Free Theatrical Workshops ~ Birmingham Hippodrome

Birmingham Hippodrome half-term workshops. Credit: Simon Hadley

Birmingham Hippodrome is staging an exciting programme of free theatrical workshops this Easter half-term. Designed with the family in mind, children of all ages will be entertained with a range of free workshops from Monday 15 – Friday 19 April.

For the first time at the Hippodrome, the theatre will host an accessible Sensory Circus (17 Apr) for children with additional needs including Autism, Asperger’s and other complex disabilities.  As well as the Sensory Circus, there will be specially created chill out spaces close-by featuring circus play tents filled with sensory toys and apparatus.

In partnership with DanceXchange, Family Yoga (15 Apr) will offer parents and their little ones the chance to spend some happy, healthy time together. In the Street Dance workshop (19 Apr) expect a Hip-Hop inspired event where kids can work up a sweat with seasoned Street Dance teachers in the lead up to B-SIDE Hip-Hop Festival, coming to Birmingham this May.

In-keeping with Easter traditions, Easter Activities (15-19 Apr) will invite families to create their own colourful eggs, plus the chance to take part in an egg-citing Easter egg trail. There’s also the chance to discover industry secrets with Stage Make-Up for Families (16 Apr), with the opportunity to create dramatic characters and artistic make-up for the stage.

Arts and crafts take centre stage in the Build your own Brum workshop (18 Apr), working with illustrator Tsz, you’ll get to redesign your very own Birmingham. You can also join a Protest Flag Making workshop (16 & 19 Apr) inspired by Les Misérables. Drop in and create a flag with a message of peace or protest.

In the Make Your Own Theatre Poster workshop (15 & 18 Apr), families can come together to create eye-catching theatrical posters inspired by some of the headlining productions that have graced the Hippodrome stage.

Birmingham Hippodrome’s free Easter activities will take place from Monday 15 – Friday 19 April. For more information visit www.birminghamhippodrome.com/easter

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BBC One’s ‘Baptiste’ Released on DVD

The Missing’s Julien Baptiste returns in the titular role of a new six-part drama for BBC One

French detective Julien Baptiste, who first appeared in The Missing series one and two, returns in the titular role of a new six-part drama for BBC One. Starring Tchéky Karyo, Tom Hollander and Jessica Raine.

“Never-quite-retired detective and erstwhile beekeeper Julien Baptiste is a character very dear to our hearts. After seeing him brought to life by the incomparable Tcheky Karyo in The Missing, we always knew we weren’t quite ready to let him go if the right story presented itself. We’re glad it finally did, and hope people enjoy seeing Baptiste take centre stage in his show as much as we have.”

Julien Baptiste is staying in Amsterdam where his daughter has recently had a child. Forever under their feet and restless, he is invited to meet up with old flame Martha Horchner, the chief of police in Amsterdam. But this isn’t a lunch to catch up on old times – she wants his help to find a missing girl, Natalie, the niece of Englishman Edward Stratton. She believes the case is connected to a Romanian sex trafficking gang. It’s vital that they find her.

Julien meets up with Edward and they begin their search, but it’s not long before Julien realises that all is not as it seems. Why does nobody want to talk about the missing girl? Who is the man following Celia, Julien’s wife? What is the connection between the case and the transsexual brothel, whose owner has sent someone to follow them? Who is the mysterious woman, Kim Vogel, who helps the sex industry girls and tells them that Natalie has run away to Germany?

As Julien starts to uncover some of the truths behind the lies, he realises there is more to this case that meets the eye. By the time Baptiste becomes aware of the danger that he has been drawn into, Julien’s own family are in mortal danger and Julien is caught in a trap.

Baptiste is a nail-biting ride full of twists and turns, where nothing and nobody are as they first seem. Amsterdam is both the backdrop and a veneer, and Julien Baptiste must search its narrow alleyways and its basements and canals, to uncover the dark side of the city.

Did you watch this fantastic drama? As a Jessica Raine fan I was hugely eager to see her in a new role and this one absolutely suited her – what a superb character for a great actress to get her teeth into. Here’s an interview with Jessica Raine which has been provided for re-publication by the BBC Media Centre.

Tell us about Genevieve’s character – what is her background story?
Genevieve is an officer at Europol, heading up a team trying to get enough evidence together to nail a gang called the Brigada Serbilu, which concerns itself with human trafficking. She’s quite blunt and tactless and rubs people up the wrong way when she’s first introduced in the series, but she’s incredibly focused and determined to get the guy she needs to get. It’s a scary focus, as she doesn’t care how she treats everyone else.

What is Genevieve’s relationship with Julien?
When Genevieve meets Julien you feel like she’s really marking her territory. She’s a little bit patronising and you feel like she’s definitely overriding him with the decision-making. She wants him out of the way even though she respects what he’s done in the past. Genevieve doesn’t have much time for Baptiste at the beginning, however, as the series progresses I think she really becomes much more respectful of him and his methods and they become quite close by the end, which is a great journey to play.

What is Genevieve’s relationship with Edward?
With Edward, Genevieve is constantly trying to persuade him to do what she wants and doesn’t really think about what the consequences are for him. To her, he is someone who’s in way over his head – but she also sees him as an opportunity. It’s an opening for her that she hasn’t had before with this case, so she has to get him onside. But she is also quite irritated by him, so it is quite a fractious relationship – which has been really fun to play with Tom.

What’s it been like filming in Amsterdam and Belgium?
I’ve loved it. I’ve had a week in Amsterdam but didn’t get to see much of it because we were working all the time. Antwerp I’ve become really familiar with and I love it, the people, the shops and the art as well as the food! I just absolutely adore it to be honest. I want to come back. I can understand why people come out here and live here. It’s just amazing.

What’s it like working with Tom and Tchéky?
Great. They’re so different. Tchéky is so unbelievably French, and I mean that in a really lovely way. He’s very philosophical about things. He’s great to act with. He’s always very present. Tom is loads of fun to work with. He’s done his research, he knows what he’s doing and then just sort of let’s rip on a scene, which has been really positive.

Get your hands on a copy of Baptiste on DVD here:

Olivier Awards 2019

Theatre has been my passion since I can remember and although in the past couple of years I’ve not been blogging as actively about my best loved genre of entertainment, it’s never left my radar.

Last night’s Olivier Awards reignited the theatrical spark for me and there are shows I will make it my mission to see – especially given the superb performances of excerpts from many of the nominated productions. From the magnificent Disney’s The Lion King to the stonking new musical Come From Away to Six – a pop concert style musical like no other I’ve seen before – the West End is packed with shows to suit every taste. The Tina Turner musical also looks incredible and if you heard Adrienne Warren who plays the real life legend, I’m sure you can’t fail to agree that she does Ms Turner proud and then some! Rosalie Craig made me feel alive with her rendition of Being Alive from Company and a finale featuring such wonderment as the stunning cast of Olivier winner Sir Matthew Bourne’s Swan Lake was a dream come true. Jason Manford was a superb host, witty and offering up relevant comedy, I found the comment about the over-charging in theatre bars particularly poignantly funny. He showed off his musical theatre side with the fantastic Janie Dee and Ruthie Henshall in tow, which was an unexpected treat indeed.

What of the award winners in the hotly contested categories? Although I’ve yet to see the show as I don’t frequent London as often as I would like, I’m delighted for Company, Jonathan Bailey and Patti Lupone – worthy winners in the Best Actor in a Supporting Role in a Musical category, Best Actress in a Supporting Role in a Musical category and Best Musical Revival. Judging by the immense performance given by the cast of Come From Away, their Best New Musical win (amongst other awards) was well deserved, the production stars one of my favourite performers, Jenna Boyd, it’s got to be worth a watch just to see her! Catherine Zuber should also be congratulated, her costume design for The King And I is a triumph and she should rightly be celebrated. Shout out to my favourite Donna and the Dynamos, Sara Poyzer, Kate Graham and Ricky Butt who presented that particular award in their Mamma Mia! costumes. Porgy and Bess was also on my radar and a winner from the Best Opera nominations which I had high hopes for. I must also add my congratulations to the terrific super-talent Monica Dolan for her win for Best Actress in a Supporting Role award for All About Eve. I haven’t seen the play yet but Monica Dolan is a chameleon on an actress and wows me in all she does.

Here’s the full list of winners….

BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL

Jonathan Bailey for Company at Gielgud Theatre

BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL

Patti LuPone for Company at Gielgud Theatre

OUTSTANDING ACHIEVEMENT IN MUSIC

Come From Away – Book, Music and Lyrics: David Hein and Irene Sankoff; Music Supervisor, Arrangements: Ian Eisendrath; Orchestrations: August Eriksmoen; Musical Director/UK Music Supervisor: Alan Berry; and the band of Come From Away at Phoenix Theatre

BEST NEW DANCE PRODUCTION

Blkdog by Botis Seva at Sadler’s Wells

OUTSTANDING ACHIEVEMENT IN DANCE

Akram Khan for his performance in Xenos at Sadler’s Wells

BEST ENTERTAINMENT AND FAMILY

A Monster Calls at The Old Vic

BEST THEATRE CHOREOGRAPHER

Kelly Devine for Come From Away at Phoenix Theatre

MAGIC RADIO BEST MUSICAL REVIVAL

Company at Gielgud Theatre

BEST ACTOR IN A MUSICAL

Kobna Holdbrook-Smith for Tina – The Tina Turner Musical at Aldwych Theatre

BEST ACTRESS IN A MUSICAL

Sharon D. Clarke for Caroline, Or Change at Playhouse Theatre

CUNARD BEST REVIVAL

Summer And Smoke at Almeida Theatre and Duke of York’s Theatre

BEST NEW COMEDY

Home, I’m Darling at National Theatre – Dorfman and Duke of York’s Theatre

OUTSTANDING ACHIEVEMENT IN AFFILIATE THEATRE

Flesh And Bone at Soho Theatre

WHITE LIGHT AWARD FOR BEST LIGHTING DESIGN

Jon Clark for The Inheritance at Young Vic and Noël Coward Theatre

ROYAL ALBERT HALL AWARD FOR BEST SOUND DESIGN

Gareth Owen for Come From Away at Phoenix Theatre

BEST COSTUME DESIGN

Catherine Zuber for The King And I at The London Palladium

BLUE-I THEATRE TECHNOLOGY AWARD FOR BEST SET DESIGN

Bunny Christie for Company at Gielgud Theatre

BEST ACTOR IN A SUPPORTING ROLE

Chris Walley for The Lieutenant Of Inishmore at Noël Coward Theatre

BEST ACTRESS IN A SUPPORTING ROLE

Monica Dolan for All About Eve at Noël Coward Theatre

BEST NEW OPERA PRODUCTION

Katya Kabanova at Royal Opera House

OUTSTANDING ACHIEVEMENT IN OPERA

The ensemble of Porgy And Bess at London Coliseum

BEST ACTOR

Kyle Soller for The Inheritance at Young Vic and Noël Coward Theatre

BEST ACTRESS

Patsy Ferran for Summer And Smoke at Almeida Theatre and Duke of York’s Theatre

SIR PETER HALL AWARD FOR BEST DIRECTOR

Stephen Daldry for The Inheritance at Young Vic and Noël Coward Theatre

AMERICAN AIRLINES BEST NEW PLAY

The Inheritance at Young Vic and Noël Coward Theatre

MASTERCARD BEST NEW MUSICAL

Come From Away at Phoenix Theatre

SOCIETY OF LONDON THEATRE SPECIAL AWARD

Sir Matthew Bourne

You can book tickets for the West End Theatre shows here: Break A Leg Ticket Shop

Photo Credit for Come From Away – Matthew Murphy

Other Photo Credits: YouTube

The Wonderful World of Disney On Ice – Resorts World Arena, Birmingham

As a family we are self-confessed Disney-holics – we’ve been fortunate enough to attend a number of Disney On Ice productions as well as having travelled to Disneyland Paris for holidays on a few occasions. The Disney magic never waivers for us and this particular incarnation of the spectacular ice show featuring our favourite Mouse was exceptional – maybe my favourite to date.

All of my best loved Disney films were included as we were taken on a journey of mystery and wonder to seek out hidden treasures with Mickey Mouse, Minnie Mouse, Donald Duck and Goofy. Who better to go on an adventure with? The added treat is that every character who appears through the majestic red curtains are on ice skates and performing the most stunning moves and tricks across the pure white glittery surface.

The quality of the costumes for this first class display is quite indescribable – the attention to detail for each character brings them to life, it’s glorious viewing for young audience members and the big kids also get just as much entertainment and delight from the show. With popular hits (from the various movies we were treated to) accompanying the splendour and a packed arena singing along, it couldn’t have been a more joyful experience and what a wonderful window into Walt Disney’s imagination.

The films were recreated on ice through beautiful and precise choreography and spellbinding movement as well as nail-biting headbangers and other amazing spins, turns and jumps. We saw The Lion King, Snow White and the Seven Dwarfs, Aladdin (one of my personal favourites, look out for the elephant!), Tangled, Toy Story, Frozen and if you could have seen the Disney Princes and Princesses all in one glorious scene – if you’re a Disney fan you couldn’t fail to be moved and over-awed. There was a lovely surprise in the form of excerpts from the Finding Dory movie too which was transfixing in the extreme.

You’re never too old for Disney and definitely never too old for Disney On Ice, book your tickets now and enjoy a magical experience you’ll never forget:www.disneyonice.com

The Lady Vanishes ~ Malvern Theatres

Star Rating: *****

Take a classic thriller written by Sidney Gilliat and Frank Launder, the film version having been directed by Alfred Hitchcock, add a stellar cast and one of the most atmospheric sets I’ve seen in a long time – what do you get? A flawless production of The Lady Vanishes.

Although I was already familiar with the title of the production, initially I was unfamiliar with the story. Therefore watching the action and mystery unfold with no prior knowledge was a real treat. The scene and tone at the railway station were immediately set and there was an overriding feel of authority and fear as Hitler’s Germany reigned supreme. The characters are introduced gradually and they all have a tale to tell, while a few characters remain vague which helps to build the tension and suspense throughout. What’s evident from the outset is that clues are everywhere and dovetail perfectly when the conclusion is reached.

The story is paced to perfection by the strong ensemble, Juliet Mills shone as Miss Froy – the lady who seemingly vanishes aboard a train to England, Lorna Fitzgerald has the opportunity to demonstrate that she is capable of extraordinary stage craft – I had known her as Abi Branning in Eastenders. As Iris, the young woman who is hell bent on discovering what has happened to Miss Froy, she couldn’t have characterised better. The chemistry and sublime partnership Fitzgerald has with Matt Barber as the unintentionally comedic Max. Barber is another familiar face from the television, having starred as the husband of Lily James’ character, Lady Rose, in Downton Abbey. While Barber remains a firm favourite of mine from the series, for as a screen actor I felt he was a joy to watch – on stage he excels further and every nuance of his performance was measured and deliberate – he certainly has hidden depths. Maxwell Caulfield possessed an eerily unpleasant quality in the somewhat pivotal role of Dr Hartz, it was really easy to dislike him and suspect him. Robert Duncan and Ben Nealon often stole the show as cricketing enthusiasts and businessmen, Charters and Caldicott. Duncan’s comic timing had me laughing out loud on more than one occasion. Philip Lowrie played the fairly benign Eric, apparently trying to run off with Margaret (Elizabeth Payne) yet making a dog’s dinner of their scandalous liaison. Lowrie and Payne made a watchable and believable couple – Lowrie’s years of experience on stage and screen are obvious and I was fascinated with Payne’s stage presence and superb diction.

Antony Lampard’s adaptation lends itself to the stage, brilliantly and Roy Marsden’s direction is on point as always, he’s one of my favourite directors. You’ll be sure to become an armchair sleuth as the story unfolds, chaos ensues and inevitable tragedy occurs too.

The Lady Vanishes stays at Malvern Theatres until Saturday 23rd March, book now: https://www.malvern-theatres.co.uk/whats-on/the-lady-vanishes/

CheeseFest ~ Press Release

CheeseFest celebrating 30 Years of Wallace & Gromit is coming to Worcester.

Saturday 13th April 2019 Three Counties Showground, Malvern, WR13 6NW

We are very excited to announce that CheeseFest UK is back for 2019, celebrating 30 cracking years of Wallace & Gromit.

Join us on our grand UK tour with over 15 live dates, celebrating all that’s great in the world of cheese. Expect the most incredible melted delights and delicious cheese-based cuisine presented for your culinary pleasure by the finest fromagers from across the land.

Experience some of the greatest cheeses in the world with melted raclette, gooey mozzarella sticks, top notch toasties, and a whole host of unique slices and cheese innovations from the UK’s best traders.

CheeseFest promises to be a grand day out for all the family with a jam packed programme of feasting and entertainment hosted by the world’s most famous cheese ambassadors Wallace & Gromit. Kids can enjoy model making, life-size vehicles, film screenings of popular Wallace & Gromit movies, and a meet & greet with Wallace and Gromit themselves. Young and old, all are welcome, so don’t be sheepish – get involved! If you would like more information about CheeseFest please contact Info@cheesefestuk.com or visit our website www.cheesefestuk.com

Wallace & Gromit’s Musical Marvels

Hard to believe it’s been 30 cracking years since that loveable double act, Wallace & Gromit first graced our screens and quickly gathered a cracking following of fans of all ages. They’re one of my favourite animated duos of all time, in fact my little family and I met Gromit at Blackpool Pleasure Beach last year! Are you a fan of Wallace and Gromit too? If so, read on!

Carrot Productions team up with Aardman Animations for Wallace & Gromit’s Musical Marvels UK tour in Spring 2019

The 38 date tour will feature live orchestral accompaniment from a professional orchestra drawn from members of the Hallé and BBC Philharmonic orchestras among others.   

In May and June 2019, Carrot Productions will tour Wallace & Gromit’s Musical Marvels to 38 major venues across the UK, including London’s Barbican Centre, Manchester’s The Lowry, and Birmingham Symphony Hall.

Speaking about this new venture for her organisation, Carrot Productions’ Managing Director, Rachel Whibley, said: “We are so delighted that Aardman have granted us exclusive rights to launch this tour in the UK. With six years’ experience behind us of presenting The Snowman to thousands of satisfied audience members across the country, we are well placed to deliver this wonderful Wallace & Gromit programme. It will be a pleasure to present such a high-quality show in partnership with the inspirational team at Aardman, providing huge fun for audiences of all ages”.

Wallace & Gromit’s Musical Marvels features Wallace preparing to perform his musical masterpiece My Concerto in Ee Lad with help from his faithful companion Gromit. This interactive experience features specially created animations as well as live orchestral accompaniment and escapades from the Picture House Orchestra and presenter Matthew Sharp. The show also exclusively features a screening of the all-time classic animation, The Wrong Trousers, again with live orchestral accompaniment.

Sean Clarke, Head of Rights and Brand Development, Aardman added: It is wonderful to see Wallace & Gromit’s Musical Marvels going on tour in 2019, the 30th anniversary year of Wallace & Gromit! Carrot Productions have produced a fantastic show, featuring live orchestral music for one of Aardman’s best loved shorts, The Wrong Trousers, and we look forward to audiences across the UK having the opportunity to enjoy this unique musical experience.”

Carrot Productions are an innovative organisation: over the years they have commissioned several new works – both music and animation – to perform alongside The Snowman. They are relishing the opportunity to cover further new ground with this ambitious Wallace & Gromit tour.

Aardman, the world famous, four times Academy Award® winning animation studio, are creators of Wallace & Gromit, Shaun the Sheep, Creature Comforts and Chicken Run among others. Nick Park’s Oscar-winning The Wrong Trousers was Aardman’s first 30-minute film and is one of the most successful animated films ever made.

Presenter Matthew Sharp is an internationally renowned musician, actor, director and performer.  He is recognised as both a compelling classical artist and a fearless pioneer, with his adventures in music and across disciplines described as ‘unrivalled’ and ‘unprecedented’. Booking for the tour is now open via the Carrot Productions website https://www.carrotproductions.com/

(c) TM Aardman/W&G Ltd. All rights reserved.

Entertainment Views Interviews Star of The Full Monty UK Tour… Andrew Dunn

Dinnerladies from the genius mind of the late, great Victoria Wood remains one of my firm favourite sitcoms to this day, all these years on. The man who played Victoria’s character, Bren’s love interest, Tony – is the brilliant Andrew Dunn. Andrew is playing the role of Gerald in the UK tour of The Full Monty so I was thrilled to have the opportunity to chat to him about the show.

Thank you for chatting to Entertainment Views, Andrew tell me about The Full Monty and the character you’re playing.

If you’re familiar with the film, you’ll know the story. It’s set in Sheffield and set around six out of work steelworkers who get together to become male strippers. I play Gerald, he hasn’t told his wife that he’s been made redundant, he goes out ‘to work’ every morning – but he has nowhere to go and its all an act to keep up the pretence.

What do you think the strengths of the show are?

The subject matters dealt with are relevant today. It’s a feelgood piece of theatre but as the writer, Simon Beaufoy says, he’s amazed that it’s a feelgood piece when the subject matter is depression.

How does it compare to the movie version?

Unlike the musical version the play is just the same as the film. We have the dole queue scene where the lads start dancing to ‘Hot Stuff’ and we do the full monty at the end. There are big lights on stage which are supposed to ‘blind’ the audience at the end but there have been times when the audience haven’t been blinded by the lights!

What have audience reactions been like so far?

Well they’ve bought a ticket to see it because of what they think they’ll see at the end! We get standing ovations and the audience are always on our side. It’s a fun show to do, that’s why I’m still touring with it. The audience get into it and they follow the story to the end.

I can’t not mention Dinnerladies as I still love the sitcom now, what was the best thing about being part of the series?

All the people I got to work with, there’s one episode where I’m standing with the late Dame Thora Hird, Dora Bryan and Eric Sykes. I grew up watching them on television. People wanted to work with Victoria.

The series has maintained its popularity after twenty years….

Yes, and its been shown on Gold channel which helps. We also toured theatres with it and it was amazing to see that young children were watching it and giving us pictures they’d drawn of the characters. People still stop me in the street and quote lines from it.
I don’t think that she thought about the future but the way she wrote things meant that the humour is still there and relevant.  

Back to The Full Monty, why should everyone buy a ticket to come and see it?

It’s a feelgood piece and a great night at the theatre, come along and have a good night out!

The all-important link to check out the tour dates/venues and buy tickets to see The Full Monty, is here: fullmontytheplay.com/

Entertainment Views Interviews Star of The Full Monty UK Tour…. Amy Thompson

Amy Thompson is a household name in the Entertainment Views HQ home, as a presenter of Channel Five’s Milkshake, she is a firm favourite with my five year old son. We have also seen her in pantomime twice, where she never fails to dazzle. Amy is currently treading the boards in the UK tour of The Full Monty, I was delighted to hear that Amy had added another credit to her list and couldn’t wait to hear all about her latest role.

Thanks for chatting to me, Amy – tell me about The Full Monty and the character you’re playing.

It’s always a pleasure to chat to you, Helen. The Full Monty play is written by Simon Beaufoy, he’s adapted it for the stage and it’s based on the original movie version. I play Mandy, she’s Gaz’s ex-wife (Gaz is played by Gary Lucy). Gaz owes Mandy child maintenance money, or there’s a chance he will be stopped from seeing his son. Mandy is with a man called Barry, he’s safe and secure. Life with Barry is different to life with Gaz. There’s still love there for Gaz though, so there’s still a chance for Gaz if he can get his act together. The reason Gaz needs the money is so that he can pay Mandy, so she is definitely part of the reason Gaz and his mates decide to become strippers.

Amy as Mandy in The Full Monty (far right of the picture)

What inspired you to go for the role?

Milkshake! are very supportive of me going off to do other things when there’s an opportunity and I still film the Milkshake! at the same time. I’m a Yorkshire girl and my background is in theatre so I’m going back to my theatrical roots. The Full Monty came along and offered me the chance to do something different.

How do you feel the show translates years after the movie was released?

The subjects that are handled are still relevant today, although it’s a fun show there are many serious issues dealt with. There’s unemployment, depression, homosexuality, body image etc. From a political point of view it’s relevant too.

What’s your personal highlight of the show?

I love the fact that I get to watch the amazing Andy Dunn (who plays Gerald) on stage, that’s a highlight for me every show. He’s an incredible actor and has worked with Hull Truck Theatre, the same as me.

Does it feel strange to be on stage as opposed to in front of a camera?

Not at all, because I started off in theatre and always thought that would be where I would be working. Milkshake! came along ten years ago (in March) and I love that I can do television and theatre. I also do pantomime every year too, I played Cinderella last season.

Any particular ambitions for the future? Are there any roles you’re keen to play?

I’d love to do more theatre and get into musical theatre, which is really difficult to get into. Les Mis is one of my favourite shows. I’d like to do something different where I have the opportunity to play a variety of characters.

Last year, Coleen Nolan encouraged a group of famous ladies to bare all in aid of Breast Cancer, would you be tempted to join in if it’s organised again and they ask you?

How funny you should mention this as I appeared in pantomime with Michelle Heaton last season and she did this. She told me about what it meant to her and I’d definitely do it if I was asked, it’s for a great cause.

Amy thinks you’ll have a great night at the theatre if you book a ticket to see The Full Monty on its UK our – here’s the all important link: fullmontytheplay.com/

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