News, Reviews & Interviews

Coventry Comic Con 2018

Star rating: *****

Comic Con, a staple part of my geekery diet which must be dosed up on regularly – last year our team were delighted that a new convention popped up in Coventry and we were so impressed that we made damn sure that their 2018 sequel was in the diary. We were not disappointed, Coventry Comic Con has got it all – here are a few of the many positives:

  • Well organised – the organisation is top notch, this con has been well though out and the planning that must have gone into making it as successful as it undoubtedly was is evident. From the car parking stewards, to the security to the box office staff, everybody does a seamless job in helping us fans have a great time. No complaints from us!
  • Easily accessible – the event itself is very easily accessible, with the stalls, guests, attractions and talks all on the ground level. Likewise the facilities are also at ground level making this ideal for any fans who may have a disability. Fun for everybody, quite literally – that’s a massive double thumbs up.
  • Expanding each year – in comparison to its debut year, the growth and expansion is clear. From the larger variety of stalls and artists introduced to the additional space used to house the event which was also utilised for the guest talks. The layout was ideal and it’s fantastic to see the convention already going from strength to strength. Bigger and better again next year? Let’s do it!
  • Stalls offering affordable collectables – the number of stalls offering budget collectables made such a refreshing change. Often many of us save up for an event like this in case there’s a tempting item or two. However, if like us, your four year old has spent your pennies over the school holidays, there’s still plenty of merchandise available at affordable prices. Many pocket money options too which is superb for the four year old who’s gleefully continuing to spend the money you don’t have…
  • Cosplay galore – the number of extraordinary cosplayers on the loose appeared to have increased since the previous year. The grounds of the venue offer opportunities for cosplayers to have professional photographs taken too. The details that goes into the costumes is eye-catching in the extreme. Of course a convention isn’t a convention without a few Stormtroopers on hand and a flossing Chewbacca!
  • Plenty of space to walkabout (and run, skip, meaner about) in – is you’re easily claustrophobic, the amount of space left between stalls and attractions allows room to breathe. It’s notable how easy it is to have a proper look at the merchandise and the displays. Definitely a big plus and one of the top features that Coventry Comic Con has going for it. All the more room t floss in!!
  • Reasonably priced refreshments available – the refreshments available are at affordable prices too, so you don’t need to make a decision between the action figure and having a burger, you can have both! The staff who runs the facility are efficient and the food is delicious too. Big thumbs up to the best Comic Con catering!
  • A room to ‘chill out’ in – although we didn’t make use of it, we heard that there was a room to take a break in and that in itself is a genius idea. It can be an overwhelming experience to be in the hub-bub of a Comic Con, especially if it’s your first. This initiative should be adopted comic con-wide. It could be used as a time out room for cheeky Stormtroopers too…
  • Free retro arcade games – we all made use of these, a quick game of Street Fighter and even on Fix It Felix didn’t go amiss and was a welcome break from walking, looking and daydreaming over what we’d buy if money was no object. Making it a free area for everyone to enjoy was a bonus. We love a bonus!
  • Guest stars – the Guest Stars meeting and greeting fans appeared relaxed, with the volunteers looking after them well and plenty of chances for the Stars to chat with fans. A nice, easy approach was taken and surely that means repeat visits from the amazing Stars the convention attracted?
  • A friendly team – the overall atmosphere of Coventry Comic Con was spot on, all members of the crew should be commended on their approachable manner and thanks to all who gave our boy a bit of a boost by showing love for his Porg tee!

We’re only sorry that Coventry Comic Con is an annual event, every six months would be great thanks! Highly recommended by all three of us, it’s a good convention to take the small fans to, particularly if they’ve not explored the world of Comic Con before. Where else might you meet a baby dinosaur beside the rogue carousel horse of Mary Poppins fame? This event is not so large scale that you would worry that you’ve missed anything and it’s become one of the highlights of our yearly calendar of geekery!

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An Evening with Brian Blessed ~ Town Hall, Birmingham

Star rating: *****

My first experience of the ginormous, booming personality that is Brian Blessed OBE involved him dressed as a rotund, fluffy cat! Old Deuteronomy in Andrew Lloyd Webber’s Cats was the show he was appearing in and I don’t think anybody else has been able to touch the paw print he has made on the role. I’ve also read numerous articles about his mountaineering exploits and as a mother, I am familiar with his voicing of Grampy Rabbit in Peppa Pig and Eduardo Enormomonster in Henry Hugglemonster for Disney Junior.

An evening with this extraordinary gentleman promised to be informative, fascinating and barmy! It was all of those things and more. It’s difficult to believe that he is 82 years old! The energy and joie de vivre he brought to the stage was immense. Peppered with the odd expletive and belch, we were taken on a journey through Blessed life and career, and it was one hell of a ride.

Blessed has one of the most unique and easily identifiable voices, it lends itself to storytelling like no other and he drew the audience in. There were times when you could almost hear a pin drop. It was a joy to hear about his childhood, growing up with Sir Patrick Stewart whom he does a remarkable impersonation of. Equally fascinating to learn of his first encounter with Coronation Street legend, Bill Roache, who was renowned in the repertory company where Blessed was a member, Roache was in fact renowned for not being able to act! Add his unwavering teasing of Sir John Gielgud to the mix and I could barely contain my mirth.

It was certainly an evening well spent in the company of a truly marvellous multi-talented man, and in case you’re wondering, there’s not long to wait until he shouts out the much anticipated line “Gordon’s Alive!!!”.

 

 

Entertainment Views Interview: Kate Terence ~ Star of ‘The Sword of Alex’

In the clash between the political and the personal, The Sword of Alex by award-winning playwright Rib Davis examines how identity fares in the struggle, coming to the White Bear Theatre in Autumn 2018, starring Kate Terence, Georgia Winters, Patrick Regis and DK Ugonna.
You’d never defeat me in politics, not in the politics of left and right. But it’s a hell of a lot easier to get people to fight over identity than it is over ideas. Isn’t that right?
A country on the verge of civil war as a region attempts to break away from the state. Two versions of nationalism clash head-on. Two leaders and their nations pitted against each other. Each must destroy the others’ version of history. But families are no less tribal than nations. As the great games are played out at a national level, so too are domestic power struggles. This is a play that brings together national destiny, gender politics and the very ideas of identity and belonging.
Come back in ten years. Or twenty. Or when you’re dead. That’s always a good time to be forgiven. I think it’s called a pardon.

Rib Davis began his writing career in documentary theatre at The Living Archive Project. He has now worked in oral history-based theatre for over 30 years. He has worked extensively in radio (his many plays include Corridor and A Few Kind Words, and series include Unwritten Law) as well writing for television (including for The Bill). His non-documentary stage play No Further Cause for Concern, about a prison riot, won an Edinburgh Fringe First award before he went on to adapt it for television. His best-selling book Writing Dialogue for Scripts is now in its 4th edition. Rib Davis is currently holder of the Goodison Fellowship at the British Library.
Kate Terence has performed with the RSC and the Globe, and appeared on screens in Bad Girls and The Kindness of Strangers. Georgia Winters is a member of the Actors Ensemble theatre company and appeared in the film Jupiter Ascending. Patrick Regis received the Best Newcomer Award at the Screen Nations Awards, and has since appeared in Hard Sun for the BBC, and will be appearing in the second season of Snatch. DK Ugonna originated the role Vartan Sarafian in a new play Paradise Road (Tales Retold) at the Sheffield Library Theatre this year, played Othello (Lights of London) at the Moor’s Bar Theatre in Crouch End in 2017.
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One of the stars of ‘The Sword Of Alex’, Kate Terence, chatted to Entertainment Views about the production and threw in some tips for budding actors too! 
Thanks for talking to Entertainment Views, Kate. Tell me about the production and your character. 
The production is one of the more exciting challenges that I have taken on in a long time.  I am among a cast of four; they are all excellent actors, so the bar has been raised for me.  My character, Calantha has all the qualities of a strong but complex female character, so I am enjoying the challenge of trying to reach all aspects of her in rehearsal.
What was your initial impression of the script?
My initial impression of the script was it’s immediacy and it’s relevance to our current world.  It has a classical, timeless quality to it, but if you were to equate it with music, it is more like extremely precisely written jazz structured in a classical form.  I wanted to be part of it straight away.
What are the challenges of the piece?
The challenges are in the fact that there is the macro-view of the characters but there is also the micro view of their personal worlds, so making that have a flow that serves the play to its best is a stimulating challenge.  And there are plenty of lines to learn, but I’m not complaining!
How do you feel the space will lend itself to the production? 
The space is very intimate so the audience will receive it very clearly.  There is no room for error, which can be exposing to an actor, but is also massively exciting.  They will see something that they may well recognise and have a chance to reflect upon it more instantly.
What do you hope the reactions from the audience will be? 
I hope they are stimulated and provoked by it, that they come out at the end and find themselves talking about it’s content, relating it to their lives and the world’s politics.
Why should everybody buy a ticket to come and see it?
It is not often that a brilliantly written play comes out, with four excellent actors and a superb director.  That is why it is worth buying a ticket.
Finally, any advice for budding actors and what’s your preferred medium, stage or screen?
Advice for budding actors: stick at it, persist, develop the skin of a rhinoceros but maintain the soul of a baby.  Be choosy in what you do and challenge yourself: if you are scared of it, it’s often a reason to do it.  Always believe in yourself, but have the humility to believe you can also improve and become even better.
In terms of preferences, I love both the stage and screen.  They are two completely different mediums and over the years I’ve discovered that I enjoy both equally for differing reasons.
Thanks to Kate for an insightful interview. Book tickets to see ‘The Sword of Alex’ here: https://www.whitebeartheatre.co.uk/WhatsOn/The-Sword-of-Alex/book?p=1359

Vanity Fair ~ ITV

This wasn’t a television adaptation I expected to like, let alone enjoy and desire more of. William Makepeace Thackeray’s classic has not only been transformed into a glitzy ITV period drama with a subtle modern twist, there’s a cast of names and faces whom many television aficionados will be familiar with. As we linger on the past three episodes and dwell on the highlights of what has become, for me anyway, a must-watch series – here are a few of the many best bits so far…

Carousel

I love the carousel which opens the programme so wondrously and the appearance of Michael Palin as Thackeray. The carousel itself and the characters we see riding the horses is utterly symbolic of the story and tells a take just in that simple scene. A genius idea.

Olivia Cooke

In the leading role of Becky Sharp, she has me hooked. Those facial expressions wouldn’t be out of place in a theatrical performance and her every move proves that she’s sharp by name and sharp by nature. The chemistry with every performer she crosses paths with is electric, quite as one would imagine it would be for those who fell under Miss Sharp’s spell. The character is the epitome of a person who falls into manure and comes up smelling of roses, and Cooke carries that air of smugness which this ‘trait’ necessitates.

Clunes behaving badly

As much as I’ve grown to love the series, I had found it a little slow going to begin with, therefore the introduction of Martin Clunes in the role Sir Pitt Crawley grabbed my attention. Clunes looks like he’s having a whale of a time playing the villain and he’s predictably bringing plenty of humour to the role too.

Tour De Force

Frances de la Tour as Miss Matilda Crawley is as resplendent and batty as I know she has the capacity to play, another television favourite who looks as though they’ve had great fun with a well written role. Her humour and raucous laughter enhance the character and she plays brilliantly opposite both Cooke and Clunes.

Crawley’s a Crawler

Tom Bateman as Rawdon Crawley, a character so overtly benign it’s a wonder Miss Sharp didn’t see spot it a mile off as his lack of money is surely a hindrance. However, whatever her game, it appears that he and she have married for love and that crawler Crawley may be blissfully unaware of his secretly wedded wife’s motives.

Summary

There’s tongue-in-cheek humour and nods towards the classic story not having been taken too seriously, perhaps to attract and retain a younger audience. However, from the pop soundtrack to the perfect casting – this adaptation has surprised me in the best possible sense. I can’t wait for Sunday evenings and hooray for autumn telly! Vanity Fair has landed on our screens at just the right time.

Photo Credits: ITV

Evita ~ Malvern Theatres

Evita stays at Malvern Theatres until Saturday 8 September before continuing its UK tour – to book tickets for Malvern Theatres click here: https://www.malvern-theatres.co.uk/whats-on/evita/

Star rating: *****

When a show really blows you away, mentally and physically, it’s a rare and beautiful thing. Evita, one of Andrew Lloyd Webber’s classics, has been on my radar for years and I have reviewed it on many occasions in the past. However, last night’s incarnation at Malvern Theatres may have just trumped the lot with a cast de force, spectacularly slick choreography (Bill Deamer has done a wonderful job) and a live orchestra which in my humble opinion is unbeatable.

The story charts the rise and fall of real life icon, Eva Peron. With Lloyd Webber’s stunning composition and Tim Rice’s innovative lyrics which have stood the test of time, this musical ‘take’ on a historical figure is moving, intriguing and intricate. Subtle tongue-in-cheek humour lightens the often heavy mood and powerful performances bowled over the full house. As we see Eva (Lucy O’Byrne) manipulating a myriad of men on her quest to conquer Buenos Aires, the big apple, there’s eloquent and bitter narration from Che (Glenn Carter), a revolutionist. Eva eventually gets her man, when she presents herself to Peron (a military man who is also on the climb as he heads up Argentina) as a woman who would be ‘surprisingly good’ for him. The story, though life affirming in its own way is not without its tragic twist.

Lucy O’Byrne positively shine as Eva, it’s a role that was seemingly made for her it’s such a perfect fit. Her vocal ability pushes boundaries as the intensity and immense power of her voice increased with every musical number. Her chemistry with both Glenn Carter as Che which is brooding and stalking and Peron (Mike Sterling) – which carries a more passionate and fiery determination, was palpable. Carter’s diction was on point throughout, a greater story teller I’ve yet to see in this particular show. Sterling had magnificent stage presence which lent itself brilliantly to the role of Peron. The entire cast should be proud of their accomplishment, Oliver Slade particularly stood out as one of the ministers, likewise Verity Burgess grabbed my attention and held it in all of the numbers in which she was involved.

Two of my personal favourite songs were as memorable as I hoped they would be, ‘Peron’s Latest Flame’ and ‘Rainbow High’ – such rousing melodies with engaging performances to match. O’Byrne handled ‘Don’t Cry For Me Argentina’ like a dream, the crescendo literally blew me backwards in my seat. Each musical number has something different to offer, though and there isn’t one that doesn’t belong.

Don’t miss the opportunity to catch the show at a theatre near you, it is a true masterpiece and the cast are treating it as such.

Photo credits: Pamela Raith

The Changeling ~ Review

Star rating: ****

The 1980 incarnation of the spectacular chiller thriller The Changeling was released on Blu-ray on 20 August this year and it’s lost none of it’s appealing jump-a-minute drama – in fact it’s even more horror-tastic than I remember.

It’s a movie that has been described by King of horror, Stephen King as a film that has scared him personally “A child’s ball bouncing down a flight of stairs was enough to scare the daylights out of me” quotes King, and I have to agree with him. The subtlety of suggestion is one of the film’s many strengths.

The story follows central character, John Russell (George C. Scott) as he starts a new life in the wake of the tragic death of his wife and daughter in a car crash. The house in which Russell is seeking solitude is set to turn on him as water gushes from the taps without warning and there’s an apparition of a drowned boy in the bath tub. All goes hand in hand with the noises that strike up loudly every morning. Enlisting the help of local historian, Claire Norman (Trish Van DeVere), he is determined to get to the bottom of the disturbances in the house. As the mystery begins to unfold, U.S. Senator Joseph Carmichael (Melvyn Douglas) becomes mixed up in the unravelling of a sickening tale.

I prefer the earlier version to the 2008 adaptation as the casting seems to gel better and the overall atmospheric pace of the plot feels altogether creepier which, for such a prolific horror film, is necessary in my humble opinion.

I’m not a fan of horror movies as a rule and certain elements of the story are not essentially my bag, however this is certainly watchable and a must-see for fans of the classic.

Not only is The Changeling available on Blu-ray, there are a number of limited edition collector’s sets to purchase too. Take a look and treat yourself in time for Halloween!

 

Entertainment Views Interviews: Leo Mercer – Writer and Producer of GUY: A New Musical

The creators of multi-award-winning The Marriage of Kim K, leoe&hyde, return with an uplifting new musical about modern masculinity, body image, and the hook-ups and downs of dating in the 21st century. GUY’s heart-pounding electronic score will reel you in to this FOMO-arousing, catch-he gay rom-com, transferring to the King’s Head Theatre in a revised version after a successful premier and tour, winning multiple awards.

***** “exceptional cast… catchy [music]… a joy to watch” Theatre Box

Guy is a gay millennial looking for love. Guy is fat, nerdy and shy. Guy feels like he doesn’t fit in to the gay community. But when a rejection on Grindr pushes Guy to make terrible life choices, he is forced to confront his inner demons, all the while pushing away everyone close to him. With 12 heart-pounding electronic-pop anthems, this millennial odyssey through bingeing, gyming, prejudice, hook ups, beauty standards, and stolen identity is a much-needed reminder that the only person you can be is yourself.

****½ “[An] irresistible rom-com of the highest order… [this] show has the potential to be very big indeed” The Reviews Hub

Sometimes sexy, always real, GUY is a game-changing gay rom-com for the 2010s: with nakedly honest characters; an unapologetically moving portrayal of the hook-ups and downs of 21st-century dating; and a thought-provoking glimpse behind the veil of modern masculinity, male beauty standards, and unspoken prejudices within marginal communities. Tied together with a pioneering and infectiously catchy electronic score, GUY channels floor-filling EDM anthems, indie electronica, queer hip-hop, and PC Music with the lyrical charm of Sondheim, and the earworm melodies of Schwartz.

**** “A really fresh new musical with fantastic songs and great performances” West End Wilma

Following an acclaimed run at The Bunker, GUY’s tour won the show Best New Writing at the Buxton Fringe 2018, and the show now returns to London. The lead role of Guy is played by Brendan Matthew, who is joined by Seann Miley Moore. Moore first came to the attention of the UK public in The X Factor 2015, where he reached the finals. Since then, he’s toured gay pride internationally and launched a successful solo pop career, releasing his first EP last year. GUY is his UK theatre debut. The show is written and produced by leoe&hyde, following the success of their debut production The Marriage of Kim K (2017). The rising millennial musical theatre company received strong reviews, multiple awards and international attention last summer for the show, and have been called ‘a formidable partnership’ (Review Hub).

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Leo Mercer chatted to Entertainment Views about the musical, focusing on the challenges and what the audience can expect. 

Thanks for talking to Entertainment Views, Leo. Tell me about the production, how did the idea form, how long did it take before the script was ready to be read/work-shopped?

After the success of The Marriage of Kim K, Stephen and I wanted to do something a little bit different. Kim K was so ornate, operatic and complex, but we’d really been getting obsessed with electronic-pop. So in October, we just sat down and wrote the pop songs that we were feeling at the time, really raw, honest and emotional, without having to worry about crafting a story.

As it turned out, a few weeks later I had an “aha” moment, when I realised that those songs essentially tell a love story not dissimilar to those that my generation tend to experience, and I drafted a script around them. Some of the songs in the show – Mutual Prostitution, Is Your Body Who You Are – were written then, and as we’ve developed the show, lots of new material has been created to fill in the important moments.

This show really was an accidental baby – WE HAD OTHER PLANS! But once an idea grabs you, you’re grabbed. We then got performance slots at Hope Mill and The Bunker, and rushed through seven drafts of the show to get it ready. We’ve redrafted it again between those performances and the run we’re about to do at The King’s Head.

Did you have a clear ideas of who you wanted to cast?

Not at all: we went into auditions with a mega open mind. It’s always difficult rejecting auditionees – there are so many brilliant people out there deserving of a part, and you just want to send them each huge emails explaining why they’re wonderful too. However, we’ve never once doubted the cast members we ended up choosing: they’re dedicated, hard-working, lovely and absolutely talented. They’ve said they feel like the characters; the audience keep commenting on the fit between cast and character; it’s become a very lovely and collaborative process.


Has your vision for the piece altered during rehearsals?

Not really, but it has deepened. There are things we want to achieve in GUY – for example: a sophisticated, almost filmic show – and the chance to practice means we’re understanding what that actually involves more day by day. It often feels like when you have an idea for a show, and it’s so clear and simple in your mind, that the whole writing and production process is about trying to reach that simple, end point, but you go through lots of complex groundwork to get there.

What can the audience expect from the show?

Someone tweeted after the show saying the show fulfilled their expectations of being unexpected, and I think that sounds about right. Our shows always take a very pop culture matter – Kim Kardashian in The Marriage of Kim K, Grindr in GUY – but approaches them as if they’re something you’d expect from something much more “establishedly cultural”

What do you envisage audience reactions might be?

 Stephen and I always joke that we wish we had a mind-scanner, and as everyone leaves the show could collect all the thoughts that people have. Based on what we’ve heard, I’d imagine that mind-scanner would detect several earworms, an intense sense of connection with Guy, and a sense that they’ve seen some aspect of their own life mirrored back at them.

What do you hope they’ll take away from the piece?

I don’t really know what catharsis is, but I think that’s the aim? 21st century society has made a lot of humans very confused about their bodies and what love should be, and watching a closely observed character deal with this will hopefully let a reader go on their own psychological journey at the same time as Guy does.

Thanks to Leo for an insightful interview, wishing the cast and crew all the best for their run. The show runs until Saturday 1 September 2018. 

Book tickets here: GUY Tickets

 

 

Bing Live! ~ Town Hall, Birmingham

Bing Live! continues its tour of the UK, check out all the dates and buy tickets here: Bing Live!

Star rating: *****

Bing Live! has long been a favourite of my four year old son, Cbeebies being his channel of choice and the young bunny having been a frequent ‘visitor’ in our living room over the past few years.

Seeing the rabbit himself come to life by way of innovative puppetry in a live show full of fun, frolics and Bing thing antics was a treat from beginning to end. Naturally, Flop was on hand to guide Bing as he met up with his usual circle of friends (Sula, Coco and Pando) to play dress up and be creative.

The toilet train is a prominent feature of course, and there’s a 15 minute interval to allow the smaller members of the audience to take a toilet train and refreshment break. In fact for the youngsters of all ages, the timing of the show is perfect. It’s just long enough to capture their imaginations and hold their attention.

Audience participation is encouraged and there are plenty of opportunities for everybody to get involved with singing and dancing. The puppeteers are highly skilled and talented individuals and it’s easy to forget they’re there as they subtly operate the television favourites.

There’s a vibrant set to engage the small ones too, with lots to see and a great view to be had from any seat in Town Hall, Birmingham. Highly recommended for little kids and big kids alike, this is one of the best shows for the tiny theatre-goer that we’ve seen.

Jersey Boys ~ Wolverhampton Grand Theatre

Jersey Boys stays at Wolverhampton Grand Theatre until Saturday 8 September so book your tickets to catch it: Jersey Boys Tickets

Star rating: *****

This musical was adored by a late, great friend of mine so watching Jersey Boys for the first time, at Wolverhampton Grand Theatre last night was an emotional experience even before curtain up. Everything from the impressive back catalogue of The Four Seasons hits to the exceptional vocal ability of the main cast and ensemble to the sheer energy and vibe of the production was top class.

If you’re unfamiliar with the story of the original line up – the show walks you seamlessly through it step by step. From Tommy DeVito’s (Simon Bailey) brainchild and mentoring of a teenage Frankie Valli (James Alexander Gibbs) to the dodgy lifestyle choices which led to prison sentences for DeVito and Nick Massi (Lewis Griffiths) to the introduction of their very own ‘genius’, Bob Gaudio (Declan Egan). There’s superb backing from the female ensemble members who play love interests and singers. Mark Heenehan was a subtle yet imposing presence as Gyp DeCario, the go-to man (I’m familiar with Heenehan as Peron in Evita, he’s an engaging performer).

JERSEY BOYS UK Tour 2017/2018

As the hits start rolling for the group and they establish themselves as The Four Seasons, the audience are treated to a cornucopia of blasts from the past which remain popular today. From ‘Sherry’ to ‘Big Girls Don’t Cry’ to ‘Walk Like A Man’. Each musical number sounded as though it was being performed by the band themselves, the cast’s voices are so in tune with the original sound we have come to know. James Alexander Gibbs is extraordinary as the main man, Frankie Valli – a ‘character’ who’s home life was complicated and tinged with tragedy. Simon Bailey is perfectly cast as Tommy DeVito, oozing ‘cocky’ DeVito style confidence and a stage presence that shines from the outset. Declan Egan also made his mark as Bob Gaudio, Gaudio’s slightly lacking in confidence and not so easy in the limelight yet brimming with love for music and overflowing with talent – a complex man indeed. Lewis Griffiths completes the picture as Nick Massi, a guy who’s cool, calm and collected until he has to room share with Tommy! The bass vocals that Griffiths offers are pure velvet, he’s one to watch in the future.

The set gives the audience enough to know when the venue has changed, however it doesn’t detract from the music and the story – which are at the heart of the musical. An over the top backdrop would have been too showy and unnecessary. The choreography by Sergio Trujillo is eye-catching and fits perfectly.

Odds on you’ll be up on your feet dancing to popular hits such as ‘December 1963 (Oh What a Night)’ and you’ll probably feel like I do, one trip to see this show isn’t enough! I’d rather not say ‘bye bye baby’ and be ‘beggin’ for another ticket instead.

Photo Credits: Brinkhoff & Mogenburg

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