability to match. Simon Wilding is a performer whom I am familiar with and he cut a menacing figure as Metifio. Stealing the production as the doting, obsessive mother – Yvonne Howard as Rosa Mamai. Not only did her vocals match the splendour of her heart-wrenching performance, the raw emotion she delivered in every nuance resonated. You could hear a pin drop during her act three aria.

Towards the close of the second act I found myself so entranced by the action on stage that my glance left the English surtitles while I got caught up in the emotion. It’s an Opera I’d be happy to watch again, however I will always remember my first viewing in such amazing surroundings. If you want to book your tickets to see it for yourself, follow the link: operahollandpark.com/productions/larlesiana/

Powered by WordPress.com.

Up ↑

%d bloggers like this: