When I heard that Julia Donaldson’s fabulous book, Zog was going to be performed as a live stage show with puppets, I thought – what a good idea! A golden star to the team who came up with the idea…
A cast of five performs the tale, they bring it to life with puppetry, playing instruments on stage and acting out each character. It’s a truly incredible feat when the talented five-some seamlessly move between playing a character, operating a puppet or playing a variety of different instruments. This innovative continuum does not break the story and keeps the flow of the tale brilliantly.
Emily Benjamin plays Princess Pearl and also performs in the ensemble. She’s entertaining and energetic to watch as she makes good use of the functional set. Robert Ginty plays Sir Gadabout and other characters in the ensemble and he demonstrates excellent comic timing. Elliot MacKenzie is Zog and he’s just the right stature and has accurate characteristics for the role. Dixie McDevitt kept the audience participating with the rabbit puppets and also entertained overall as a member of the ensemble. Euan Wilson shone as Madame Dragon, he was the epitome of strict school ma’am and gave a very physical performance.
As we go on Zog’s journey in his quest to win a golden star from Madame Dragon at school, it’s a wonderful window into the world of a young dragon. Reception age and year one children in particular should identify with the element of school and wanting to impress and do their best in a new environment with a disciplinarian at the helm.
Having said that, my five year old lost interest on a couple of occasions and I felt that he would have been more engaged is the dragon puppets had made more appearances. I felt there was some confusion on his part as to why the puppets were there and the performers were also there dressed as dragons. Maybe one or the other would have been better? The script varies from the dialogue I know so well from the book too. There was no mention of ‘what a good idea’ really or the zig-zagging through the blue, so it was disappointing from that perspective.
As a piece of theatre it was enjoyable and beautifully thought out, however the synchronicity with the much loved book was lacking. It’s a great way to encourage the younger audience member into the theatre though.
As you know, dear readers – I don’t often take to my blog for particularly personal posts, however my big 40 arrived on Monday and it’s inevitable that I’ve reflected on the past 10 years. Where in my standard day I’ve been able to fit in this reflection is a bafflement when I spends most of my waking hours trying to remember everything my social butterfly son has going on in his little life! I wouldn’t have it any other way though.
Entertainment Views (previously known as Break A Leg) turned 6 years old last month so blogging has dominated my 30s for sure. It’s no wonder my husband and son roll their eyes when they spot me with my laptop – which at times has been almost permanently glued to my knees.
Theatre has been at the heart of everything I’ve done, and it will certainly continue to be as my passion for it has been awoken ten fold over the past months. Music goes hand in hand with theatre of course so that has taken a prime position in my blogging career and I will also be carrying on with as many movie reviews as I can squeeze in, it’s easier now that the youngest reviewer in the ‘team’ can sit still for at least 5 minutes in the cinema.
When I turned 30 I had very little to think about apart from myself, which was a fairly easy task…. sometimes easy…. occasionally easy…. not all that easy! A month after I turned the big 30 I joined a local amateur musical theatre group to have a go at performing on the stage myself, something I’d often given thought to but not considered myself cut out for. My amateur performing career started with a bit of fun in the chorus of Hello Dolly and finished with the role of one of the daughters in The Pirates of Penzance – I met the man who would become my husband and we have our own little family now. Although my days of cavorting about the stage are over, my husband will never leave performing behind (and so he shouldn’t, he’s ace!) and our son is a born performer. I, on the other hand prefer to write about it!
Another memorable occasion from my 30th year was a double show day in London’s West End with my very best friend, Hayley. We had both hit 30 that year so we celebrated with a matinee of Blood Brothers and an evening performance of Phantom of the Opera. It was the first time we had seen either show! Those of you who follow my blog will know that we have seen ‘Blood Brothers’ many many times since and we could probably play the roles of the boys in a gender swapped production, we know it so well!
As I enjoy the last few days of my 30s I’m hugely grateful to the various people who’ve come into my life over the past decade. They might not be so grateful… but I am. The vast majority of them have stuck around and become friends whom I treasure, some have come and gone quickly and taught me a lesson along the way.
One of the most poignant moments occurred on Wednesday night, I had been kicking my heels up in London (I say heels, for the most part I was sporting Mickey Mouse trainers… what else?!). In the afternoon my friend Jen (whom I met four years ago through my blog) and I had been sitting level with the most humungous chandelier. We were in the cheap seats at the Old Vic, watching open mouthed as the legendary Sally Field and Bill Pullman did their thing on stage in All My Sons. In a traditional two show day to celebrate her birthday and mine, we strolled across the river to watch Mamma Mia! which was light relief after the intensity of the previous production we’d chosen. Joining us in the audience that evening was one of the most recent friends I’m delighted to have in my life, Yvonne Howard. I had seen her play Katisha in The Mikado with ENO when Sky Arts had broadcast it and thought she was the bees knees. As I sat in the beautiful Novello Theatre, Jen on one side of me and Yvonne on the other, with my three favourite Dynamos (Sara Poyzer, Kate Graham and Ricky Butt) being their usual talented selves on stage together with another new friend of mine, the wonderful Stephen Beckett (nobody wears the finale costume like Mr Beckett does!) – it was akin to a culmination of my past 6 years as a blogger. A Night to remember for sure, one of the happiest places for me is singing Abba tunes in amongst a full standing ovation surrounded by friends on stage and off.
There are moments in life we never forget, however large or small – and most of my treasured memories have taken place in the theatre in one way, shape or form! So here’s to my 40s and more years of spreading the word about entertainment goodness.
To complete my rambling I’d like to give you my top 40 theatrical moments from the past decade – indulge me if you will, the list has been a joy to reflect upon!
Top of the list has to be first being introduced to Sara Poyzer, Kate Graham and Ricky Butt as the dynamos in Mamma Mia! Not only did their stunning performances reawaken my love of musical theatre, their sheer exuberance, energy and talent has turned me into a life long fan of all three ladies.
Stephen Beckett must come next, not only for his brilliant portrayal of Bill Austin in Mamma Mia! but also for his memorable performance as Prospero in The Tempest at Stafford Castle.
Yvonne Howard’s performance as the Queen of the Fairies in Iolanthe at the Coliseum last year. She is responsible for my interest in opera going beyond Gilbert & Sullivan, even though this particular production was a G & S.
Sticking with Yvonne Howard, I’ve yet to see her live as Katisha in The Mikado with The ENO – however watching her via the broadcast on Sky Arts was one of the pinnacle moments in my love of theatre.
All My Sons at the Old Vic was firmly on my radar as soon as I knew that Sally Field and Bill Pullman would be leading the cast. It’s not every day that Hollywood legends perform on stage and certainly not a regular occurrence for that to happen in London. I will never forget the buzz of seeing them right there in front of me bringing a level of intensity to a classic play that moved me immeasurably.
Blood Brothers ~ the countless amounts of times I’ve watched the show speaks volumes. Plus I LOVED Sarah Jane Buckley playing the role of Mrs Johnstone, she understudied the part so opportunities to see her were limited, but thank goodness I was able to see her.
The Girls – or Calendar Girls the Musical was so good I saw it twice in the West End and I’m all set to see it on tour too. One of the best moments in the West End version was Claire Machin as Cora singing ‘Silent Night’.
Club Tropicana was one of the cheesiest musicals I’d ever had the pleasure of reviewing, but it was absolutely brilliant and Kate Robbins stole the show.
Cats, I’ve seen it plenty of times before, but I went to review it at New Wimbledon Theatre with my lovely friend Judy Buxton and she had never seen the show. So not only was I blown away as usual by the content, I was also overwhelmed to watch my companion’s reaction as she was overcome by the emotion of the show.
Move Over Mrs Markham at The Mill at Sonning was a fantastic highlight of last year, starring the aforementioned Judy Buxton, her husband, Jeffrey Holland, plus the super talented Finty Williams. A farce de force!
Sunset Boulevard at the old Comedy Theatre, London (now the Harold Pinter Theatre) was a defining moment of my 30th year – I adored Kathryn Evans as Norma Desmond and the show inspired me to have a go at treading the boards myself. In fact it was ‘With One Look’ that I used to audition to join a musical theatre company.
Gypsy at the Savoy Theatre absolutely rocked my world. Imelda Staunton has long been a favourite actress of mine but this performance was on a whole new level. I will never forget Julie Legrand as Electra either!
Wit at the Manchester Exchange Theatre starring Julie Hesmondhalgh has to be one of the most poignant pieces of theatre I have ever seen. She is so much more than Hayley from Coronation Street and the sublime Julie Legrand also starred in the production.
I think that Jeffrey Holland is one of the most talented stage and screen actors around and his one man show And This Is My Friend Mr Laurel is exceptional – I can’t wait to watch it again.
The Rocky Horror Show has to be seen to be believed and is one of my best loved musicals. Audience participation aplenty and great fun to dress up as weirdly and wonderful as we all like. Let’s do the time warp again!
Evita – not only one of the most powerful Andrew Lloyd Webber musicals in my humble opinion but one that holds s many special memories. One of the most poignant being my son’s first kicks when I was expecting, it was during ‘Peron’s Latest Flame’.
The Mousetrap, a legendary show that I was delighted to finally see – it’s an intricate tale and what a superb set!
42nd Street was one of the first musicals my parents took me to see so to be able to review the production in the west end last year was an amazing opportunity. Clare Halse was an incredible Peggy Sawyer.
Wendy and Peter Pan at the RSC still resonates now as a production, it was magical and enticing. I loved Rebecca Johnson’s performance as Mrs Darling too.
Present Laughter, the Noel Coward play was on my radar when it toured as it starred Phyllis Logan and I had been keen to see her on stage. It did not disappoint and neither did Ms Logan. Rebecca Johnson also co-starred and gave yet another excellent performance.
My second experience of watching the marvel that is Phyllis Logan on stage was provided by a two-hander play called Switzerland and it was spell-binding.
The Wizard of Oz at the London Palladium was glorious, I’d invested my time in watching the search for Dorothy on BBC One so to be able to see the winner in action was quite something. Plus Michael Crawford was outstanding.
Wind in the Willows which was also on at the London Palladium was so much fun, I loved the songs and Jenna Boyd was a real treat in her roles as well as the irrepressible Rufus Hound.
Over The Rainbow starring Lisa Maxwell and Gary Wilmott was a stunning piece of theatre, heartbreaking and packed with biopic content. Maxwell’s performance was second to none.
Our Ladies of Perpetual Succour was a raucous riot of a show from beginning to end and a fabulous afternoon out with the girls, especially with Hooch on offer!
King Lear at the Globe Theatre was worth all the standing up to see Kevin McNally as the King and a fantastic cast – it was one of the best incarnations of the piece that I have seen.
Avenue Q brings puppetry and inappropriateness galore, it’s one of the most hilarious evenings in the theatre I’ve had. You’ll not be able to get the lyrics out of your head.
The Lady Vanishes is one of my favourite plays from this year so far, I’ve not been so engrossed in a mystery on stage in a long time. Tension in the auditorium created by the drama on stage was palpable.
The Snowman is one of my favourite films and on stage it’s a wonder. Ballet and enchantment, it’s not to be missed and I will definitely watch it again in the future.
I’d never seen Ruddigore before, however last year I was delighted to have the chance to see it at Malvern Theatres. What a performance the whole cast gave, they were a sensation.
Night Must Fall was a gripping thriller I had the pleasure of reviewing in Malvern a few years ago, starring the marvellous Gwen Taylor. It’s a play I’d be interested in reviewing again as I spent so much of the previous experience on the edge of my seat!
Ghost Train was another fine example of a play which left me with many questions. Judy Buxton was memorable in this as an eccentric older lady. She was great fun to watch.
Anita and Me was a fine example of a poignant play set ahead of its time. and with a stellar cast too it’s one of my favourites.
Brassed Off was a wonderful production which started life at Wolverhampton Grand Theatre and was yet another chance to see Jeffrey Holland on stage. Beautifully done.
Jersey Boys was an emotional one to watch, one of our best friends whom we lost at the end of 2016 adored the show and had seen it many times. I could see why he loved it so much, it was joyful and also informative.
The Buddy Holly Story is one of my all time favourite shows, it’s got all my best loved hits in it! Of course it’s tinged with over-riding sadness but anyone who knows the story before they watch the show will be expecting the inevitable.
9 to 5 at Upstairs at the Gatehouse was such a fabulous show and worked in the small scale space. Pippa Winslow was on fire as Violet.
Pippa also starred in The Sound of Music on tour and I loved that production, it was well cast and the closest to the film version that I’ve seen.
Funny Girl, a show I’d managed to miss in the west end however on tour I saw Natasha Barnes, much celebrated for stepping into Sheridan Smith’s shoes and boy could I see why. Nova Skipp did an excellent job of standing in as Fanny Bryce’s mother too.
Finally, nobody shines on stage quite like my husband Garry McWilliams, he’s the consummate professional even when he’s appearing in amateur production. His training at Arts Ed never fails to show and I think he’s a talented performer. I am biased, but it’s also true!
That’s all folks! I can’t wait to make more memories and fall in love with many more productions during the next decade. I’ve got lots in the diary so I look forward to sharing my thoughts on my theatrical meanderings during my first year in the 40s club.
In case you hadn’t noticed, it’s the school holidays! Yet another half term has presented itself and in our case, we have a 5 year old to entertain for just over 2 weeks. Easter holidays not only bring a fortnight’s worth of fun with your offspring, they also occasionally tag on a cheeky day or two for teacher training. Everything these days costs a pound or two, even a ‘free’ trip to the local park is likely to include requests for ice cream, and of course there’s always an ice cream van to hand, jingling away! One of our saviours came in the form Birmingham Hippodrome Theatre.
It’s not difficult to entice my boy into a theatre, he’s been brought up going to shows that are age appropriate for most of his short life so far – of course he has! He’s my child after all! What helped to engage him with Birmingham Hippodrome’s week of fantastic activities was the Street Dance workshop offered for 5-7 year olds by the superb Dance Xchange. This hour long session offered on Good Friday showcased and demonstrated the quality of teaching from one of their talented teachers. The small group were taught a short dance which involved some moves which my little boy was familiar with as he already has street dance classes (as well as ballet and tap!).
The children were encouraged to warm up before they were put through their paces. The end result was several proud 5-7 year olds who could perform a street dance routine – and rather brilliantly too!
After that excitement the young ones were able to play with giant Lego bricks in the coffee bar area, that was a big hit. Also ideal for kids of all ages were the crafts that were on offer. From colouring an easter egg to making one to hang up at home or you could make a protest flag to wave. It was all good creative stuff designed to inspire the holidaying youngsters and my little boy hasn’t stopped talking about it.
The most amazing part of the activities offered is that they’re all free of charge. So unless you want to buy drinks or snacks in the coffee bar, your pennies can stay in your purse.
Birmingham Hippodrome offer these opportunities in the holidays regularly, so why not keep an eye on their website to find out what they have coming up soon: https://www.birminghamhippodrome.com/
Birmingham Hippodrome half-term workshops. Credit: Simon Hadley
Birmingham Hippodrome is staging an exciting programme of free theatrical workshops this Easter half-term. Designed with the family in mind, children of all ages will be entertained with a range of free workshops from Monday 15 – Friday 19 April.
For the first time at the Hippodrome, the theatre will host an accessible Sensory Circus (17 Apr) for children with additional needs including Autism, Asperger’s and other complex disabilities. As well as the Sensory Circus, there will be specially created chill out spaces close-by featuring circus play tents filled with sensory toys and apparatus.
In partnership with DanceXchange, Family Yoga (15 Apr) will offer parents and their little ones the chance to spend some happy, healthy time together. In the Street Dance workshop (19 Apr) expect a Hip-Hop inspired event where kids can work up a sweat with seasoned Street Dance teachers in the lead up to B-SIDE Hip-Hop Festival, coming to Birmingham this May.
In-keeping with Easter traditions, Easter Activities (15-19 Apr) will invite families to create their own colourful eggs, plus the chance to take part in an egg-citing Easter egg trail. There’s also the chance to discover industry secrets with Stage Make-Up for Families (16 Apr), with the opportunity to create dramatic characters and artistic make-up for the stage.
Arts and crafts take centre stage in the Build your own Brum workshop (18 Apr), working with illustrator Tsz, you’ll get to redesign your very own Birmingham. You can also join a Protest Flag Makingworkshop (16 & 19 Apr) inspired by Les Misérables. Drop in and create a flag with a message of peace or protest.
In the Make Your Own Theatre Poster workshop (15 & 18 Apr), families can come together to create eye-catching theatrical posters inspired by some of the headlining productions that have graced the Hippodrome stage.
Theatre has been my passion since I can remember and although in the past couple of years I’ve not been blogging as actively about my best loved genre of entertainment, it’s never left my radar.
Last night’s Olivier Awards reignited the theatrical spark for me and there are shows I will make it my mission to see – especially given the superb performances of excerpts from many of the nominated productions. From the magnificent Disney’s The Lion King to the stonking new musical Come From Away to Six – a pop concert style musical like no other I’ve seen before – the West End is packed with shows to suit every taste. The Tina Turner musical also looks incredible and if you heard Adrienne Warren who plays the real life legend, I’m sure you can’t fail to agree that she does Ms Turner proud and then some! Rosalie Craig made me feel alive with her rendition of Being Alive from Company and a finale featuring such wonderment as the stunning cast of Olivier winner Sir Matthew Bourne’s Swan Lake was a dream come true. Jason Manford was a superb host, witty and offering up relevant comedy, I found the comment about the over-charging in theatre bars particularly poignantly funny. He showed off his musical theatre side with the fantastic Janie Dee and Ruthie Henshall in tow, which was an unexpected treat indeed.
What of the award winners in the hotly contested categories? Although I’ve yet to see the show as I don’t frequent London as often as I would like, I’m delighted for Company, Jonathan Bailey and Patti Lupone – worthy winners in the Best Actor in a Supporting Role in a Musical category, Best Actress in a Supporting Role in a Musical category and Best Musical Revival. Judging by the immense performance given by the cast of Come From Away, their Best New Musical win (amongst other awards) was well deserved, the production stars one of my favourite performers, Jenna Boyd, it’s got to be worth a watch just to see her! Catherine Zuber should also be congratulated, her costume design for The King And I is a triumph and she should rightly be celebrated. Shout out to my favourite Donna and the Dynamos, Sara Poyzer, Kate Graham and Ricky Butt who presented that particular award in their Mamma Mia! costumes. Porgy and Bess was also on my radar and a winner from the Best Opera nominations which I had high hopes for. I must also add my congratulations to the terrific super-talent Monica Dolan for her win for Best Actress in a Supporting Role award for All About Eve. I haven’t seen the play yet but Monica Dolan is a chameleon on an actress and wows me in all she does.
Here’s the full list of winners….
BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL
Jonathan Bailey for Company at Gielgud Theatre
BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL
Patti LuPone for Company at Gielgud Theatre
OUTSTANDING ACHIEVEMENT IN MUSIC
Come From Away – Book, Music and Lyrics: David Hein and Irene Sankoff; Music Supervisor, Arrangements: Ian Eisendrath; Orchestrations: August Eriksmoen; Musical Director/UK Music Supervisor: Alan Berry; and the band of Come From Away at Phoenix Theatre
BEST NEW DANCE PRODUCTION
Blkdog by Botis Seva at Sadler’s Wells
OUTSTANDING ACHIEVEMENT IN DANCE
Akram Khan for his performance in Xenos at Sadler’s Wells
BEST ENTERTAINMENT AND FAMILY
A Monster Calls at The Old Vic
BEST THEATRE CHOREOGRAPHER
Kelly Devine for Come From Away at Phoenix Theatre
MAGIC RADIO BEST MUSICAL REVIVAL
Company at Gielgud Theatre
BEST ACTOR IN A MUSICAL
Kobna Holdbrook-Smith for Tina – The Tina Turner Musical at Aldwych Theatre
BEST ACTRESS IN A MUSICAL
Sharon D. Clarke for Caroline, Or Change at Playhouse Theatre
CUNARD BEST REVIVAL
Summer And Smoke at Almeida Theatre and Duke of York’s Theatre
BEST NEW COMEDY
Home, I’m Darling at National Theatre – Dorfman and Duke of York’s Theatre
OUTSTANDING ACHIEVEMENT IN AFFILIATE THEATRE
Flesh And Bone at Soho Theatre
WHITE LIGHT AWARD FOR BEST LIGHTING DESIGN
Jon Clark for The Inheritance at Young Vic and Noël Coward Theatre
ROYAL ALBERT HALL AWARD FOR BEST SOUND DESIGN
Gareth Owen for Come From Away at Phoenix Theatre
BEST COSTUME DESIGN
Catherine Zuber for The King And I at The London Palladium
BLUE-I THEATRE TECHNOLOGY AWARD FOR BEST SET DESIGN
Bunny Christie for Company at Gielgud Theatre
BEST ACTOR IN A SUPPORTING ROLE
Chris Walley for The Lieutenant Of Inishmore at Noël Coward Theatre
BEST ACTRESS IN A SUPPORTING ROLE
Monica Dolan for All About Eve at Noël Coward Theatre
BEST NEW OPERA PRODUCTION
Katya Kabanova at Royal Opera House
OUTSTANDING ACHIEVEMENT IN OPERA
The ensemble of Porgy And Bess at London Coliseum
Kyle Soller for The Inheritance at Young Vic and Noël Coward Theatre
Patsy Ferran for Summer And Smoke at Almeida Theatre and Duke of York’s Theatre
SIR PETER HALL AWARD FOR BEST DIRECTOR
Stephen Daldry for The Inheritance at Young Vic and Noël Coward Theatre
AMERICAN AIRLINES BEST NEW PLAY
The Inheritance at Young Vic and Noël Coward Theatre
Take a classic thriller written by Sidney Gilliat and Frank Launder, the film version having been directed by Alfred Hitchcock, add a stellar cast and one of the most atmospheric sets I’ve seen in a long time – what do you get? A flawless production of The Lady Vanishes.
Although I was already familiar with the title of the production, initially I was unfamiliar with the story. Therefore watching the action and mystery unfold with no prior knowledge was a real treat. The scene and tone at the railway station were immediately set and there was an overriding feel of authority and fear as Hitler’s Germany reigned supreme. The characters are introduced gradually and they all have a tale to tell, while a few characters remain vague which helps to build the tension and suspense throughout. What’s evident from the outset is that clues are everywhere and dovetail perfectly when the conclusion is reached.
The story is paced to perfection by the strong ensemble, Juliet Mills shone as Miss Froy – the lady who seemingly vanishes aboard a train to England, Lorna Fitzgerald has the opportunity to demonstrate that she is capable of extraordinary stage craft – I had known her as Abi Branning in Eastenders. As Iris, the young woman who is hell bent on discovering what has happened to Miss Froy, she couldn’t have characterised better. The chemistry and sublime partnership Fitzgerald has with Matt Barber as the unintentionally comedic Max. Barber is another familiar face from the television, having starred as the husband of Lily James’ character, Lady Rose, in Downton Abbey. While Barber remains a firm favourite of mine from the series, for as a screen actor I felt he was a joy to watch – on stage he excels further and every nuance of his performance was measured and deliberate – he certainly has hidden depths. Maxwell Caulfield possessed an eerily unpleasant quality in the somewhat pivotal role of Dr Hartz, it was really easy to dislike him and suspect him. Robert Duncan and Ben Nealon often stole the show as cricketing enthusiasts and businessmen, Charters and Caldicott. Duncan’s comic timing had me laughing out loud on more than one occasion. Philip Lowrie played the fairly benign Eric, apparently trying to run off with Margaret (Elizabeth Payne) yet making a dog’s dinner of their scandalous liaison. Lowrie and Payne made a watchable and believable couple – Lowrie’s years of experience on stage and screen are obvious and I was fascinated with Payne’s stage presence and superb diction.
Antony Lampard’s adaptation lends itself to the stage, brilliantly and Roy Marsden’s direction is on point as always, he’s one of my favourite directors. You’ll be sure to become an armchair sleuth as the story unfolds, chaos ensues and inevitable tragedy occurs too.
I’m late with last year’s highlights but suffice to say that 2018 was a fantastic year for shows of all genres. A great mix was on offer for Entertainment Views to attend and there have been so many wonderful memories made along the way. Here are just a few of the stand-out opportunities I had…
Gilbert & Sullivan’s operettas have been on my radar for years and I’ve watched many of them, however I had never seen Iolanthe nor the wonderful ENO performing one of their famous operettas. So – the chance to see Iolanthe performed by the ENO at London’s Coliseum was too good a chance to miss. With Yvonne Howard giving an outstanding performance as the Fairy Queen and a cast de force, all I can say is bring on its return! Iolanthe Review
Hotel Transylvania 3
What a movie! My movie of the year for sure! If you’ve never seen the other movies in the franchise it doesn’t matter, you can dive into this one and soon get the gist of the hilarious plot and get to know the madcap characters. A great film for grown ups as well as kids.
Falstaff (Garsington Opera)
Opera is one of my new loves and Falstaff was one of my first experiences of a non-operetta style. It starred Yvonne Howard who (as you already know) is one of my all-time favourite performers and Henry Waddington was exceptional in the lead title role. Garsington offers beautiful surroundings and a unique setting – I hope to return this summer. Falstaff Review
Coventry Comic Con
One of my favourite Comic Cons returned for its second year and it was a glorious set-up as expected. Plenty of stalls, activities and cosplayers as well as a great spacious layout. Our who family love this one and can’t wait to go again this year. Coventry Comic Con Review
I adore Blood Brothers, it’s one of my all-time favourite musicals and for the past couple of years one of the best actresses (in my humble opinion) has been playing Mrs Lyons and understudying the role of Mrs Johnstone – the brilliant Sarah-Jane Buckley. I was lucky enough to see the show a few times in 2018 and look forward to seeing it again this year, although a few cast changes are afoot… Here’s one of my latest reviews: Blood Brothers Review
This Morning Live!
I am a huge fan of This Morning and for those who know me well, you’ll be aware that I am also a massive fan of Ruth Langsford and Eamonn Holmes. In Birmingham we’re really lucky to have the This Morning Live! show at the NEC and it was a superb experience. From shopping to cooking masterclasses to meeting the presenters themselves (I only managed to meet Alison Hammond this time around but she is amazing and so lovely) – I couldn’t recommend the show more. This Morning Live! Review
Sixties Gold Show
I’ve long been a fan of The Searchers and I’ve supported them on solo tours on many an occasion – however this was the first Sixties Gold tour I’d been to. It was one of the biggest highlights of my reviewing year and I’m really looking forward to the next one. It was such an amazing night, buzzing! Sixties Gold Tour Review
BBC Good Food Show
I’ve been interested in going to the BBC Good Food Show for years, I finally grabbed the opportunity to attend their winter show and it was everything I hoped it would be! I’m looking forward to attending the summer show this year. BBC Good Food Show
Claire Richards solo gig
I adore Steps, I have so many favourites from among their epic back-catalogue, however I am also loving Claire Richards as a solo artist. She’s got such a powerful voice and her versatility knows no bounds. A superb gig at Birmingham Town Hall showcased her talent, the album is out very soon and my review of her gig is here: Claire Richards Review
Snow White and the Seven Dwarfs (Malvern Theatres)
Malvern Theatres has long been top of my list of midlands-based theatres and their production of Snow White and the Seven Dwarfs was a brilliant cornucopia of mad-cap stereotypical panto antics. Su Pollard was a revelation and stole the show. A well deserved five stars! Snow White and the Seven Dwarfs Review
The Future of Entertainment Views
On a final note, I wanted to update all of my valued readers and subscribers on the direction that 2019 will most likely see my small corner of the internet, taking. You can find a bit about this particular rambling on my https://entertainmentviews.co.uk/about/ but I wanted to use this post to chat a bit more about blogging and me. As an established blogger juggling a young family as well as having a bash at hanging on to a day job too, I’m often asked all of the questions I’m about to answer…
In 2013 I branched out as an independent theatre blogger, reviewing shows at the local theatres I’d built up a relationship with on behalf of an established review site which sadly no longer exists. Break A Leg Review was born at around the same time as I discovered I was pregnant so my progress was slow to begin with, although I kept up with it as much as possible. I worked full time in a day job with the NHS and my morning sickness was as backwards as I can be, in that it appeared in the evenings!
I was reviewing in and around the West Midlands as that’s where I’m based and I had managed to secure a place on press lists at most of the theatres that I frequent. In 2015 I was lucky enough to connect with London theatres and due to suggestions from the various people I was interviewing, meeting and liaising with – I added movie and television reviews to the mix as well as music too. My blog took off in ways I could never have imagined during that year.
I made the decision to reach out to London theatres (and many other venues around the UK) as well as add other types of review to my blog because I had become a mum in 2014. That’s the quick answer. Becoming a mum changed my life in thousands of ways. To begin with, I was so consumed by the tiny little boy in my life that I considered giving up my blog. However, having returned to my day job on a part time basis while I searched for a different career that would suit motherhood and the juggling, I was considering blogging and therefore working from home, as a viable option. I ended up in another NHS job working unsociable hours instead, however so draining on my mental health was this new job, that it became even more of a goal to be able to work from home.
I took yet another NHS job to keep the bank account happy and which made my mental health happier (for a limited period of time!) and worked hard throughout 2016 to try my hand at other things such as social media management and website creations. I might have been working part time in the NHS but with my other work (blog included) mounting up – it felt like the right time to take the plunge and work solely from home. Timing was good as 2017 was my little boy’s last full year at nursery before he started school in 2018.
Truthfully, it worked for a while and was even enjoyable at times. I branched out into entertainment PR and dabbled in many areas. However, what I learned was that working from home and making a career out of blogging is not my thing. I still love to blog of course, but I don’t want my blog to be the be all and end all. The family dynamics change once your little one goes to school too. I found I couldn’t just pop off to London and I didn’t want to. I lose 6 hours a days for 5 days a week of my lad’s company during term time and I love being able to drop him off at school and pick him up. The smile on his face when I’m waiting at his classroom door is more moving than any theatrical performance I’ve reviewed.
2018 saw me start another job with the NHS (it’s what I know!) and that works at the moment. I like leaving the house to go to work and although it’s been a slightly awkward transition for my boy as he got used to me being at home, we’re all getting on with it.
2019 sees me being less of a critic and more of a cheerleader as I share all my positive experiences with you. I also have a few new ventures on the horizon which will hopefully help my much-desired career changes to take shape – but at the heart of everything are my boys – my husband and my son.
Have you tried to combine blogging with parenthood and career juggling? I’d love to hear about your experiences too!
When a show really blows you away, mentally and physically, it’s a rare and beautiful thing. Evita, one of Andrew Lloyd Webber’s classics, has been on my radar for years and I have reviewed it on many occasions in the past. However, last night’s incarnation at Malvern Theatres may have just trumped the lot with a cast de force, spectacularly slick choreography (Bill Deamer has done a wonderful job) and a live orchestra which in my humble opinion is unbeatable.
The story charts the rise and fall of real life icon, Eva Peron. With Lloyd Webber’s stunning composition and Tim Rice’s innovative lyrics which have stood the test of time, this musical ‘take’ on a historical figure is moving, intriguing and intricate. Subtle tongue-in-cheek humour lightens the often heavy mood and powerful performances bowled over the full house. As we see Eva (Lucy O’Byrne) manipulating a myriad of men on her quest to conquer Buenos Aires, the big apple, there’s eloquent and bitter narration from Che (Glenn Carter), a revolutionist. Eva eventually gets her man, when she presents herself to Peron (a military man who is also on the climb as he heads up Argentina) as a woman who would be ‘surprisingly good’ for him. The story, though life affirming in its own way is not without its tragic twist.
Lucy O’Byrne positively shine as Eva, it’s a role that was seemingly made for her it’s such a perfect fit. Her vocal ability pushes boundaries as the intensity and immense power of her voice increased with every musical number. Her chemistry with both Glenn Carter as Che which is brooding and stalking and Peron (Mike Sterling) – which carries a more passionate and fiery determination, was palpable. Carter’s diction was on point throughout, a greater story teller I’ve yet to see in this particular show. Sterling had magnificent stage presence which lent itself brilliantly to the role of Peron. The entire cast should be proud of their accomplishment, Oliver Slade particularly stood out as one of the ministers, likewise Verity Burgess grabbed my attention and held it in all of the numbers in which she was involved.
Two of my personal favourite songs were as memorable as I hoped they would be, ‘Peron’s Latest Flame’ and ‘Rainbow High’ – such rousing melodies with engaging performances to match. O’Byrne handled ‘Don’t Cry For Me Argentina’ like a dream, the crescendo literally blew me backwards in my seat. Each musical number has something different to offer, though and there isn’t one that doesn’t belong.
Don’t miss the opportunity to catch the show at a theatre near you, it is a true masterpiece and the cast are treating it as such.
Bing Live! continues its tour of the UK, check out all the dates and buy tickets here:Bing Live!
Star rating: *****
Bing Live! has long been a favourite of my four year old son, Cbeebies being his channel of choice and the young bunny having been a frequent ‘visitor’ in our living room over the past few years.
Seeing the rabbit himself come to life by way of innovative puppetry in a live show full of fun, frolics and Bing thing antics was a treat from beginning to end. Naturally, Flop was on hand to guide Bing as he met up with his usual circle of friends (Sula, Coco and Pando) to play dress up and be creative.
The toilet train is a prominent feature of course, and there’s a 15 minute interval to allow the smaller members of the audience to take a toilet train and refreshment break. In fact for the youngsters of all ages, the timing of the show is perfect. It’s just long enough to capture their imaginations and hold their attention.
Audience participation is encouraged and there are plenty of opportunities for everybody to get involved with singing and dancing. The puppeteers are highly skilled and talented individuals and it’s easy to forget they’re there as they subtly operate the television favourites.
There’s a vibrant set to engage the small ones too, with lots to see and a great view to be had from any seat in Town Hall, Birmingham. Highly recommended for little kids and big kids alike, this is one of the best shows for the tiny theatre-goer that we’ve seen.