Star rating: *****
Celebrating David Bintley’s final season as Director of Birmingham Royal Ballet couldn’t come in a more glorious form than their latest production of Hobson’s Choice which delighted a packed auditorium at Birmingham Hippodrome.
The story itself is a well-known classic, the original play which the ballet is based upon was written by Harold Brighouse. Love and the class system are running themes as we are introduced to Henry Hobson, proprietor of a boot shop where his input is lessening due to his attachment to the demon drink. His three daughters, Maggie, Alice and Vickey are all vital cogs in his enterprise, their cheap labour in the shop ensures that he can live the drunken, gluttonous lifestyle he has become accustomed to. Alice is courting Albert Prosser (a lawyer) and Vickey is courting Fred Beenstock (son of a corn merchant) – however they are denied Hobson’s blessing in marriage as he fears losing them from the shop. Although he takes Maggie’s presence and hard work for granted and could never have predicted that she had set her sights on Will Mossop, the boot hand whom their wealthiest customer has praised to the skies. The twist in the tale catalyses a chain of events that sees Hobson’s world turned upside down.
Bintley’s choreography adeptly assists the artists to convey the story clearly, concisely, comically and is remarkable in the extreme. Every dancer in the cast puts effortless characterisation into their role as well as flawless performance. Stunning pas de deux offered intricate insight into relationships and the chemistry between the couples was palpable.
Jonathan Payn earned many a giggle from the audience as he danced the role of Henry Hobson with exceptional comic timing. His cronies; Jim Heeler (Kit Holder), Sam Minns (James Barton) and Mr Tudsbury (Tom Rogers) gave a solid, engaging performance and played off one another superbly. Marion Tait was beautifully self-righteous and eloquently portrayed the upper class Mrs Hepworth. Mathias Dingman as Fred Beenstock and Rory Mackay as Albert Prosser entertained as the suitors of the younger Hobson daughters. Laura Purkiss as Vickey and Delia Mathews as Alice were delightful, they perfectly emphasised the age and immaturity of the young girls. Samara Downs offered a performance as Maggie which showed vulnerability, strength and assertiveness all in one beautiful portrayal. The synchronicity with Lachlan Monaghan as Will Mossop was a joy to behold and their facial expressions conveyed every emotion which was mirrored by every step. Monaghan’s movement was so wonderfully fluid and purposeful that he was practically singing as well as dancing.
Accompanied by Royal Ballet Sinfonia conducted by Phillip Ellis and lead by Robert Gibbs, with a set that framed the action so ornately – this particular ballet has a place in my heart. It’s a perfect first ballet for anyone who hasn’t been before, equally a must-see for ballet aficionados. Look out for the cymbal player in the Salvation Army scene too, I’m still chuckling now! Book your tickets to see the production, here: hobsons-choice
Photo Credits: BRB