News, Reviews & Interviews

Downton Abbey ~ Malvern Cinemas

Star rating: *****

It’s been a long time coming and I admit when Downton Abbey closed its doors on Christmas Day 2015 I was dubious about a movie. Unsure if there was any need to continue and whether the season finale had finished the story adequately. I’ve been a fan of the television show since Downton Abbey first opened its doors so I was torn between one last hoorah and leaving it on a high.

As the years have rolled by with not so much as a sniff of a film on the horizon, have I considered what the Crawley family and their downstairs employees might have been getting up to in the meantime? Absolutely! Thanks to Julian Fellowes, the exceptionally talented writer of one of the nation’s favourite dramas, anyone who may have found themselves wondering about the much-loved characters need wonder no more!

The opening titles gave me goose bumps, there’s always been an element of grandeur when Highclere Castle makes its appearance, however on the big screen, it is magnified and then some. The theme tune lends itself to a movie soundtrack too. Indeed all the promise of a fine follow up were in place from the outset and I wasn’t left disappointed.

You’d have to live in a sack not to have an idea as to the main storyline, the trailers have been teasing us for a while. The King and Queen (Simon Jones and Geraldine James) are paying a visit to Downton Abbey for one night and the excitement and trepidation is palpable! Not least from Mr Molesley (Kevin Doyle) who is champing at the bit to get back into his livery and undoubtedly make a spectacle of himself in true Molesley fashion.

It’s all hands to the pumps as Mrs Patmore (Lesley Nicol) mithers loudly over the menu, raising the hopes of Mr Bakewell (Mark Addy) from whom she buys her supplies. Mr Barrow (Robert-James Collier) appears all too lackadaisical for Lady Mary’s (Michelle Dockery) tastes, he clearly doesn’t measure up in comparison to her beloved Mr Carson (Jim Carter). Cue the reappearance of the retired butler and he couldn’t be more delighted to oblige Lady Mary’s request that he return to the helm. Life at the cottage seems to mostly revolve around trying to find things to occupy himself with while his wife, Mrs Hughes (Phyllis Logan) continues in her role of Housekeeper. Their marriage is still going strong though and indeed the pairing up continues downstairs as Daisy (Sophie McShera) is engaged to Andy (Michael Fox) ~ and there’s a couple of scenes that show Andy’s jealous streak too! Mr Molesley and Miss Baxter persist in dancing around each other, there does appear to be progress although they are moving at an even more glacial place than Carson and Hughes did.

So, with Robert (Hugh Bonneville) and Cora (Elizabeth McGovern) excited to play host to royalty, Lady Edith, now Lady Hexham (Laura Carmichael) and her husband Bertie (Harry Hadden-Paton) en route, all the action is centred around the visit and the impact it has on each individual character. Mr Branson (Allen Leach) is still very much a part of the Crawley family and proves himself to be the hero of the hour in more than one way too when the royals are ensconced at Downton.

One of the strongest storylines happens downstairs when the Downton staff are at war with the King’s staff. Carson certainly meets his match in Mr Wilson (David Haig) and it’s the battle of the chatelaine between Mrs Hughes and Mrs Webb (Richenda Carey). It all hots up when Anna (Joanne Froggatt) and Mr Bates (Brendan Coyle) lead the revolution to claim back their rightful household roles and it’s quite a cunning plan.

Highlights of the movie include a whole host of one-liners delivered expertly by Penelope Wilton, Lesley Nicol, Phyllis Logan and of course Dame Maggie Smith. Plus, Imelda Staunton plays a new character, cousin of Lady Violet (Maggie Smith), Lady Bagshaw. Staunton fits in like a dream, it feels like she was always a part of the cast. The two-hander scene she shared with Penelope Wilton as Isobel was a performance de force from both actresses, a masterclass if ever there was one.

Most of my questions left open from the 2015 season finale are answered and my curiosity satisfied. However, where has Mr Mason got to? Did Mrs Patmore frighten him off? Why did Daisy accept Andy’s marriage proposal if she wasn’t sure at first? Where is Mr Carson’s hand tremor? Maybe these unanswered wonderings are enough to warrant a sequel to the movie?

The glorious locations used, extraordinary attention to detail from the costume department and the intricate yet simple script from Fellowes combined with faultless casting makes this movie one of the biggest hits of 2019, for me. You also can’t fail to be amazed at the uncanny resemblance Geraldine James pays to Queen Mary.

Go and see it, it will make you smile, laugh out loud, reminisce and cry: Downton Abbey Movie

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On Your Feet ~ Birmingham Hippodrome

Guest Reviewer: Claire & Anthony Sidebottom

Star rating: ****

As a married couple, we arrived at the Hippodrome with one of us having loved Gloria Estefan when younger, and one who said he didn’t know her or her music, so it was going to be interesting to see how the two different ends of the spectrum felt about the new musical ‘On Your Feet’ which is the story of Gloria and Emilio Estefan’s life.

The music started straight away, and everyone’s toes started tapping! It was amazing to see that the band would be on the stage instead of in the normal orchestral pit, it highlighted from the get go that music was at the heart of their story. 

There was a good flow back and forth to give some depth to the story; however my husband felt it was disjointed in areas, with no idea they were now married, or suddenly had a 10 year old son. 

After just a couple of songs it was soon apparent that my husband knew more Gloria Estefan and the Miami Sound Machine songs than he realised, and the music taking you into the interval left you on a real high. 

During the interval it was plain that we both felt the dancing was absolute perfection. None of the dancers were even a second out. It was fast, synchronised, graceful, sexy, all at the same time, nothing else could be said but just absolute amazing dancers. You could tell the cast hadn’t just been picked as ensembles who may have danced before, this ensemble were exceptional dancers first who also happened to have great singing voices.

With the first half leaving you with Gloria at the peak of her career, the second half went on to the difficult time of a terrible coach crash that her and her family were involved in and the aftermath of such a dreadful accident. I recognised how the story reflected that the public very often see the star but don’t realise that fame is not everything, and the effects fame can have on family life. For example the strain it put on her relationship with her mother was a very sad side line.

Gloria’s Mother , Gloria Fajardo was played by Madalena Alberto and was a strong depiction of traditional approaches and how past disappointments can impact so many lives going forward. Although for some reason both of us felt that the mother’s image and attitude somehow reminded us of the Mother Gothel character fromDisney’s Rapunzel!

Of course the main outstanding performance was that of Philippa Stefani portraying the superstar Gloria herself. Her voice was absolutely perfect; you can see why Gloria Estefan herself picked Philippa to represent her in telling the world her story. Emilio Estefan, Gloria’s husband and musical soul mate through the story was played by George Ioannides and even though his acting and singing were faultless, with Emilio’s character bringing some humour to scenes with his language difficulties and a pair of very short shorts, somehow the chemistry between the Gloria and Emilio characters, somehow didn’t quite work for both my husband and I. The love story didn’t feel as sincere as I undoubtedly think it is in real life, especially as not many relationships face the test of time in the music industry! It was only at the end when the encore began that I felt a spark between the two characters. 

The strongest love that came shining through with the characters was that between Gloria and her Grandmother Consuelo played by Karen Mann. She was absolutely a stand out character and this was even more obvious when she received the loudest applause of the evening, aside from ‘Gloria‘. This could be contributed to Karen’s vast theatrical experience, because the pure love for Gloria that ran through her performance seemed effortless, and she brought such comedy timing to the show every time she stepped on the stage.

The set design seemed to change effortlessly, through large screens, changing of lights, and the sliding partitions, taking you from a bedroom to a rehearsal or stage scene. The sliding portions of window shutters really worked well to take you from different centuries, along with the costumes which were beautifully synced with the different eras portrayed throughout the show.

The final vote upon leaving the theatre was that the show is a hit and we doubt anyone could watch that show without starting to move to the beat, the rhythm really is going to get you! We were humming the songs all the way home, and I am playing the greatest hits while writing this review, which means its taking me longer than expected because I’m dancing around instead of concentrating! That naughty Dr Beat!

So as it resulted in us both enjoining the show and highly rating both the music and especially the dancing that featured, it turns out you do not need to have been an EsteFAN in the 80s and 90s to go and see the show, because the music and storyline is pure entertainment which is made even stronger by the fact it is a true story about a real superstar.

Book your tickets now: On Your Feet tickets

Playmobil: The Movie ~ Malvern Cinemas

Star rating: ****

First Lego, now Playmobil, the toy-based movies are a popular go-to for little kids and big kids alike. Playmobil rather innovatively differs from Lego in that the central characters become Playmobil figures. Plus, interestingly there’s a musical side to this movie with characters singing their way through scenes. It sounds like a bizarre combination but it works!

The story follows a bitter sweet path with the introduction of sister and brother; Marla (Anya Taylor-Joy) and Charlie (Gabriel Bateman) who love to make up stories with their Playmobil and long for adventures. News of their parents’ untimely deaths in a car accident soon puts pay to fun and games. Four years later, Marla has a job and Charlie longs for their fun-loving old days before tragedy struck. He’s planning to run away, however he’s easily tracked by his worried sister, she traces him at a Playmobil exhibition in a toy museum and it’s here that their lives are spiced up!

Marla and Charlie find themselves transported via a lighthouse in the exhibition and they become Playmobil figures. Charlie takes on the body of the Viking figure he carries around and the pair find themselves in the middle of a battle. When Charlie goes missing, Marla is on a mission to save her young brother and meets all sorts of crazy characters along the way.

I like the interaction between numerous characters of all kinds, from romans to vikings to robots as this follows the whimsical imagination and creativity of child’s play. The comedy for adults and digs at a variety of movie franchises don’t go amiss either.

Rex Dasher is easily mine and my son’s favourite character, voiced by Daniel Radcliffe he’s a suave ‘un’sophisticated James Bond figure. He thinks Marla loves him, although nobody could love him more than he loves himself. Del is also a superb character, voiced by Jim Gaffigan, he’s a food truck driving wheeler dealer and unlikely hero. Meghan Trainor voices the Fairy Godmother and adds her cool vocal ability to the mix which is a highlight for definite.

It’s a treat for kids and adults alike, I was just slightly confused by the long build up to the introduction of actual Playmobil and my son asked me if we were watching the Playmobil movie yet! I can confirm that we were and we loved it.

Visit Malvern Cinemas to see this movie and many others: Malvern Cinemas

Toy Story 4 ~ Malvern Cinemas

Star rating: *****

In my humble opinion this is one of the best Toy Story movies in the franchise – and I love the first three so I’m sticking my neck out here! There are so many new characters that entertained me combined with the originals and of course a number of them who joined the cast in the third film. My little boy loves Forky, and his antics are the making of this story.

We catch up with the gang when Bonnie is getting ready to go to kindergarten and Woody is no longer in favour, he’s been relegated to the closet. However, regardless of Bonnie’s disinterest, he’s hell-bent on making her kindergarten orientation day go without a hitch. It’s here we meet Forky – he thinks he’s trash and Woody is making it his mission to keep Forky out of the bin and in Bonnie’s clutches as her toy.

The other main storyline follows a previously unknown backstory which clears up the mysterious disappearance of Bo Peep from the third film. When Woody happens upon the antiques store which has been her home, there’s danger, adventure, chaos and a lot of laughs along the way. We meet Bunny and Ducky, carnival game prizes waiting for a kid to take them home, Gabby Gabby – a rather tapped doll who’s really just trying to find a kid to form a bond with and Duke Caboom, he was rejected by a kid and now he’s stuck in the antiques store, posing!

It’s a race against time for Woody, Buzz, Bo Peep and co. to rescue Forky from the clutches of Gabby Gabby and her creepy ventriloquist dummy accomplices. Considering it’s an animation I find myself getting emotionally invested in the characters and the story, I definitely shed a tear or two along the way.

Tom Hanks is back as Woody with Tim Allen as Buzz Lightyear, Joan Cusack as Jessie and Annie Potts as Bo Peep. Tony Hale plays Forky, he gets funnier as the movie progresses, Keegan-Michael Key and Jordan Peele are a hilarious double act as Ducky and Bunny, while Keanu Reeves is superb as Duke Caboom. Buttercup the Unicorn (Jeff Garlin) deserves a mention too for constantly suggesting that they try and get Bonnie’s dad arrested.

I want a fifth film please – I haven’t finished with the toys yet!

Malvern Cinemas is one of our favourite cinemas, if you want to experience it too: www.malvern-theatres.co.uk

The Queen’s Corgi ~ Malvern Cinemas

Star rating: *****

The Queen’s Corgi has it all as far as family films go – it’s a fast-paced animation with a story my five year old could easily follow. There’s plenty of comedy for the adults plus many well-known voices playing the characters too.

The storyline revolves around Rex, he’s a Corgi puppy purchased as a gift by Prince Phillip for the Queen. Rex quickly becomes the Queen’s pride and joy, overtaking the other three Corgis in Her Majesty’s affections. Charlie, a particularly pompous Corgi at the palace spies an opportunity to take his rival’s place. He makes a grand show of being Rex’s best friend while simultaneously plotting his downfall. When Donald and Melania Trump visit the Palace with their precocious pampered pooch, Mitzi – Rex is happy to take Charlie’s suggestion of doing a runner when his disastrous ‘date’ with Mitzi ends in him biting the President. Charlie’s malicious actions leave Rex for dead, however little does Charlie know that the Queen’s top dog is alive and trying to survive in a dog pound. It’s there that he falls in love, faces a bully and makes lifelong friends.

It’s a wonderfully watchable movie with heart, humour and superb characterisation. Julie Walters is remarkable as the Queen, she sounds just like her the majority of the time and the moments where it’s obvious it’s Walters playing the role add an extra dimension to the character. Tom Courtenay is a fine choice for the Duke of Edinburgh. Jack Whitehall gives energy and verve to the role of Rex, while Sheridan Smith is instantly recognisable as Wanda – the love interest from the pound, she even has the opportunity to sing! Ray Winstone couldn’t be more perfect as Tyson the bully boy of the pound who organises fight club (that nobody talks about!). Sarah Hadland is on point as Mitzi the glamour dog who’s on the look out for a mate on the presidential visit. Matt Lucas is exceptional as Charlie, I had no idea I was him voicing the character! If you’re looking for mimics of course you come to Jon Culshaw and Debra Stephenson to play the Trumps and indeed they voice two of the dogs too.

It’s a fantastic way of getting the kids out the house and keeping the entertained at the cinema. I could watch it again and again and it certainly kept my school holidaying child happy!

To visit Malvern Cinemas click here: https://www.malvern-theatres.co.uk/venue/cinema/

Entertainment Views Interview: Phil Walker ~ Presenter of The Story of Guitar Heroes

The Story of Guitar Heroes is an awe-inspiring, dynamic show which transports you through time: from the 1950’s with artistes such as Chuck Berry and Hank Marvin from The Shadows, including gifted legends such as Jimi Hendrix, Eric Clapton and Jimmy Page, through to modern day players such as the great Brian May and the electrifying Steve Vai, to name but a few!

Presented by guitar virtuoso Phil Walker – this show’s extraordinarily talented band uses over 30 guitars to recreate and accurately reproduce the sound and ambiance of each guitar hero. Featuring video footage of historical moments, with state-of-the-art lighting and delivered with a light-hearted vibe – this makes for a truly sensational and enjoyable evening.

Now in its 5th year, The Story of Guitar Heroes has become increasingly popular not only with many guitar players and musicians, but with people and families of all ages.

I caught up with Phil to find out more about this fantastic show….

Tell me about the show and the concept

The show is what I would call a live ‘rockumentary.’ We pay homepage to some of the greatest guitar heroes of all time. Rather than a lool-a-like show, what we do is recreate the sound and ambience of around 30 guitar heroes as accurately as we can. We have really focused on the detail in recreating their sounds, to the extent that we even use the same model of guitar as the particular guitar hero used (hence needing so many guitars to do the Show!). 

What can the audience expect from the production? 

There is a full live band on stage, video screens (with some really interesting footage) of guitar heroes and their stories, as well as a fantastic light show. We use over 30 guitars to recreate the sound of each hero we pay homage to.
The show runs on a timeline so we start in the 1950’s with people like Chuck Berry and Hank Marvin and make our way through time to guitar heroes of today such as Brian May, Slash and Steve Vai. 

When did you first become interested in the guitar?
My Dad was a guitar player in the sixties and he decided to pick the guitar up again, after having a break from it, when I was around six years old.  My Dad always had The Shadows and Eddie Cochran records on, and when I saw the guitar that was it – I was hooked!

Who are your guitar heroes? 

I grew up listening to The Shadows so Hank Marvin was a big guitar hero to me (and still is). 
I’m also a fan of Albert Lee and Mark Knopfler from Dire Straits, as well as a country player called Brad Paisley. This list could go on….haha!

Have you any favourite venues on tour?

I quite like playing in some of the really old style theatres. It makes you wonder who has actually stood where I’m standing. 

What is your all-time favourite riff and why?

I really like playing the fast part of the end solo in Sultans of Swing by Dire Straits. You don’t use a plectrum so you have to be so accurate or it just doesn’t sound the same.  

If you could go to a gig with any five guitar heroes who would they be and why?

Hank Marvin because I have so many questions from when I was growing up. 
Mark Knoplfer because he just seems so down to earth. 
Brad Paisley because he has a great sense of humour and he wears a cowboy hat. I would also wear a cowboy if I was with him. I wouldn’t if I was on my own, I’d feel silly!! Haha
David Gilmour. I would ask him if he misses any of the guitars he has just recently sold. 
Jimi Hendrix because he is just the coolest looking guitar player that has ever been and who wouldn’t want to be seen with Jimi Hendrix!

What are your ambitions for the show in the future?

We are hopefully going to be playing some festivals in the not too distant future so that will be something to look forward to. 
I would also love to take the show overseas, possibly America then I could go and visit the Fender factory!

Book your tickets here: http://www.storyofguitarheroes.com

The Lion King ~ Live Action Movie (Malvern Cinemas)

Star rating: *****

The Lion King has long been one of my best loved Disney movie. It’s jam packed with action, tragedy, comedy and with an overriding theme of love conquering all. The beauty of the animated version never fails to amaze me. However, the live action incarnation wowed and impressed me beyond measure. It follows the same storyline and the same well-loved Disney songs are peppered throughout which it was difficult not to sing along to but they’re sung by what looks like real animals!

The attention to detail is remarkable and the setting for the movie is absolutely breath-taking. Disney are renowned for perfection and this is not exception.

If you’re unfamiliar with the story, we follow the adventures Simba, a lion cub who’s next in line to the throne and the apple of his mum and dad’s eye. His Uncle Scar, who’s not a lion in favour with the pride lurks in the shadows and has been pushed further down the line of ascension courtesy of Simba’s birth. Feeling wronged, Scar is on a mission to dispose of Mufasa, his brother and his young nephew to leave the path clear for him to seize the crown. He’s relying on the help of hungry hyenas to assist with his plan. Meanwhile Simba is oblivious to his relative’s devious plot and comes a cropper at his paws a couple of times, until a stampede created by the devilish hyenas is the catalyst for Mufasa’s devastating downfall. Simba is not only bereft but also carrying the guilt that he caused his father’s death as Mufasa was trying to save him from the stampede which Scar had all but pushed his nephew into. As Simba grows in exile – he has the company of a meerkat called Timon and his bestie Pumbaa, a warthog. Scar has his ill-gotten place on the throne as King, and his hyena sidekicks are feasting like royalty beside him. Will Simba return to save the day? Nala, the lioness who was a childhood friend and his betrothed according to law, is certainly not going to sit back and let chaos reign supreme.

The unmistakable velvet voice of James Earl Jones features as Mufasa, who else could have brought such wisdom, knowledge and authority to the King of the Jungle? He is joined by the talents of Chitiwetel Ejiofor as Scar, he was just as demonic as Jeremy Irons was in the role. There’s also Beyonce Knowles-Carter as Nala, JD McCrary as young Simba, Donald Glover as the adult Simba, Billy Eichner as Timon alongside the fantastic Seth Rogen as Pumbaa. Florence Kasumba as Shenzi the Hyena was a menacing presence for sure. John Oliver gave a memorable performance as Zazu.

My highlights of the film revolved around the numerous moments of laugh out loud comedy – from Timon and Pumbaa’s interactions and the addition of other animals in their fabulous rendition of ‘The Lion Sleeps Tonight’! The hyenas also provided much entertainment as they bantered between themselves. Zazu was also as comedic as in the original animation, John Oliver has put his own stamp on it.

The sound department have done a superb job and the entire creative team should be proud of a wonderful achievement, as a live action movie so far it’s my favourite.

Malvern Cinemas is an amazing setting to watch a movie in – why not check out their listings and book to see a film there: Malvern Cinemas

In the Night Garden… Live

Star rating: *****

My five year old boy has been brought up on Cbeebies’ In the Night Garden, Igglepiggle, Upsy Daisy, Makka Pakka and the Pontipines as well as the Tombliboos and Haahoos have all be regular features in our living rom over the years. My boy is no stranger to that particular television show and also no stranger to the theatre, so although he’s on the cusp of beginning year one at primary school, this combination of an old favourite appearing on stage delighted him.

The packed house were equally delighted it seems as children of varying pre-school ages took in what might have been their first theatrical experience. What better place to start a child off with experiences of live shows than with their TV heroes.

The show could well have jumped out of the television screen and onto the stage at the Birmingham Rep, it was that well done. All the popular characters are there either as large as life or in puppet form. The little boat starts us off with Igglepiggle on board and the story we follow takes the same format as an episode takes. Igglepiggle meets Uspy Daisy, Makka Pakka is on hand to wash Igglepiggle’s face and the Pontipines and Tombliboos are going about their business as usual. All of the action is played out against a fantastically versatile set which recreates all the well-known scenery from the TV show. The puppeteers do a superb job and their engaging, smiley and expressionful faces lend themselves brilliantly to the genre of the production. They work as a tight knit team and it’s a like watching a well oiled machine in progress.

The magic of theatre is all around, never more so than when both the Ninky Nonk and Pinky Ponk make their respective appearances, the latter in a spectacular way!

Joy on the faces of young children in a theatre is one of the best things ever and if you have a youngster you’re thinking of bringing to the theatre – if they live this show already they will adore seeing it live. Book now: in-the-night-garden-live

L’arlesiana ~ Opera Holland Park

Star rating: ****

Francesco Cilea’s L’arlesiana is an Opera I wasn’t at all familiar with prior to my glorious trip to Opera Holland Park at the weekend. However, the cast de force had put it on my radar and the performances given in the intense, powerful three act Opera have cemented it as one of my favourite Operatic experiences to date.

Sung in Italian with English surtitles, it wasn’t initially easy to follow, however once the tale took off and the intricacy of the relationships between the central characters unfolded, I was hooked. The story revolves around Federico (Samuel Sakker) and indeed his mother’s world centres around him too, that’s Rosa Mamai (Yvonne Howard), she’s obsessed with her eldest son and his happiness. She has a younger Son too, L’innocente (Samantha Price) and he is dismissed as a simpleton, even though he’s usually hovering on the edge of the action – listening and learning. Baldassare (Keel Watson) is the wise friend everyone seeks out for advice, akin to Old Deuteronomy from Cats, he’s always there to help and has the respect of his friends. Federico is in love with a girl from Arles, she has bewitched him and even his Uncle Marco (James Cleverton) approves of his choice. However, all is not as it seems, it takes a visit from jealous love rival, Metifio (Simon Wilding) to bring Federico to the realisation that his love from Arles is not true to him. Meanwhile, Vivetta (Fflur Wyn), whom Federico has known for years, really is in love with him and Rosa Mamai is keen that she be the distraction her son needs in his hour of anguish.

It’s a rollercoaster, the build up and pace occasionally slow – however the good, bad and ugly elements of love are dealt with in detail. The tale cleverly lulls the watcher into a false sense of security as it appears that Federico’s head has been turned, Metifio is off the scene and Rosa Mamai believes her pride and joy is happy…

The set instantly transported me to a quaint farmyard, it was such a simple design yet provided maximum effect and fit the period superbly. The Opera Holland Park Chorus were a tight ensemble adding an extra dimension to the seven-strong cast. Samuel Sakker has an extraordinary voice, he gave a passionate, pained and well-balanced performance as the love-torn, pampered son. Samantha Price gave a beautifully engaging and nuanced performance as his young brother, I saw her play Iolanthe for English National Opera and she never fails to impress me. Keel Watson was a strong and confident presence in the role of Baldassare and James Cleverton was suave with an instantaneous air of confidence as Marco. Fflur Wyn wowed as Vivetta – such powerfully stunning vocals and the acting ability to match. Simon Wilding is a performer whom I am familiar with and he cut a menacing figure as Metifio. Stealing the production as the doting, obsessive mother – Yvonne Howard as Rosa Mamai. Not only did her vocals match the splendour of her heart-wrenching performance, the raw emotion she delivered in every nuance resonated. You could hear a pin drop during her act three aria.

Towards the close of the second act I found myself so entranced by the action on stage that my glance left the English surtitles while I got caught up in the emotion. It’s an Opera I’d be happy to watch again, however I will always remember my first viewing in such amazing surroundings. If you want to book your tickets to see it for yourself, follow the link: operahollandpark.com/productions/larlesiana/

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