This event is not to be missed and I can’t wait to review the concert on behalf of Entertainment Views, it’s fantastic that the Gwyn Williams Bursary exists to support young violists at Birmingham Conservatoire. The details sourced from the Royal Birmingham Conservatoire website, are below – try to get hold of a ticket if you can! Tickets are free of charge with a suggested donation of £30.
Introduced by Nick Bailey
Yvonne Howard mezzo-soprano Maria Jagusz mezzo-soprano Peter O’Connor flute Rebecca Stubbs viola Chris Yates viola John Wilson piano
The Behn Quartet Kate Oswin and Alicia Berendse violin Ana Teresa de Braga e Alves viola Ghislaine McMullin cello
Programme to include: Schubert Arpeggione Sonata, D.821 Brahms Two Songs for Voice, Viola and Piano Smetana String Quartet No.1 in E minor (“From My Life”) Bellini Casta Diva Schubert Ave Maria Briccialdi Carnevale di Venezia, Op.78
A special benefit concert to raise funds for the Gwyn Williams Bursary Fund, which supports talented young violists at Royal Birmingham Conservatoire. The evening will be introduced by the first voice of Classic FM, Nick Bailey and feature performances by current students of the Conservatoire and professional musicians who knew and worked with Gwyn.
Spaces for this event are extremely limited so early booking is advised. Please contact Robin Leonard on 0121 331 5534 or at email@example.com for all ticket enquiries.
In case you hadn’t noticed, it’s the school holidays! Yet another half term has presented itself and in our case, we have a 5 year old to entertain for just over 2 weeks. Easter holidays not only bring a fortnight’s worth of fun with your offspring, they also occasionally tag on a cheeky day or two for teacher training. Everything these days costs a pound or two, even a ‘free’ trip to the local park is likely to include requests for ice cream, and of course there’s always an ice cream van to hand, jingling away! One of our saviours came in the form Birmingham Hippodrome Theatre.
It’s not difficult to entice my boy into a theatre, he’s been brought up going to shows that are age appropriate for most of his short life so far – of course he has! He’s my child after all! What helped to engage him with Birmingham Hippodrome’s week of fantastic activities was the Street Dance workshop offered for 5-7 year olds by the superb Dance Xchange. This hour long session offered on Good Friday showcased and demonstrated the quality of teaching from one of their talented teachers. The small group were taught a short dance which involved some moves which my little boy was familiar with as he already has street dance classes (as well as ballet and tap!).
The children were encouraged to warm up before they were put through their paces. The end result was several proud 5-7 year olds who could perform a street dance routine – and rather brilliantly too!
After that excitement the young ones were able to play with giant Lego bricks in the coffee bar area, that was a big hit. Also ideal for kids of all ages were the crafts that were on offer. From colouring an easter egg to making one to hang up at home or you could make a protest flag to wave. It was all good creative stuff designed to inspire the holidaying youngsters and my little boy hasn’t stopped talking about it.
The most amazing part of the activities offered is that they’re all free of charge. So unless you want to buy drinks or snacks in the coffee bar, your pennies can stay in your purse.
Birmingham Hippodrome offer these opportunities in the holidays regularly, so why not keep an eye on their website to find out what they have coming up soon: https://www.birminghamhippodrome.com/
Birmingham Hippodrome half-term workshops. Credit: Simon Hadley
Birmingham Hippodrome is staging an exciting programme of free theatrical workshops this Easter half-term. Designed with the family in mind, children of all ages will be entertained with a range of free workshops from Monday 15 – Friday 19 April.
For the first time at the Hippodrome, the theatre will host an accessible Sensory Circus (17 Apr) for children with additional needs including Autism, Asperger’s and other complex disabilities. As well as the Sensory Circus, there will be specially created chill out spaces close-by featuring circus play tents filled with sensory toys and apparatus.
In partnership with DanceXchange, Family Yoga (15 Apr) will offer parents and their little ones the chance to spend some happy, healthy time together. In the Street Dance workshop (19 Apr) expect a Hip-Hop inspired event where kids can work up a sweat with seasoned Street Dance teachers in the lead up to B-SIDE Hip-Hop Festival, coming to Birmingham this May.
In-keeping with Easter traditions, Easter Activities (15-19 Apr) will invite families to create their own colourful eggs, plus the chance to take part in an egg-citing Easter egg trail. There’s also the chance to discover industry secrets with Stage Make-Up for Families (16 Apr), with the opportunity to create dramatic characters and artistic make-up for the stage.
Arts and crafts take centre stage in the Build your own Brum workshop (18 Apr), working with illustrator Tsz, you’ll get to redesign your very own Birmingham. You can also join a Protest Flag Makingworkshop (16 & 19 Apr) inspired by Les Misérables. Drop in and create a flag with a message of peace or protest.
In the Make Your Own Theatre Poster workshop (15 & 18 Apr), families can come together to create eye-catching theatrical posters inspired by some of the headlining productions that have graced the Hippodrome stage.
The Missing’s Julien Baptiste returns in the titular role of a new six-part drama for BBC One
French detective Julien Baptiste, who first appeared in The Missing series one and two, returns in the titular role of a new six-part drama for BBC One. Starring Tchéky Karyo, Tom Hollander and Jessica Raine.
“Never-quite-retired detective and erstwhile beekeeper Julien Baptiste is a character very dear to our hearts. After seeing him brought to life by the incomparable Tcheky Karyo in The Missing, we always knew we weren’t quite ready to let him go if the right story presented itself. We’re glad it finally did, and hope people enjoy seeing Baptiste take centre stage in his show as much as we have.”
Julien Baptiste is staying in Amsterdam where his daughter has recently had a child. Forever under their feet and restless, he is invited to meet up with old flame Martha Horchner, the chief of police in Amsterdam. But this isn’t a lunch to catch up on old times – she wants his help to find a missing girl, Natalie, the niece of Englishman Edward Stratton. She believes the case is connected to a Romanian sex trafficking gang. It’s vital that they find her.
Julien meets up with Edward and they begin their search, but it’s not long before Julien realises that all is not as it seems. Why does nobody want to talk about the missing girl? Who is the man following Celia, Julien’s wife? What is the connection between the case and the transsexual brothel, whose owner has sent someone to follow them? Who is the mysterious woman, Kim Vogel, who helps the sex industry girls and tells them that Natalie has run away to Germany?
As Julien starts to uncover some of the truths behind the lies, he realises there is more to this case that meets the eye. By the time Baptiste becomes aware of the danger that he has been drawn into, Julien’s own family are in mortal danger and Julien is caught in a trap.
Baptiste is a nail-biting ride full of twists and turns, where nothing and nobody are as they first seem. Amsterdam is both the backdrop and a veneer, and Julien Baptiste must search its narrow alleyways and its basements and canals, to uncover the dark side of the city.
Did you watch this fantastic drama? As a Jessica Raine fan I was hugely eager to see her in a new role and this one absolutely suited her – what a superb character for a great actress to get her teeth into. Here’s an interview with Jessica Raine which has been provided for re-publication by the BBC Media Centre.
Tell us about Genevieve’s character – what is her background story? Genevieve is an officer at Europol, heading up a team trying to get enough evidence together to nail a gang called the Brigada Serbilu, which concerns itself with human trafficking. She’s quite blunt and tactless and rubs people up the wrong way when she’s first introduced in the series, but she’s incredibly focused and determined to get the guy she needs to get. It’s a scary focus, as she doesn’t care how she treats everyone else.
What is Genevieve’s relationship with Julien? When Genevieve meets Julien you feel like she’s really marking her territory. She’s a little bit patronising and you feel like she’s definitely overriding him with the decision-making. She wants him out of the way even though she respects what he’s done in the past. Genevieve doesn’t have much time for Baptiste at the beginning, however, as the series progresses I think she really becomes much more respectful of him and his methods and they become quite close by the end, which is a great journey to play.
What is Genevieve’s relationship with Edward? With Edward, Genevieve is constantly trying to persuade him to do what she wants and doesn’t really think about what the consequences are for him. To her, he is someone who’s in way over his head – but she also sees him as an opportunity. It’s an opening for her that she hasn’t had before with this case, so she has to get him onside. But she is also quite irritated by him, so it is quite a fractious relationship – which has been really fun to play with Tom.
What’s it been like filming in Amsterdam and Belgium? I’ve loved it. I’ve had a week in Amsterdam but didn’t get to see much of it because we were working all the time. Antwerp I’ve become really familiar with and I love it, the people, the shops and the art as well as the food! I just absolutely adore it to be honest. I want to come back. I can understand why people come out here and live here. It’s just amazing.
What’s it like working with Tom and Tchéky? Great. They’re so different. Tchéky is so unbelievably French, and I mean that in a really lovely way. He’s very philosophical about things. He’s great to act with. He’s always very present. Tom is loads of fun to work with. He’s done his research, he knows what he’s doing and then just sort of let’s rip on a scene, which has been really positive.
Theatre has been my passion since I can remember and although in the past couple of years I’ve not been blogging as actively about my best loved genre of entertainment, it’s never left my radar.
Last night’s Olivier Awards reignited the theatrical spark for me and there are shows I will make it my mission to see – especially given the superb performances of excerpts from many of the nominated productions. From the magnificent Disney’s The Lion King to the stonking new musical Come From Away to Six – a pop concert style musical like no other I’ve seen before – the West End is packed with shows to suit every taste. The Tina Turner musical also looks incredible and if you heard Adrienne Warren who plays the real life legend, I’m sure you can’t fail to agree that she does Ms Turner proud and then some! Rosalie Craig made me feel alive with her rendition of Being Alive from Company and a finale featuring such wonderment as the stunning cast of Olivier winner Sir Matthew Bourne’s Swan Lake was a dream come true. Jason Manford was a superb host, witty and offering up relevant comedy, I found the comment about the over-charging in theatre bars particularly poignantly funny. He showed off his musical theatre side with the fantastic Janie Dee and Ruthie Henshall in tow, which was an unexpected treat indeed.
What of the award winners in the hotly contested categories? Although I’ve yet to see the show as I don’t frequent London as often as I would like, I’m delighted for Company, Jonathan Bailey and Patti Lupone – worthy winners in the Best Actor in a Supporting Role in a Musical category, Best Actress in a Supporting Role in a Musical category and Best Musical Revival. Judging by the immense performance given by the cast of Come From Away, their Best New Musical win (amongst other awards) was well deserved, the production stars one of my favourite performers, Jenna Boyd, it’s got to be worth a watch just to see her! Catherine Zuber should also be congratulated, her costume design for The King And I is a triumph and she should rightly be celebrated. Shout out to my favourite Donna and the Dynamos, Sara Poyzer, Kate Graham and Ricky Butt who presented that particular award in their Mamma Mia! costumes. Porgy and Bess was also on my radar and a winner from the Best Opera nominations which I had high hopes for. I must also add my congratulations to the terrific super-talent Monica Dolan for her win for Best Actress in a Supporting Role award for All About Eve. I haven’t seen the play yet but Monica Dolan is a chameleon on an actress and wows me in all she does.
Here’s the full list of winners….
BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL
Jonathan Bailey for Company at Gielgud Theatre
BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL
Patti LuPone for Company at Gielgud Theatre
OUTSTANDING ACHIEVEMENT IN MUSIC
Come From Away – Book, Music and Lyrics: David Hein and Irene Sankoff; Music Supervisor, Arrangements: Ian Eisendrath; Orchestrations: August Eriksmoen; Musical Director/UK Music Supervisor: Alan Berry; and the band of Come From Away at Phoenix Theatre
BEST NEW DANCE PRODUCTION
Blkdog by Botis Seva at Sadler’s Wells
OUTSTANDING ACHIEVEMENT IN DANCE
Akram Khan for his performance in Xenos at Sadler’s Wells
BEST ENTERTAINMENT AND FAMILY
A Monster Calls at The Old Vic
BEST THEATRE CHOREOGRAPHER
Kelly Devine for Come From Away at Phoenix Theatre
MAGIC RADIO BEST MUSICAL REVIVAL
Company at Gielgud Theatre
BEST ACTOR IN A MUSICAL
Kobna Holdbrook-Smith for Tina – The Tina Turner Musical at Aldwych Theatre
BEST ACTRESS IN A MUSICAL
Sharon D. Clarke for Caroline, Or Change at Playhouse Theatre
CUNARD BEST REVIVAL
Summer And Smoke at Almeida Theatre and Duke of York’s Theatre
BEST NEW COMEDY
Home, I’m Darling at National Theatre – Dorfman and Duke of York’s Theatre
OUTSTANDING ACHIEVEMENT IN AFFILIATE THEATRE
Flesh And Bone at Soho Theatre
WHITE LIGHT AWARD FOR BEST LIGHTING DESIGN
Jon Clark for The Inheritance at Young Vic and Noël Coward Theatre
ROYAL ALBERT HALL AWARD FOR BEST SOUND DESIGN
Gareth Owen for Come From Away at Phoenix Theatre
BEST COSTUME DESIGN
Catherine Zuber for The King And I at The London Palladium
BLUE-I THEATRE TECHNOLOGY AWARD FOR BEST SET DESIGN
Bunny Christie for Company at Gielgud Theatre
BEST ACTOR IN A SUPPORTING ROLE
Chris Walley for The Lieutenant Of Inishmore at Noël Coward Theatre
BEST ACTRESS IN A SUPPORTING ROLE
Monica Dolan for All About Eve at Noël Coward Theatre
BEST NEW OPERA PRODUCTION
Katya Kabanova at Royal Opera House
OUTSTANDING ACHIEVEMENT IN OPERA
The ensemble of Porgy And Bess at London Coliseum
Kyle Soller for The Inheritance at Young Vic and Noël Coward Theatre
Patsy Ferran for Summer And Smoke at Almeida Theatre and Duke of York’s Theatre
SIR PETER HALL AWARD FOR BEST DIRECTOR
Stephen Daldry for The Inheritance at Young Vic and Noël Coward Theatre
AMERICAN AIRLINES BEST NEW PLAY
The Inheritance at Young Vic and Noël Coward Theatre
As a family we are self-confessed Disney-holics – we’ve been fortunate enough to attend a number of Disney On Ice productions as well as having travelled to Disneyland Paris for holidays on a few occasions. The Disney magic never waivers for us and this particular incarnation of the spectacular ice show featuring our favourite Mouse was exceptional – maybe my favourite to date.
All of my best loved Disney films were included as we were taken on a journey of mystery and wonder to seek out hidden treasures with Mickey Mouse, Minnie Mouse, Donald Duck and Goofy. Who better to go on an adventure with? The added treat is that every character who appears through the majestic red curtains are on ice skates and performing the most stunning moves and tricks across the pure white glittery surface.
The quality of the costumes for this first class display is quite indescribable – the attention to detail for each character brings them to life, it’s glorious viewing for young audience members and the big kids also get just as much entertainment and delight from the show. With popular hits (from the various movies we were treated to) accompanying the splendour and a packed arena singing along, it couldn’t have been a more joyful experience and what a wonderful window into Walt Disney’s imagination.
The films were recreated on ice through beautiful and precise choreography and spellbinding movement as well as nail-biting headbangers and other amazing spins, turns and jumps. We saw The Lion King, Snow White and the Seven Dwarfs, Aladdin (one of my personal favourites, look out for the elephant!), Tangled, Toy Story, Frozen and if you could have seen the Disney Princes and Princesses all in one glorious scene – if you’re a Disney fan you couldn’t fail to be moved and over-awed. There was a lovely surprise in the form of excerpts from the Finding Dory movie too which was transfixing in the extreme.
You’re never too old for Disney and definitely never too old for Disney On Ice, book your tickets now and enjoy a magical experience you’ll never forget:www.disneyonice.com
Take a classic thriller written by Sidney Gilliat and Frank Launder, the film version having been directed by Alfred Hitchcock, add a stellar cast and one of the most atmospheric sets I’ve seen in a long time – what do you get? A flawless production of The Lady Vanishes.
Although I was already familiar with the title of the production, initially I was unfamiliar with the story. Therefore watching the action and mystery unfold with no prior knowledge was a real treat. The scene and tone at the railway station were immediately set and there was an overriding feel of authority and fear as Hitler’s Germany reigned supreme. The characters are introduced gradually and they all have a tale to tell, while a few characters remain vague which helps to build the tension and suspense throughout. What’s evident from the outset is that clues are everywhere and dovetail perfectly when the conclusion is reached.
The story is paced to perfection by the strong ensemble, Juliet Mills shone as Miss Froy – the lady who seemingly vanishes aboard a train to England, Lorna Fitzgerald has the opportunity to demonstrate that she is capable of extraordinary stage craft – I had known her as Abi Branning in Eastenders. As Iris, the young woman who is hell bent on discovering what has happened to Miss Froy, she couldn’t have characterised better. The chemistry and sublime partnership Fitzgerald has with Matt Barber as the unintentionally comedic Max. Barber is another familiar face from the television, having starred as the husband of Lily James’ character, Lady Rose, in Downton Abbey. While Barber remains a firm favourite of mine from the series, for as a screen actor I felt he was a joy to watch – on stage he excels further and every nuance of his performance was measured and deliberate – he certainly has hidden depths. Maxwell Caulfield possessed an eerily unpleasant quality in the somewhat pivotal role of Dr Hartz, it was really easy to dislike him and suspect him. Robert Duncan and Ben Nealon often stole the show as cricketing enthusiasts and businessmen, Charters and Caldicott. Duncan’s comic timing had me laughing out loud on more than one occasion. Philip Lowrie played the fairly benign Eric, apparently trying to run off with Margaret (Elizabeth Payne) yet making a dog’s dinner of their scandalous liaison. Lowrie and Payne made a watchable and believable couple – Lowrie’s years of experience on stage and screen are obvious and I was fascinated with Payne’s stage presence and superb diction.
Antony Lampard’s adaptation lends itself to the stage, brilliantly and Roy Marsden’s direction is on point as always, he’s one of my favourite directors. You’ll be sure to become an armchair sleuth as the story unfolds, chaos ensues and inevitable tragedy occurs too.
CheeseFest celebrating 30 Years of Wallace & Gromit is coming to Worcester.
Saturday 13th April 2019 Three Counties Showground, Malvern, WR13 6NW
We are very excited to announce that CheeseFest UK is back for 2019, celebrating 30 cracking years of Wallace & Gromit.
Join us on our grand UK tour with over 15 live dates, celebrating all that’s great in the world of cheese. Expect the most incredible melted delights and delicious cheese-based cuisine presented for your culinary pleasure by the finest fromagers from across the land.
Experience some of the greatest cheeses in the world with melted raclette, gooey mozzarella sticks, top notch toasties, and a whole host of unique slices and cheese innovations from the UK’s best traders.
CheeseFest promises to be a grand day out for all the family with a jam packed programme of feasting and entertainment hosted by the world’s most famous cheese ambassadors Wallace & Gromit. Kids can enjoy model making, life-size vehicles, film screenings of popular Wallace & Gromit movies, and a meet & greet with Wallace and Gromit themselves. Young and old, all are welcome, so don’t be sheepish – get involved! If you would like more information about CheeseFest please contact Info@cheesefestuk.com or visit our website www.cheesefestuk.com
I always say I was born in the wrong era, I was brought up listening to the hits of the 50’s, 60’s and 70’s courtesy of my parents’ excellent taste in music. One of my all-time favourite hits from the 60’s is ‘Out of Time’, one of my all-time favourite bands is The Searchers and I love The Fourmost and Herman’s Hermits. So, the Sensational 60’s Experience was certainly the show for me!
The evening was jam-packed full of hits from the golden era when, in my humble opinion, music was at its best – The Fourmost opened the show and immediately set the one for the evening. The packed auditorium were singing along from the outset and the band were a joy to hear. The Swinging Blue Jeans also offered plenty of opportunities for toe tapping and swaying as we were treated to Hippy Hippy shake amongst other hits. Herman’s Hermits epitomise the 60’s for me, ‘Into Something Good’ is one of the ultimate feel-good songs, such a bouncy tune and I’ve been singing it all weekend. I couldn’t wait for Chris Farlowe to appear, he’s got a dry sense of humour which appeals to me straight away. His voice is incredible, rivalling any of the young stars who are up and coming in the noughties and when he completed his set with ‘Out of Time’ it made my year. Mike Pender topped off the night, singing all the famous tracks from the back catalogue of my favourite band, The Searchers. It was a treat to hear the former voice of The Searchers singing his way effortlessly through all of my best loved songs from ‘Don’t Throw Your Love Away’ to ‘Needles and Pins’.
In the second half, a 60’s tribute band called New Amen Corner – they played their own set before becoming the backing group for Chris Farlowe and Mike Pender. Their sound – classic 60’s and they’d be as engaging in a concert of their own, they really brought the house down.