This wasn’t a television adaptation I expected to like, let alone enjoy and desire more of. William Makepeace Thackeray’s classic has not only been transformed into a glitzy ITV period drama with a subtle modern twist, there’s a cast of names and faces whom many television aficionados will be familiar with. As we linger on the past three episodes and dwell on the highlights of what has become, for me anyway, a must-watch series – here are a few of the many best bits so far…
I love the carousel which opens the programme so wondrously and the appearance of Michael Palin as Thackeray. The carousel itself and the characters we see riding the horses is utterly symbolic of the story and tells a take just in that simple scene. A genius idea.
In the leading role of Becky Sharp, she has me hooked. Those facial expressions wouldn’t be out of place in a theatrical performance and her every move proves that she’s sharp by name and sharp by nature. The chemistry with every performer she crosses paths with is electric, quite as one would imagine it would be for those who fell under Miss Sharp’s spell. The character is the epitome of a person who falls into manure and comes up smelling of roses, and Cooke carries that air of smugness which this ‘trait’ necessitates.
Clunes behaving badly
As much as I’ve grown to love the series, I had found it a little slow going to begin with, therefore the introduction of Martin Clunes in the role Sir Pitt Crawley grabbed my attention. Clunes looks like he’s having a whale of a time playing the villain and he’s predictably bringing plenty of humour to the role too.
Tour De Force
Frances de la Tour as Miss Matilda Crawley is as resplendent and batty as I know she has the capacity to play, another television favourite who looks as though they’ve had great fun with a well written role. Her humour and raucous laughter enhance the character and she plays brilliantly opposite both Cooke and Clunes.
Crawley’s a Crawler
Tom Bateman as Rawdon Crawley, a character so overtly benign it’s a wonder Miss Sharp didn’t see spot it a mile off as his lack of money is surely a hindrance. However, whatever her game, it appears that he and she have married for love and that crawler Crawley may be blissfully unaware of his secretly wedded wife’s motives.
There’s tongue-in-cheek humour and nods towards the classic story not having been taken too seriously, perhaps to attract and retain a younger audience. However, from the pop soundtrack to the perfect casting – this adaptation has surprised me in the best possible sense. I can’t wait for Sunday evenings and hooray for autumn telly! Vanity Fair has landed on our screens at just the right time.
Photo Credits: ITV